dein sound war schon immer der fetteste!!!

Tracklist:

01. Le Borgne - Crazy Diamonds
02. The Persuader - A1 Templar01
03. Nick Curly - Hiya Power [8Bit]
04. Hector - Closer [Inmotion Music]
05. Gary Beck - Gold Badge [Bek Audio]
06. Cari Lekebusch - Crazy (Cari Lekebusch Mix) [Monique Musique]
07. Nikola Gala - Sayta [Claap]
08. Bicep - NRG106 [Aus Music]
09. Stephen Brown - Medusa (Don Williams Remix) [Technorama Records]
10. Raw District feat. Ellipsis - Ragged Star (Josh Wink Rethink Pt.1) [Crosstown Rebels]
11. Adam Beyer - Teach Me [Drumcode]
12. Gary Beck feat Debra Debs - Power [Bek Audio]
13. Subspace - Locked Groove13 (Alan Fitzpatrick Edit)
14. Head High - Megatrap (Mix Mix) [Power House]
15. Locomatica - Red Lines (Alexander Kowalski Remix) [LCMTC]
16. Jel Ford - Grand Union [Drumcode]
17. Randomer - Stupid Things I Do (Old School Mix) [ 	Clone Basement Series]


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The show is syndicated worldwide by Syndicast (www.syndicast.co.uk)
						    
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Tronic Podcast 112 with Dustin Zahn

Trainspotters Nightmare was a label i used to run with Glenn Wilson of Planet Rhythm, between 1995-1997. It all started with me releasing an obscured 2 track black 12 inch vinyl with no visible title. An idea my friend Danijel Alpha had was to only inscribe the titles onto the vinyl itself, so no unauthorised trainspotters could see what records you where playing.  And after receiving many interesting demo tapes from all corners of the world, a platform was needed where we could release trax that didnt fully fit on our labels H-Productions and P-Rhythm. 

So we continued and during the 2 years we managed to launch 13 vinyl releases, including special colored vinyls and double 12 inch albums. We realized that it would not be fair towards the other artists, if we didnt place names and titles on the vinyl centerlabels. This resulted in us addapting a Trainspotters Nightmare logo in Brail writing which suited the “Ghetto Booty” sound template of the label - being rusty, broken, skewed or even a bit out of sync.

From Finland we have some truly exotic jacking tracks by Ari Jukka, Jori Hulkkonen and Tuomas Juhani. Austria is represented by V-Key from Vienna, that also had an amazing electronic dancemusic scene back in the 90s. Chicago pioneers Steve Poindexter, Gene Hunt and The Beatjunkies bring in the scent of legendary clubs like Warehouse and the Music Box. Besides my own name Cari Lekebusch there also are a few tracks released under my pseudonyme Mr Barth, and the Twobasementboys consist of me and Frankfurtian original freaknoisefunker Oliver Bondzio.

Now, 20 years after the labels discontinuation, it was time for me to record a nice retrospective line through the catalog. Enjoy the jack! * with peace / Cari *

***
tracklist (1 hour):

(CL002) - Ari Jukka - Box Trax (B3)
(CL013) - Steve Poindexter - One Side Each (A1)
(CL002) - Ari Jukka - Box Trax (C3)
(CL004) - Jori Hulkkonen - Junipary People (C1)
(CL012) - Beatjunkies - (D2)
(CL004) - Jori Hulkkonen - Hohto (A1)
(CL002) - Ari Jukka - Box Trax (A1)
(CL009) - V-Key - Lo Tek Flirt (A3)
(CL011) - Ari Jukka - Slappin (B3)
(CL001) - Cari Lekebusch - Dont Stop (A)
(CL013) - Mr Barth - Tight As Can Be (B1)
(CL007) - Twobasementboys - Crazy Shite! (B)
(CL012) - Beatjunkies - (A2)
(CL002) - Ari Jukka - Box Trax (C1)
(CL013) - Mr Barth - Turn It Up (B2)
(CL013) - Steve Poindexter - One Side Each (A2)
(CL008) - Tuomas Juhani - Drop The Boy (A1)

Continous mix recorded by Cari Lekebusch,
@ the HPHQ Stockholm, April 2016.
***
www.carilekebusch.com
***

Trainspotters Nightmare - Retrospective (1995 - 1997)

recorded live at Club MTW in Frankfurt on Nov 05, 2016.

tracklisting:
Maelstrom & Louisahhh- Hurry
Kyle Geiger- Jupiter
Black Asteroid- Frantic
Bas Mooy- Rage
Black Asteroid- Pressure (Len Faki remix)
Nitzer Ebb- Control I'm Here (Superchumbo Mix)
Slam- Structure
LA-4A- Invader (Alden Tyrell Remix)
Black Asteroid- Grind
Thomas Hoffneckt- Case 52 (Black Asteroid remix)
Time Traveler- Interstellar (Black Asteroid Remix)
Lester Fitzpatrick- BS (Gary Beck Apparatus Mix)
Jeff Derringer- Closer (Black Asteroid remix)
Black Asteroid- Black Acid
Korn- Prey for Me (Black Asteroid remix)
Gesaffelstein- Selected Faces
Clouds- 3Talisman-Class Destroyer

Pitch Black Mix 003

- "Domingo I feel you, I can feel what you have inside....."
How to stop feelings? It´s just impossible, at some point, somehow it comes out. 
Last Disconnekt I was playing with my hearth, with my soul... A broken hearth, an angry half empty soul that is not able to accept it... 
This set is ME, it is Domingo Casanova, it is some of the pain and happiness I have inside! 
If you know me, you will feel it, if you don´t know me yet, well, it was the deepest feelings I had last saturday morning at Disconnekt

Hannah Addams | Closing Set @ Disconnekt Berlin (IPSE) | 07.07.17

am/fm | 192

am/fm | 193

am/fm | 194

DJ Emerson & Monoloc Back2Back @ Lehmann Stuttgart 2012

Revelation Of Sound is pleased to present DEAS who is based in Cracow/Poland and born in Greece. He is a music producer and DJ, who is fast becoming one of Techno's most exciting breakthrough artists originating from Eastern Europe. One can recognize DEAS' Greek origins and East European upbringing in his music, where enthusiasm and fantasy blends in varying shades of Techno.

He believes that music "is never a subject to stereotypes and clichés". This allows him to think freely and create music without boundaries, in which psychedelics and raw, heavy Techno is balanced to perfection with memorable, warm but yet deep melodies.

Not yet 30, he has been mastering his production skills for a decade. During this time he developed an impressive studio where most of his music is recorded live. His hard work is presently coming into a full effect with the releases of a number of labels ranging from Pan-Pot's Second State, through Planet Rhythm, Bush Records, OFF Recordings to Kevin Sanderson's KMS Records. Deas is also a highly sought-after remixer with previous works done for such legends like Carl Cox or Inner City.

His productions received great feedback and are strongly endorsed by Pan-Pot, Ilario Alicante, Kangding Ray, Kevin Sanderson to name just a few. DEAS's music is also featured and supported by such music magazines as Mixmag, Dj Mag, Big Shot Magazine, Decoded Magazine, Magnetic Magazine, Datatransmission and so on.

It is not that often you see such broadly developed artist, like Karol, who is equally skilled in the production studio and behind the decks. He already holds 2 residencies in Poland premier venues, Smolna since 2017 and Prozak 2.0 (since 2012). He has recently appeared among others twice in Berlin and also at the Amsterdam Dance Event. This artist regularly marks his presence at the largest Polish festivals like Open'er or Audioriver.

Release date: January 22. 2020

Follow DEAS:
SC: @deasdj
RA: www.residentadvisor.net/dj/deas
FB: www.facebook.com/Deasdj
Instagram: www.instagram.com/deasdj

Revelation Session # 146/ DEAS (PL)

Remain Radio 011 With Alberto Tolo 
Stream it on Spotify : spoti.fi/36ob8xd

iTunes

Remain Radio 011 with Alberto Tolo

one of the few club recordings where we had a proper rave in 2020... hope something like this will happen soon again. HNY erryone.

DJ Set @ Flügelwest Schaffhausen (CH) 18.7.20

OUT NOW: Chris Liebing Remix of Bjarki's 'Ping Pong Ball Gag' - https://lnk.to/CLR114

OUT NOW: Depeche Mode - Ghosts Again (Chris Liebing vs Luke Slater Remix) 
https://bit.ly/CLLSGHOSTSBP

World: javier@analog-a.com
North America: mariesa@liaisonartists.com
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

am/fm | 194

Chris Liebing

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