We Are The Vegetable Market

Rhythmic drums and hearts collide,
beneath their tartan’s proud disguise.
Each soldier boy, a child inside,
beholds this dawn with hollowed eyes.
The fetor of fear and peat and sweat,
bleeding under the thunder’s moan.
They steel their hearts, lest they forget,
the men they must become.

Before the Battle Begins

Video Link: https://www.youtube.com/watch?v=-pqcATbB1Ck
Atmospheric dubby tenor saxophone  by Jörg: @joerxworx



We have another great Rooftop Jam Session for you today💖

In May 2024, the Rooftop Live Jam took place at Amanitalinda's house. There was a live didgeridoo performance on the rooftop.
Our Child of Nature backing track served as the basis.

In October 2025, Jörg and Morten revisited this idea and expanded Amanitalinda's live performance with bass and tenor saxophones, resulting in this stunning remix.

Linda's didgeridoo and Jörg's tenor sax alternate in playing the role of the main instrument. Which feel wonderfully integrated into the overall character of the song.
It feels like we're a smart little band that can coordinate well with each other. This is a unique interval that resonates body and soul.
Please listen and give us feedback!

Please note: This special cover symbolizes Amanitalinda's enormous musical versatility and transformability.



Live recording video. 
Recorded in the east part of central Slovakia.
Home Sweet Home ✨💖✨

Let the dream go on✨ 💫 🌟
🙏🐉🦋

Remixes

Rooftop Live Jam (Remix) feat. Jörg (Tenor Sax)

Rooftop Live Jam (Remix) feat. Jörg (Tenor Sax) & Video Link

Coercive is an ambient exploration of control, tension, and the quiet unease that hides beneath relationships. Through evolving textures, and fragile melodic fragments, the track reflects the slow erosion of boundaries — the way affection can twist into pressure, and intimacy into power.
This piece drifts through that emotional terrain — where vulnerability meets manipulation, and intimacy begins to suffocate. The layered drones and shifting harmonics mirror the emotional confusion of coercive love: beauty that feels heavy, comfort that feels conditional.
Subtle dissonances weave through moments of calm, reflecting the contradictions of affection and dominance coexisting. Every swell, every quiet decay, is a conversation between freedom and fear — between wanting to be seen, and being reshaped. 
Thanks ChatGPT !!!

As Vincent Van Gogh once said :-
Thank you for lending me your ear and if you like the sunflowers don't forget to repost, like and follow.

Coercive

Music by Dave Rose.
St Oswald's Church sits in a field up on the Hadrians Wall. It looks out over the cheviots and beyond into Scotland. It's very exposed and the weather can change quickly. The clouds roll across usually from the West and it is just a lovely spot.
I have tried to capture the church and the cemetery, the borders and Northumberland and Cumberland with just a bit of church.
Apologies to people who commented and liked this track as I deleted it in a diva like moment when I couldn't stand my terrible piano playing. It's better now after a cup of tea and a lie down :>))

Cloudwatching At St Oswald's

Cloud Watching At St Oswald's

Pierre and Jean-CLaude Bordetti productions (c) 11/2025.

Composed, arranged, performed, and produced by:
Pierre Bordetti and Jean-Claude Bordetti.
Thanks to my brother Jean-Claude for this great performance on drums and percussion.
Many thanks to Julie for this magnificent photo of Tanzania.

An ambient instrumental jazz piece inspired by this photo of elephants. These marvelous creatures, so strong, so tranquil, and unfortunately so fragile because of us humans.

Un Jazz instrumental d'ambiance inspiré de cette photo d'éléphants. Ces merveilles créatures si fortes, si tranquilles et malheureusement si fragilisées par les êtres humains que nous sommes.



Quiet strength

Quiet strength (feat Jean-Claude Bordetti on drums)

'Shouting Quietly' Is similar to when one is disgruntled about something or someone and mutters under one's breath, this is 'Shouting Quietly'.  

My Drouthy Cronie

Shouting Quietly

Tracked

Your pocket chipped
The brick we wanted
Business bought the voyeur
Back seat to all you've flaunted
Meta services run
Mining data to hone
Control of your brain
Mutating your soul

These digital cowboys
Care not for your health
It's all bottom line
And new abyss for their wealth
It's modern mass
Though the church is online
We never asked to believe
While lies
Pure factual crime

It plays on our want
It drives in new need
Portrayals that haunt
So we strive for their seed
Like Houdini they morph
Our perception of life
Control by more profit
Subliminal mode
A heist

It's robbery of thought
Stealing new meaning
It's robbery of ought
Tunneled feeling from streaming
They must mute awaking
So screens get our stare
If we look up too much
We might learn to care

So what's the end game?
And who will win
Will we wake to this matrix
Press flight mode on thin
Or will we go deeper
Like robots
Controlled
Will we click till our hearts
Get detached from our souls

Tracked (Poem)

Syncretism

Dead flowers on the floor

we'll see part 1 11.7.25temp

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

we'll see part 1 11.7.25temp

Chris Bright

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