***Tribute to the people of Ukraine, who have lost their lives in the current 2022 power struggle for territory...Also to the Russians that have been killed, because they were forced to go to war & it was unnecessary in the first & worst place! 
May your suffering & injuries cause the world to put an end to this disastrous dictating. I hold you in my healing & comforting thoughts!

The Avenged Soldiers

Please support on a streaming platform near you:

Apple Music:
https://music.apple.com/dk/album/sigfus/1598365947?l=da

Spotify:
https://open.spotify.com/album/44yQrvCwAdhdd9oxf1h0ha?si=cdFaKXTXT3m-nE0oBdSMlg

YouTube:
https://www.youtube.com/channel/UCyEmFL_ew1e2L3ZmbOZOfIQ

Thank you!

Backyard perspective

Duet

Art work: Juanita Mulder via Pixabay

誰かが今も狙撃されてる
今夜のおかず
今夜のおかず
ごはんのしたく
ごはんのしたく
いくさのしたく

Even though someone is being sniped at this very moment, 
I am thinking about tonight's meal.
As I am preparing dinner, someone is preparing for war.

Duet

2022-05-02

Mystery

Solo Piano - Chris Bright

marsh heron 0618 - 6:18:22, 10.26 PM

Valiabt

My mother had a nice 90. birthday. I'm happy.

90. Birthday Of My Dear Mother

Marco Lucchi : synthesizer

playing with "matsukaze"
https://soundcloud.com/daniele-varelli/matsukaze
by Daniele Varelli

19 ottobre 2022

The stream [w/Daniele Varelli]

Mozart - Adagio in B Minor

Epilogue (solo piano version)

Who She Is

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

marsh heron 0618 - 6:18:22, 10.26 PM

Chris Bright

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