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Crime and The City (O.D.C.A Remix)

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After the release of their collaborative &#8216;BREED&#8217; EP at the end of last summer, Nicole Moudaber and Skin have unveiled the highly anticipated remix package featuring a long list of respected producers. Carl Craig, Fur Coat, Jamie Jones, Jerome Sydenham, Paco Osuna, Pan-Pot and Scuba are just some of the names which have turned their hand to the project. Originally born out of Nicole and Skin ofSkunk Anansie&#8217;s desire to fuse their rock and techno backgrounds, this is a true for a collaboration project with a difference. 
 
First, techno legend and remix master Carl Craig provides the only remix of &#8220;Someone Like You&#8221; featured in the EP. A powerful kick drum alongside the original chords take center stage, whilst Skin&#8217;s vocals come to the forefront in a series of tension-filled breakdowns. The EP includes two remixes of &#8220;Don&#8217;t Talk To Me I&#8217;m Dancin&#8217;.&#8221; Jamie Jones&#8217; take involves a thudding, heavy bassline, including the Zebra Katzvocals sampled over the top, whilst Jerome Sydenham takes the track into faster, heavier territory. 
 
Paco Osuna&#8217;s jacking, percussion-filled remix of &#8220;You Like This&#8221; is currently one of Nicole&#8217;s favorite tracks to play out - featuring a surprise buzz-saw synth drop mid way through, it&#8217;s easy to visualize the effect this would have on a dancefloor. In his remix of the same track, Berliner Hector keeps the strolling rhythm of the original, adding sub bass and synth touches before bringing the vocals in more than halfway through. MJ Hall, Nicki Minaj&#8217;s producer - uses the original as a hip-hop sample, with rapper Luz Wang featured on the track. 
 
Pan-Pot takes on &#8220;These Walls Are Made Of Water&#8221;, adding the duo&#8217;s characteristically stomping touch as well as dramatic new synth melodies. This remix is another Nicole favorite, often featured in her sets and her In the MOOD radio shows. French emotive techno specialist Paul Ritch turns in an atmospheric, driving remix for this track as well. 
 
Lastly we see remixes for the most conventionally &#8220;techno&#8221; track of the original EP. &#8220;Organic Love&#8221; is treated to a melodic yet industrial remix by Scuba, whilst Fur Coat remixes the track into a more dark and dramatic affair. 
 
&#8216;BREED The RMXS&#8217; EP is the latest incarnation of Nicole and Skin&#8217;s collaboration since the original project&#8217;s release in September last year. The pair have since been sharing the stage with each other at high-profile slots such as Space Ibiza and Coachella. Furthermore, the original EP was submitted and accepted into the Grammys for consideration - the remixes ensure that there now is a version of each track to fit into any set.

Nicole Moudaber & Skin - These Walls Are Made of Water (Pan-Pot Remix) [MOOD]

A work 12 months in the making, Adam Beyer continues his exciting series of collaborative EPs, teaming up with heavy-hitters Pig&Dan for an multi-faceted four-tracker.

Chances are up if you spied Adam Beyer in an airport departure lounge over the past 12 months, he’d have his head buried in his laptop, immersed in creating sound sketches. A long-time fan of collaborations, the Drumcode chief has been on an inspiring streak of form lately, teaming up with the likes of Mark Reeve, Dense & Pika and now Pig&Dan. The results have been compelling, to say the least. 

In trademark perfectionist Beyer style, the title track ‘Capsule’ – a shimmering slice of techno - involved “around 15 different versions” the track rigorously road tested by the Swede and featured in episodes of Drumcode Radio to test dancefloor reactions, before finally getting the sign off.  ‘In Love’ is a big room techno groover, driven by crisp drums and the kind of evocative vocal effect that’ll have hairs standing on ends. ‘Atmosfear’ is true to its name, centered on a menacing synth line and gritty percussion, its deep kicks and subterranean bass combining superbly to create a heady dancefloor brew. ‘We Are E’ is propelled by a catchy synth hook and a classic call-to-arms vocal, which tips its cap to the artists’ shared love of classic UK rave.

Adam Beyer Vs Pig&Dan - We Are E - Drumcode - DC171

On the back of their critically acclaimed ‘Oblivion’ EP, from which ‘Sensation’ was named one of the techno tracks of 2016 by Mixmag, Monika Kruse rejoins her brothers-from-another-mother Pig&Dan for another electrifying two-track EP.

Both tracks – ‘Get Me On’ and ‘So Good’ featured in her celebrated debut Essential Mix that aired on April 1 and have highlighted the iconic techno artist’s sets over the past month,  everywhere from Time Warp to her wildly popular b2b with Andrea Oliva at Boiler Room Madrid in March. 

Produced during an inspired couple of days in Mallorca with Pig&Dan in January, both records are explosive techno weapons built for the peaktime and propelled by a stunning warehouse stomp. ‘Get Me On’ is a driving affair from the outset, powered by a compelling mainroom groove that’s gradually immersed in exhilarating cyclone swirls of melody. ‘So Good’ is as delectable as its name, characterized by a roaring buildup that’s drawn out dramatically for much of its 8-minute running time, working in tandem with several carefully deployed breakdowns. Both records are destined to leave a devastating impact at festivals over the summer.

Monika Kruse Meets Pig&Dan - Get Me On

Drumcode continues its commitment to releasing the scene’s most cutting-edge techno. With releases this year already from Adam Beyer, Pig&Dan, Alan Fitzpatrick, Dense & Pika and Julian Jeweil, this July see’s the return of Enrico Sangiuliano with ‘Astral Projection’.

After his remix of Moby’s of ‘Why Does My Heart Feel So Bad’ back in November last year, Enrico sought creative inspiration from his travels, transcending that into his productions and long studio sessions during the winter months. The result brings a mind and body melting release from the Italian producer.

The title track ‘Astral Projection’ is a captivating, big room techno masterpiece. Deep reverberations punch alongside a sinisterly crisp percussive drive. Launching into a groove laden synth modulation of low end textures, it breaks down into an ethereal amalgamation of pads and synths before the vocal launches, taking this track to another level.

‘Blooming Era’ has destructive dancefloor intent. There is no holding back with the low end synth modulation which Enrico has mastered to perfection. A tightly woven percussive flare moulds flawlessly with the rolling oscillations of the beast of this track.

If you have seen label head honcho Adam Beyer playing anywhere on the globe in the last 5 months, this has been a peak time favourite. Road-tested to the max, and with much success.

Enrico Sangiuliano - Astral Projection - Drumcode - DC176

Brazil-born, Barcelona-based DJ and producer ANNA has garnered international accolades from Mixmag, BBC Radio 1 and others with recent releases on the likes of Diynamic and Turbo Recordings. But her skill set reaches far beyond the studio realm as 2017 marked her busiest year to date. Beyond a whirlwind of festival appearances (including Movement and Awakenings), ANNA had the opportunity to perform at iconic clubs such as DC-10 and Fabric. 
This passion for the dancefloor was fuelled by a youth spent in the DJ booth of her father’s night club – and it now leads to her first outing with Kompakt: SPEICHER 101 carries the DNA of both the studio head and the club dweller, crafting two propulsive, massive belters out of simple, but effective ingredients. HIDDEN BEAUTIES dominates the A-side with raw bass power and sizzling drops of acid, while the flipside brings you THE DANSANT, one of these spiralling minimalistic techno bangers that just seem to grow indefinitely. The release is also a personal milestone for ANNA, as Kompakt’s records have always been a staple in her sets: “I have so many records from Kompakt, I’ve had them since I started, and even though I played so many different styles through the years, I can safely say that Kompakt has always been in my crate.” Her very own release on the label, however, seemed “like a distant dream”, she says. Turns out it wasn’t that distant after all – thanks to her knack for seriously catchy techno with a punch, nurtured by hard work and persistent focus. A perfect fit for Speicher.
Available here: https://KompaktRecords.lnk.to/Speicher101SD

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ANNA - The Dansant

Mac Book? I Mac? Big Mac? NO, it's UMEK delivering the finely designed and great tasting techno for release number 30 on Filth on Acid. This 3 course techno meal with just main courses served by the Slovenian producer, who was already turning tables when the whole Filth on Acid crew was still in diapers, is ready to eat your dancefloor for breakfast, lunch and dinner. Are you ready NOW? This is FILTH on ACID..

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UMEK - Amnesiac (Original Mix)

DCR480 – Drumcode Radio Live – Pan-Pot studio mix recorded in Berlin

Drumcode Radio Live this week is a studio mix from Pan-Pot recorded in Berlin.

There is no track listing available.

DCR480 – Drumcode Radio Live – Pan-Pot studio mix recorded in Berlin

Why Does My Heart Feel So Bad

Moby - Why Does My Heart Feel So Bad (Enrico Sangiuliano Remix)

Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

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Chris Liebing

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