Discover Weekly

Tears For Fears - And i was a boy from school

Jenny sings cover of Creep, a la amazing Post Modern Jukebox version. 

Creep (Original By Radiohead, A La Post Modern Jukebox) Live

nightschoolrecords.bigcartel.com/artist/m…-nilsson

A sweeping, cinematic, emotional change is in the air. Molly Nilsson’s sixth studio album Zenith begins with clear, wide eyes open to Earth as we would love it to be but seldom is. Recorded in her home of Berlin and whilst touring and, as ever, conceived, produced, written and recorded in solitude, Zenith is Nilsson’s big statement and consequently her most affecting work to date. It sees her reveling in big arrangements, sweeping synth strings, bigger choruses and emotions. Like the rest of us she looks within and to endless sunsets in wonder and puzzlement.

That Molly Nilsson is a DIY cult figure is beyond question; she has always written directly and with wit straight down the line between the universal and the personal. The difference with Zenith, and you can hear it in the opening chords of opener The Only Planet, is that her scope is now much wider and her heart heavier than ever before: over a post-ecstatic dusk, Nilsson serenades the globe in a loving embrace. Following on, 1995 is, arguably, one of Nilsson’s finest songs to date. It’s one of those songs to learn the lyrics to, to listen to on repeat, a reason to wear the grooves down to the bone, it’s why pop music can be one of the greatest art forms we have. It’s an example of how, on this album, Molly draws the listener closer to her heart than ever before. There’s simply no escape from the line “The plans that you made / when you still had the time / I’ve saved all the things that you left behind but by now I guess I’d consider them all mine /Windows 95, is only a metaphor for what I feel inside / Although I’m older now / there’s still an emptiness that’s never letting go somehow.” Show-stopper Mountain Time is the soundtrack to being on the run, from societal conventions, from normative ideas of happiness, from your surroundings. It’s the intoxicating call of the renegade. That’s not to say that Nilsson’s light touch has been forsaken for grandiose statements. Bunny Club begins as a demo-sketch before breaking into a fast-paced tale of doomed romance with big rave synths and Bus 194 (All There Is) sees Molly joyride through a city on a happy hardcore bus. But it’s tracks like Tomorrow and another contender for best-ever-Molly moment, Happyness that the true scale of what she’s accomplished reveals itself. We’re locked in a spiraling orbit, strings and bass whirling, gazing at the spinning planet below us as we contemplate both the ultimate freedom in loneliness and the glimmer of hope in the Other. Can we ever be truly with someone? Are we ever truly alone?

Over the 13 tracks here we get the impression that Nilsson may always be restless; like anyone else she has conflicting feelings of love and hate. It’s just not many other people can tell you exactly how you feel before you know it yourself.

MOLLY NILSSON: Mountain Time (from Zenith)

Петля Пристрастия - Груз

Mesh & Lace

Gathering Dust

Comfort

The Machinists of Joy

Robo Sapien

JPEG

No Data

Find You

God Help the Ones You Love

Ringo Deathstarr - God Help the Ones You Love

Man or Machine

Man or Machine (feat. Megan McDuffee)

Dark Blue

Vicious Pastimes, the debut full length LP from House of Harm, will be available September 4th on vinyl and digital via Avant! Records.

Pre-Save now: https://ontrck.fanlink.to/viciouspastimes

Vicious Pastimes

Hope Begins to Fade

Hope Begins to Fade (Zardonic Remix)

Mind Hive

Primed And Ready

American Cars

OUT ON 09/10/20 EXCLUSIV ON SPOTIFY & BEATPORT
http://bit.ly/FunnyTreats-Remixes-Beatport

@mollonobass | @zovsky

01. Get Well Soon - Funny Treats (Mollono.Bass Remix)
02. Get Well Soon - Funny Treats (Stephan Zovsky Remix)

E.P-Name: Funny Treats - Remixes | 3000GRADSPECIAL009
Distribution: Kompakt


DE:
Die Berliner Herrschaften von GET WELL SOON lassen sich von 3000 Grad neue Anzüge schneidern, lassen sich ihren Netflix Serienhit für “How To Sell Drugs Online Fast” im neuen Muster häkeln. Oder um es präziser zu sagen: sie lassen sich ihre Tagesgarderobe in schnittige Ganzkörpertrikotagen umnähen. Die Nächte werden hoffentlich bald wider länger und so eine Trikotage für die Nacht muss hohen Ansprüchen gerecht werden! Schweiß muss abtransportiert werden, frische Luft muss an all die wichtigen Stellen und der Bass muss durch die Faser drücken. Mollono.Bass und Stephan Zovsky haben sich ihre Fingerhüte aufgesetzt und aerodynamische Outfits genäht. Mollono.Bass lehnt sich mit lassiv geöffneter Kunstlederjacke an die Wand und wischt sich mit dem Stielkamm die Locken aus den Augen. „Wenn man Synthpop zitiert, dann muss das sitzen!!!“ raunt er der Dame mit Dauerwelle zu, bevor er sich mit lockerer Hüfte auf den Dancefloor schiebt um seine Version des Dave Dances zu präsentieren. Er nimmt mit geschlossenen Augen den Beat an die Hand um im Duo Herzen stehlen. Der Synth wird präzise angeschlagen so das es poppt ohne zu aufdringlich zu sein! Stephan Zovskys Version des Tracks schiebt die Vocals einmal quer durchs Kühlhaus. Die Räder des Wagens knarren durch die langen und mit flirrenden Lampen be - setzten Gänge. Irgendwo im Keller hat Stephan einen Schlüssel gefunden. Er will die Vocals befreien. Die Stimmung kocht hoch, die Span - nung steigt. Es rennt noch jemand durch die Gänge. Freund oder Feind? Keine Ahnung! Der Schnitt wird hektischer. Kurz bevor der Ver - folger zugreifen kann öffnet sich die Tür: draußen ists warm, die Sonne brüllt vom Himmel und es gibt vegane Eiskreme!


EN:
The Berlin gentlemen from GET WELL SOON get their suits retailored by 3000Grad. Their Netflix series hit for “How To Sell Drugs Online Fast” crocheted in the new pattern. Or to put it more precisely: they had their daily wardrobe sewn into sleek full-body jerseys. The nights will soon be longer and such a jersey must meet high standards! Sweat has to be transported away, fresh air has to be in all the right places and the bass has to push through the fibers. Mollono.Bass and Stephan Zovsky put on their thimbles and sewed some aero - dynamic outfits. Mollono.Bass leans against the wall with his faux leather jacket loosely open and wipes curls out of his eyes with the comb. "If you quote Synthpop, then it has to be right!" He whispers to the lady with a perm before he pushes himself onto the dance floor to present his version of a Dave Dance. With his eyes closed, he takes the beat by the hand to steal hearts as a duo. The synth is struck precisely so that it pops without being too intrusive! Stephan Zovsky's version of the track pushes the vocals across the cold store. The car's wheels creak through the long corridors filled with flickering lamps. Stephan found a key somewhere in the basement. He wants to free the vocals. The mood is boiling, the tension rises. Someone else is running through the corridors. Friend or foe? No idea! The cut becomes more hectic. The door opens shortly before the pursuer can gain access: it's warm outside, the sun is roaring from the sky and there is vegan ice cream.

Get Well Soon: https://spoti.fi/2ZhJdy0 
Mollono.Bass: https://bit.ly/Spotify-MollonoBass 
Stephan Zovsky: https://spoti.fi/2DEPxb8

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Chris Day 29