Instrumental feels like its transporting you to the empty room so we call all watch you dance alone while you sing this good song!

great work good production and creativity

I'm really impressed with the quality of the work you have done

wonderful song -fantastics vocals and production

Album of Rock/Pop tracks featuring vocals by Solaria.

Until I Am Found

Dance Of The Skeletons

The Secret

Vista Mare wants to take you and transports you into a carefree world, to youth, where it took 2 beers and a guitar on a beach to be happy. Vista Mare is that song born by a chance, like a friendship, a love. Left for to long inside me, has now taken over. Vista Mare is a country /blues/rock song that mixes the past with the present, without forgetting the melodies.

Vista Mare

Dancing in this Empty Room

Watch video on Youtube

Dancing In This Empty Room

Soundtrack to Youtube video. Slow relaxing vocals over lush gentle guitar.

Until I am Found

Watch on Youtube

"Change Of Heart" is our first modern style genre after releasing all of our old music ideas into a few albums. It's the sophisticated style of KVJ after gaining some production experiences from the previous 3 albums. Raw, Fearless, Melancholic, this tracks defines the new direction we're going to take for the following years to come. Enjoy this badass while it's still hot!

Change Of Heart

Ce titre, composé originalement en 1994 et réarrangé en 2024 pour MCDC fait parti de la trilogie  ‘des amours tumultueux’ du micro-album PHONOGRAPHE de MCDC .  Il parle des états d'âme d’une personne amoureuse qui vient d'être trompée et qui est triste et en colère. Le rythme soutenu  de la pièce  démontre une force de caractère de la personne face à cette trahison. 

This title, originally composed in 1994 and rearranged in 2024 for MCDC is part of the trilogy 'of tumultuous loves' from the micro-album PHONOGRAPHE by MCDC.  He talks about the states of mind of a lover who has just been deceived and who is sad and angry. The sustained rhythm of the play demonstrates the strength of character of this lover in the face of this betrayal.


Musiciennes et musiciens :

Marie-Christine Tremblay : vocal
Denis Caouette : paroles et musique et arrangements, guitares, back vocals et programmation.
Les M’s  aux brass :
Marlène Claveau : Sax Alto
Michel Otis : Sax ténor et piano
André Lessard : Trompette
Martin Tremblay : Trombone
Sébastien Savard : Violons
Frank Corneau : Basse
David Simard : Batterie
Martin Larose (Studio Septentrio) : Réalisation

PHONOGRAPHE

Infidèle

No Trust

She was a killer!

Though he slay me, yet will I hope in him; I will surely defend my ways to his face.
Job 13:15

Title: I Will Trust You
Artist: HisSpiritus 
Composer: J.J. Sandoval
Producer: J.J. Sandoval
Performer: HisSpiritus
Release Date: 4/7/2025
Genre: Easy Listening, Instrumental, New Age, Christian/Worship

Listen on Spotify, Apple Music, YouTube & more
www.fanlink.tv/HisSpiritus

Follow on Instagram, Facebook, TikTok & more
www.fanlink.tv/hisspiritus

#prayermusic #relaxingmusic #meditationmusic #sleepmusic #christianmusic

Buy Song

I Will Trust You

Original Lyrics:
Holding something that should never have been here
As the ghosts watch over us, swimming in fear
Is there a place where the rivers flow
Where the skies are clear and real trees can grow
A place where the ghosts cease to be
Is there a place where we can roam
A place to our one true home
It’s not a world where no one can be free
The swallows leave earlier now
The glaciers weep their silent vow
The ghosts of the past dancing in the dreams Chasing the future of our faded dreams. (Mate, you’re 16. You haven’t even started your dreams)
These thermal ghosts, made from our extremes
A new age begins, from the last one that died

I think they were good lyrics. They paint a pollution filled world and offer a Utopian one.
Counterargument:
Rocket: You didn't want to make things perfect. You just hated things the way they are.

So I asked Jasper if he wanted to collab and he said yes. I sent him ‘Say It Again’ saying it would be nice to get the drums done on them by next month. He sends me Thermal Ghosts with the lyrics, and tells me he’s going for ‘Fake Plastic Trees’ and I get it done  in a day. He asks me if I like the instrumental and ‘yeah.’ It’s not the most mind-blowing prod but it has a pretty good groove. He sends me a minute of the song so I sing 1 minute worth of lyrics. He wants me to loop it so that it goes longer. I ask him for a favor saying could he please loop his own song. So he copies and pastes the parts so you can hear a gap in the recording. So I then improvise and finish it in 4 minutes. 
He has now traveled from Australia to WAB for a field trip. So he was one of the kids with black hair and a fringe cut.
By this time, he still hasn’t done anything with Say It Again so I send him Veni Vidi Vici and say, “it’s OK if you can’t get the drums to me, I’ll just use programmed drums.” Meaning- You’re probably too lazy to get to it. For production, to fill in the gap I produced the whole thing again with programmed drums/guitars and figured out his …3 chord song. Not even a dom7 for the 5th degree? No. It’s a 3 major chord song. The most complex thing it has going for it are the drums which has the 2nd kick syncopated. There’s also 2 layers of bells going on. I also added simple bass and backing vocals. Yes, it makes my hairs stand up. The acoustic section in ‘You Had Me’ also did but the mixers ruined it but that’s mostly on me for choosing those guys again. For this one, the mixer sent me a version which I thought had the drums too loud and the vocals didn’t make my hairs stand up but sounded like perfection. So on the 2nd revision, I asked to have 20% of the reverb/effects removed and it worked. 
The irony is that the environment is the last thing I care about. I care about people first. I’m sort of with George Carlin. My take is that with a perfect environment and assholes running around there’s no point. Also, let’s just say Earth dies. Bigger picture wise, the universe will do just fine. The bigger environment-the universe lives on. Nonetheless, I did put my heart into someone else’s beliefs as you can hear. It has also reignite my interest in writing good lyrics cos’ if he hadn’t written good lines I wouldn’t have emoted.  There are also environmentalists who give a damn about human beings as much as the environment like Spiderman and I can respect that. 

Thermal Ghosts

Jeremias Langsämmer – As The Light Dims Slowly
A piano-led meditation unfolding at an adagio pace, As The Light Dims Slowly channels the hesitant phrasing of Erik Satie. Cello, violin, and soft strings offer gentle support, moving in and out of the piano's uncertain light. Sparse and reflective, the piece lingers in moments of pause as much as in sound, capturing the hush of evening as it slowly gives way to night.

Cover photography by Fraser Cormack. Find more of his work at https://www.facebook.com/profile.php?id=61559043332127

As The Light Dims Slowly

A cerebral Journey into happy melancholy. Reaching new audiences!
Would love if you gave it a listen and considered reposting or adding it to a playlist if it fits your vibe. Appreciate any support 🙏  Fix out

C-mapfire

Are we all guilty of contributing to global pollution?

Lyrics
Guilty, a crime we  all commit, without thinking  
Poison, the sea, the land, our selves, nowhere to hide

Guilty, as charged, I know I played  my  part 

Throw away, don't do it
Throw away
Throw away, don't do it
Throw away
Don't do it

Drifting, shadows lost and cold, trapped in a  heart of 
Poison, the waves pass round and round, nowhere to hide

Guilty as Charged

Fragments

Chris Drabble, based in the Northwest of England, is a rock guitarist who has over 50 years of playing experience.
With nearly 50K streams on SoundCloud in the last 12 months being a mixture of Guitar Rock and softer Ambient instrumental tracks, Chris is now ramping up his rock guitar work with his latest album ‘Foot to the Floor’, which harks back to his youth when rock guitar tracks had a catchy opening riff, and was the sort exciting music you felt you had to tap your foot to. 
His influences include Rush, Led Zeppelin, The Police, Simple Minds, Pink Floyd, Joe Satriani and Jimi Hendrix. He is currently listening to Porcupine Tree, Dream Theatre.

Dancing In This Empty Room

Chris Drabble

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Mixing and Mastering Woods Studio Norway

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