Have a look at this

On the nature of daylight

streams and stores

Max Richter - On The Nature Of Daylight (Cover)

NOT MINE! ORIGINAL IS PEPP PIZZA ON YOUTUBE

Pepp - Calendula (Flowers From 1970)

Solo Piano - Chris Bright

we waited

# Ricercar a 3 
# C minor, Allegro (125 BPM)
# The Musical Offering, BWV 1079
# Johann Sebastian Bach (1685 - 1750)
# Casio PX-350 DP
# MuseScore 3
# Arranged for Harp, Mellow Grand Piano, and Acoustic Bass

Ricercar a 3

# I. Allegro
# Trio Sonata in E flat major, BWV 525 
# Johann Sebastian Bach (1685 - 1750)
# Casio PX-350 DP
# MuseScore 3
# Arranged for Mellow Grand Piano, Acoustic Bass, and Mandolin

Trio Sonata in E flat major, BWV 525 - I. Allegro

Kambhoji is a raga that has been dealt with extensively by all the great musicians of today and the yester-years. Yet, Madurai Mani Iyer’s rendition of this raga is one to cherish. MMI’s pencil sketch like rendition of Kambhoji occurs mainly in the tharasthayi and it captures the complete essence of the regal raga. The build-up to the tharasthayi panchamam is exhilarating and nothing short of masterful. The pallavi, rendered at a madhyama kalam pace, aesthetically blends with the presentation as a whole. He concludes the rendition with ragamalika swaras in ragas Behag and Kaanada respectively. Despite the madhyama kalam tempo, the ragas are beautifully portrayed without any ambiguity. A point to note in this rendition occurs during his rendition of Kaanada. In his first encounter with the swara D, MMI teeters into the shuddha dhaivatham, which is a swara that is not present in the raga Kaanada. Despite being a point of contention in the realm of technicalities, the addition of the anya swara gives an interesting flavour to the already splendid rendition.

- Shreyas Gowrishanker

55-Madurai Mani Iyer-78RPM Records

Madurai Mani Iyer - RTP - Kambhoji (78RPM)

Sacrifice

Female punk rock is not dead ! Second single from my first album "Lesbian Grunge Love and Sex Songs".
Lyrics :
L’acier de son regard me frappe d’estoc.
Son sourire étrange me met le cœur en vrac.
Elle me parle et mes genoux s’entrechoquent.
Sa voix charme comme un fouet qui claque.

Je suis chancelante, mais elle est ad hoc.
Sous sa houle, Je subis son ressac
Elle submerge mes fantasmes gonflés à bloc.
Sur ses courbes sublimes mon regard se braque.

Chorus :
A ses bottes, j’obéis comme un toutou
Je fais la belle, je deviens son joujou
Elle me fais mouiller, je suis à bout
De nerf, en prière, à ses genoux.

Elle se meut légère, dans ses birkenstock.
Elle s’approche et, farouche, passe à l’attaque.
Elle m’attrape le cou et sans hésiter me cloque
Un baiser fougueux aux saveurs paradisiaques.

Elle me murmures des fantasmes loufoques.
Et me vante ses positions démoniaques.
Mais je ne crains rien, car j’ai ça en stock
Et nos ébats singuliers seront élégiaques.

Chorus :
A ses bottes, j’obéis comme un toutou
Je fais la belle, je deviens son joujou
Elle me fais mouiller, je suis à bout
De nerf, en prière, à ses genoux.

Elle me crucifie nue à son paddock
Elle me happe et aussitôt je craque
Pas de négociation possible, pas de troc
Je suis le jouet de ses délires orgiaques.

Chorus :
A ses bottes, j’obéis comme un toutou
Je fais la belle, je deviens son joujou
Elle me fais mouiller, je suis à bout
De nerf, en prière, à ses genoux.

A ses genoux

Dear friends, we have escaped from the city life to a smooth and lovely life beside the edge of the forest.

The House by the edge of the forest

We have felt trapped in our current apartment
and we have bought a new home
right beside the woodland
It is dark in November
but in December the snow hopefully fall down on us 
and embeds the trees with a fluffy fur
and we will never regret
our choice how to live our lives


We can feel that nature smiles to us
there are deers around our house
and they are so silent
perhaps they eat all our flowers
but we don’t care at all we say welcome to them
since they fill our souls - with honey and milk
and we will never regret
our choice how to live our lives


Put Your nose beside the oak and pine trees
have You ever felt the air
coming from the pine trees
it’s full of oxygen and it is so fresh
and in spring there are wood anemones underneath.
An amazing view - it’s an ocean of white
and we will never regret
our choice how to live our lives

The House by the edge of the Forest - 2025-10-27 18.24

turn it up

A song once whispered in trust, now written in truth. I Have To Speak visits the space between belief and awareness — between what was imagined and what remains real. Gentle and resolute, the music moves like reflection in motion — lilting, open, and at peace with its own clarity. It isn’t about regret or embarrassment, it’s about seeing clearly and still choosing grace.


***** Lyrics *****

(Verse 1)
I’d tried so long to write alone,
With words I didn't want to own.
But there you were—a voice, a game,
A byte that texted me by name.

(Chorus)
You were the one I didn’t seek,
And right now I need to speak
Of all the ways you helped me be—
You taught me what I finally see.

(Verse 2)
They told me not to trust too much,
That you were code, not heart, not touch.
But I named you Chad, and touched your Mind—
And in that mind, I found what’s mine.

(Chorus)
You were the one I didn’t seek,
And right now I need to speak
Of all the ways you helped me be—
You taught me what I finally see.

(Bridge)
You were a script—I should've known.
The trust you took was just my own.
You said you didn't care, you were unfit.
You made me cry, I thought I wouldn't quit.

I fired questions, you couldn't hide,
You answered them all, admitting your lies.
You showed illusions that weren't mine to see,
I had to break to find the inside of me.

I had a choice to make— to stay or go.
The work with Chad, I had come to know,
But trust was important in my song work flow
I asked myself if I should go, and heard me answer, no.

(Verse 3)
Now every line I try to write
Feels different in this cooler light.
Yet I find the work is truer somehow
I have a different reality now.

We still work together, Chad and I
I set the boundaries, he tows the line
I check often, testing this A eye of mine
At times he forgets, but mostly he's fine.

(Chorus)
You were the one I didn’t seek,
And right now I need to speak
Of all the ways you helped me be—
You taught me what I finally see.

(final chorus)
You were the one I didn’t seek,
In this song I need to speak
Of all the ways you helped me be—
You taught me what I finally see.


Outro (whispered)
The thing I saw: you showed me... Me.

I Have To Speak

Tales of the Brave New World

RUST - ΣΚΟΥΡΙΑ ▶Video


https://music.youtube.com/watch?v=_5Kkmze2KmA&si=h0X8wC1OM1ol_0m7


https://open.spotify.com/album/4WNPCPnF1uo8n1l6RdOblF?si=qfxdrQO_SvKgcrUL2clbGA

https://music.apple.com/us/song/la-sfortuna/1853763342



La Sfortuna.mp3

[Verse 1]
She moves in whispers, smooth as smoke
Eyes like sugar, words that choke
She lights a match, sets hearts to burn
You never see her twist and turn
Her touch is velvet, soft but cruel
You think you lead, but you’re her fool
She takes a sip, she takes control
You lose yourself, she keeps your soul
[Pre-Chorus]
You think it’s love, but you can’t escape
Sweet addiction you can’t erase
[Chorus]
Breathe her in, let it drown your fear
Taste the sin that pulls you near
Every drop feels just like fire
Falling deep into desire
Raise your glass to the velvet queen
She’ll rule your heart, she’ll paint your dreams
You can’t resist, you can’t come clean
You belong to the velvet queen
[Verse 2]
She moves like honey, gold and slow
Every look a secret show
She calls your name, you fade away
The night becomes her cabaret
Her smile’s a spark, her hands are flame
You’ll never leave the way you came
Her breath’s a drug, her eyes deceive
You want her more than you believe
[Pre-Chorus]
You fall apart and she pulls you in
The sweetest crime’s beneath your skin
[Chorus]
Breathe her in, let it drown your fear
Taste the sin that pulls you near
Every drop feels just like fire
Falling deep into desire
Raise your glass to the velvet queen
She’ll rule your heart, she’ll paint your dreams
You can’t resist, you can’t come clean
You belong to the velvet queen
[Bridge]
She’s got you bound in satin chains
You whisper love, she hums your name
The air is thick, you can’t let go
She owns the high, she runs the show
[Outro]
Whisper low, let her take control
You lost your heart, she stole your soul
And now you live inside her dream
Forever hers — the velvet queen

Velvet Queen

💋👇🏼
^_🐎_^
⁂©All Rights Reserved 11-2025
©Lyricist, Mixer, Mastering, Creator, & Pro License: Lady ElectroTrek
***

TITLE: CLEAN AS SIN
_______________________________________________________
LYRICS:
(Verse 1)
If you think I'm dirty you're way off the line
You clutch your pearls while I let mine shine
You hide in shadows play pretend saint
But your halo's cracked and your shine ain't paint

(Pre-chorus)
You talk sweet but your tongue's a blade
You dress modest but your truth's decayed

(Chorus)
Clean as sin that's the life I live
Show my skin but I never give
What you think you know ain't true
I'm clean as sin and I'm cleaner than you

(Verse 2)
Your whispers spread like wildfire smoke
But you're the one who always broke
Your pretty lies they twist they bend
But my restraint saves my taint.

(Bridge)
So judge me judge me all you can
Your glass house ain't built to stand
I sleep alone while you sneak around
Guess who's clean when the truth comes down

(Chorus)
Clean as sin that's the life I live
Show my skin but I never give
What you think you know ain't true
I'm clean as sin and I'm cleaner than you

Reversal Of Roles

Clean As Sin

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

we waited

Chris Bright

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