"Autumn to Winter" was composed for the Piano Soundboard "Four Key" challenge on Facebook, and is my first piece using the new Soundpaint from 8Dio, featuring their 1928 Scoring Piano.

The photo in the cover art is from 8moments on Pixabay:  https://pixabay.com/users/8moments-4532813/

Autumn to Winter

AUTUMN TO WINTER

Music & Lyrics : Dame Géraldine
Clavier, vocals, percussions : Dame Géraldine
Bass Guitar : Giovanni Scardino
Record, Mix, Mastering : Studio Elixir

Je gomme

My Sweet Darling

It starts with a phrase played on bugle (Luc van Lieshout). That phrase evolves into a cloud on which everything floats.

Don't Say Anything

Yesterday, i recorded this little Springtime- Improvisation. Hope, you enjoy!

1':21''  Springtime 2023

Tystnad

Solo Piano - Chris Bright

we were all there - 8:31:23, 6.55 PM

The Day the Sun Went Away

Farvel

Farvel - No.5 - 6 Elegiac Songs Op.59 - Edvard Grieg

Fully improvisation. Performed on a digital piano using a layer with a pad, piano, and sub. Then adjusting individual volume and fx levels with Maschine faders.

Artwork by the insanely talented t1na (Martina Stipan), go comment on her stuff! http://t1na.deviantart.com/

Currently listening to fluid in my lungs.

If you plan to download and use this, please leave a comment with the link to the video. You don't have to ask :)

Free Download

when we RULed the WORLd... (Half Hour Piano Jam for Sleep/Meditation/Study)

I know it's been a while. Hope you are all well. I composed these days a loose jazz ballad. Not quite common for me, but made a lot of fun. The rhythm section (bass & drums)is programmed. Hope you enjoy.... 
Have a nice summer wherever you are.

Bright Day

Be kind to others - you never know what secret battle or pain they are fighting - be kind to others.

Weeping in the Desert (At the End of Myself)

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

we were all there - 8:31:23, 6.55 PM

Chris Bright

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