Liquid X 24922 Remix Vox

Fucked Up Again!!!

Diplomacy 
Could Easily
Stop World War 3
Complacency
And Idiocy
Could Wipe us out
Why can't you see? 

I don't want your nuclear bomb
I don't want to be on the run
Blown to kingdom come
Be a number in your sums


266. world war 3 (harding).mp3

Vox & Lyrics - https://soundcloud.com/running-wolf-3/im-a-hypocrite-acapela
Artist - https://soundcloud.com/running-wolf-3
MOSNAR DET - Remixing, Drum guitar and bass programming
Special thanks to Running Wolf! check out his stuff!

Running Wolf - I'm A Hypocrite Acapela (Open Collab)

In (Loop) We Trust

Out of the Box December 2022
Featured voice Hannah Fry, Professor of Mathematics
"The Secret Genius Of Modern Life" BBC Television

The Secret Genius Of Modern Life #2

Solo Piano - Chris Bright

might as well 1224 - 12:24:22, 8.02 PM

Sinfonia N°1 « Parabole » by Franck Douvin (May, 2001)
Here's my first symphony composed on May 2001. The same year I obtained when I was 37 years old my first prize with the best greetings of the jury at the superior music school « Ribaupierre » of Lausanne after being working during eight years (from 1993 to 2001) with Maestro Lucian Metianu (b. 1937).
This first symphony was also selected as part of the 125th anniversary of the Bern Symphony Orchestra in 2003 and for all my pleasure, was played by this same orchestra...
You can to this end follow me on my website : www.franckdouvin.com
Franck Douvin © 2001 Contemporary chamber music
Thanks for listening & sharing
I hope you'll enjoy !

Sinfonia N°1 « Parabole » by Franck Douvin (May, 2001)

Moy Road

down the road a bit 9.25.25

Found (Prod.DOC)
83.192bpm

Laidback Hip-Hop Instrumental, just Beautiful. 
Freshly prepared and slightly seasoned by, 
6 Feet Over

Contact WavyDoc to discuss Leasing or Purchase.

Found.Mix.2.1

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

might as well 1224 - 12:24:22, 8.02 PM

Chris Bright

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