Solo Piano - Chris Bright

opening and closing - 8:18:23, 8.26 PM

Rege - Caron X

This time, the most latest the three of us did.  Was almost finished last year. But needed a few more brushstrokes of bass, and some mastering. In our humble opinion a state-of-the-art Glitch n Dub, a track that we ourselves really enjoy listening, dreaming, and laughing too. 🙂‍↔️ 😄 Sometimes it gives us the spooks. 🫨

Plasmolysis

The Return From Mars - Rhino Jooos × Joe Peanuts

Back to basics:) Recorded in the middle of summer. Enjoy the groove.  320 kb/s mp3 file here. 
Is included on new album "C-tracks" with a total of 9 unreleased tracks. Available next friday (17.10.25)

C-tracks

C03-C04

indrijku

Check out my boutique at https://nouchu.wordpress.com/

"Kristallschamane"

Mesyats

made with looper and amp and mics and stylophone and nch

Bruh DO U EVEN  SWIM

Marco Lucchi : piano and electric organ

*

for the current #disquiet junto challenge
https://disquiet.com/2025/10/09/disquiet-junto-project-0719-riding-on-the-metronome/

piano sketch 2 [disquiet # 0719] 60 bpm

premier essai d'une batterie afrobeat pour ce nouvel ambient

le bal des étoiles

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

opening and closing - 8:18:23, 8.26 PM

Chris Bright

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