Today I present to you on AMFM the fifth and last part of my latest #alonetogether live stream from August 20th 2021. That means you could also watch the whole thing on my youtube channel if you like. The difference here is though that the set is nicely mastered for your full listening pleasure and not just some weird streaming sound quality. If you like more of this, visit my Mixcloud Select page … I always put up all live streams as well as AMFM shows without me talking and of course mastered. Hope you enjoy!

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Tracklist AMFM 342

Blue Hour - Meridian (Truncate Remix) - Blue Hour
Radio Slave - Wait A Minute - Rekids 
Pan-Pot - Fugitives (Joseph Capriati Remix) - Second State
Minitech Project - Raw Muzik - Minitech Recordings
Robert Hood - Fear Not - Rekids 
Keith Carnal - Endless - Second Degree
Robert Hood - The Majestic - Rekids 
Charly Schaller Feat. Dani DeLion - Queen Of The Night (Radio Slave Remix) - HE.SHE.THEY
Pris - Flagrant Foul (Ruhig Remix) - Non Series
A4 (ES) - Space Alarm at 5 Am - Observant
Insolate - ReWerk (Amotik Remix) - Out of Place
Ritzi Lee - The First Bytes - Mord
Marco Faraone - Addiction (Radio Slave Remix) - Rekids
Chris Liebing - Circles feat. Tom Adams (Club Mix) - MUTE	
Johannes Motschmann - Lifestream (Chris Liebing Remix) - Neue Meister

AMFM Spotify Playlist

AMFM I 342

The 161st episode of the Jeton Records Radio Show welcomes NoNameLeft from Hungary.

Techno duo NoNameLeft has quickly risen in the international peaktime techno scene. Their breakthrough came with Dyson Sphere in 2021, supported by top artists like Enrico Sangiuliano and Oliver Heldens.

Following their success on the Beatport charts, they have gained support from A-listers such as Enrico Sangiuliano, Oliver Heldens, Charlotte de Witte, and more.
In 2023, they released a collaboration with Township Rebellion on Drumcode’s sublabel, Truesoul, and continue to chart with releases on labels like Senso Sounds and 1605.

We are very happy to feature NoNameLeft on this month’s Jeton Records Radio Show with their exclusive studio mix. Enjoy!
N/A

This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Jeton Records Radio Show 161 | NoNameLeft

This week on my Drumcode Live show I have an hour from my set at Metropolis, Naples.  Expect to hear tracks from Rodhad, Ben Sims and Juan Sanchez.

01. Lewis Fautzi - Tremors - Soma
02. Robert S - Nery - Planet Rhythm
03. Romanolito - Borborygmus - True Type Tracks
04. Voiski - Falling Behind - Field Records
05. Rödhåd - Red Rising - Dystopian
06. Fixon - They Killed Us [Ricardo Garduno Remix] - Amazone Records
07. Juan Sanchez - Morcilla - Drumcode
08. Nicolas Martos - Assembler - favor
09. Redhead - Edifice - Reda Recordings
10. Gary Beck - Wren
11. Exium - Subshell - NHEOMA
12. Emmanuel - One Million Enemies - Monnom Black
13. L.A.W - Repulse [Chris Colburn remix] - Illegal Alien Records
14. Möd3rn - Mö 10 - Mod3rn
15. Fixeer - Fahrenheit [Kyle Geiger Beat Tool Remix] - Vector Function Records
16. Ben Sims - Samurai - Theory
17. Savas Pascalidis - Nightshades - NON Series
18. Arnaud Le Texier - Continuum - Affin
19. 2000 and One Fused - Fused - Intacto

DCR240 - Drumcode Radio Live - Adam Beyer live from Metropolis, Naples

YouTube

Klark Kennt - Studio Mix 11.24 Pure Techno

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Track: Beats for Days (Original Mix)
Artist(s): Mark Reeve
Record Label: Terminal M
Release Date: 14th November 2025

Mark Reeve keeps raising the bar. His new two-tracker on Monika Kruse’s Terminal M shows why he remains one of techno’s most reliable heavy hitters. The ‘Give It Back’ EP arrives with two focused club weapons, the title track and today’s premiere, ‘Beats For Days’.

You hear Reeve’s trademark control from the first kick. The groove hits with purpose. The percussion stays tight. The low end pushes forward with a dark pulse that keeps you locked in. It feels built for big rooms with real sound systems. The kind of track that finds its place at Awakenings or Time Warp and stays there.

‘Beats For Days’ brings a sharper, more urgent feel than ‘Give It Back’. The rhythm moves quicker. The mood sits heavier. It creates a strong contrast within the EP, giving the whole release a sense of shape that DJs can work with across longer sets.

Reeve’s history explains the weight behind this music. He left England for Germany more than fifteen years ago to be closer to the underground he loved. Sven Väth’s support opened the door to key imprints including Drumcode, Afterlife, Cocoon and Soma. Collaborations with Adam Beyer, Tale of Us and Pig and Dan followed, each one adding depth to his catalogue.

His DJ sets carry that same clarity. Rooms like Gashouder, Space Ibiza, Rex Club Paris and Fabrik Madrid have all felt the impact of his sound. He plays with intent. Every transition makes sense. Every track lands with force.

‘Beats For Days’ captures that approach in a tight, driving form. A proper peak time cut designed to lift the room’s energy without overcomplicating the message.

Mark Reeve
https://www.instagram.com/markreevemusic
https://open.spotify.com/artist/58zZkWGb6qvx0AJ6L3ttlZ
https://soundcloud.com/markreeve

Terminal M
https://www.instagram.com/terminalmrecords
https://soundcloud.com/terminalm

Premiere: Mark Reeve - Beats for Days [Terminal M]

Positive x WTF (DJGGY EDIT)

AM/FM 125

AM/FM 127

This week´s #AMFM is the second hour of the set that I played at @pachabarcelona on September 10th, a Sunday night. Of what I heard, the busiest Sunday ever so far at Pacha Barcelona. Well, let´s not gimme the whole credit for that (although my DJ ego would love that), there also was a public bank holiday on Monday … still - what a crowd and what a vibe! @flug played a great opening set and I think I could have gone on for hours and hours to be honest. Anyways, in the end it was a 4,5h set and you will be able to relive it within these 4 weeks now. Barcelona rocks! Muchas Gracias!

AM/FM | 134

Tracklist: https://www.wearesoundspace.com/mix220-the-reactivitz

Spotify: goo.gl/phNY5q
YouTube: goo.gl/MlPo8d
Facebook: goo.gl/WGjgHO
Twitter: goo.gl/QJgbtz
SoundCloud: @wearesoundspace

The Reactivitz
https://soundcloud.com/thereactivitz
https://www.facebook.com/reactivitz

TRACKLIST

MIX220: The Reactivitz

In the 2nd episode of Luigi Madonna Live you will listen to my Live Set from Sziget Festival 2019 in Budapest! Enjoy!

2nd Episode Luigi Madonna Live | Sziget Festival 2019

Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

AM/FM 127

Chris Liebing

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