My present to all my listeners and followers, kind of mad and slightly dark for the Christmas time but nevertheless, Merry Christmas *<:D !

Support the original mixes here:
http://www.beatport.com/track/the-evil-id-original-mix/4433111
http://www.beatport.com/track/mpx309-original-mix/1375189


Joris Voorn vs. Max Graham - The Evil MPX309 (Tempo Giusto Hybrid)

A live recording from a recent gig in the Boiler Room at Stattbad, Berlin. 



Rebekah @ Stattbad, Berlin 29:3:14

It is Monday the 25th of August 2014 and we have Brian Sanhaji back on the CLR Podcast. The present live set has been recorded at this year´s Nature One festival and except from the popular “Daria”, it only includes unreleased and previously unknown material. The performance was broadcasted on be-at.tv, but here you get it in much better quality and with crowd atmosphere. Apart from his restless efforts as a mastering technician for CLR and other renowned labels, Brian is currently working on a new album, which is supposed to be finished by the end of the year and released by the beginning of next year on CLR.

CLR DOWNLOAD

BRIAN SANHAJI LIVE | Nature One | CLR Podcast

https://www.beatport.com/release/dublucid-friends-vol-3/5634684

Das Ultimatum

Buy the Vinyl: http://www.decks.de/t/johannes_heil-by_night_ep/c7a-y2

Magic and mind blowing 4 tracker. First single EP by Johannes Heil since a long time. >By Night< is a classic statement of a true mastermind and techno pioneer and a homage to of what we all living for: Energy, Light, Power, Hope, Peace and Love. Be aware of this release. Outstanding coverprint, shrinked and DJ friendly 140g pressing. Mastering and Cut by CGB at Dubplates and Mastering.

By Night

ODDEVEN006 A1 Johannes Heil By Night Part One

Auf und ab

Version 004.2

Die weiße Rose (Tale Of Us & Mind Against Version)

Gesang der toten Dinge (Konstantin Sibold Version)

Drumcode favourite Bart Skils kickstarts the new year with his sixth EP for the label Bark Skils opens new year's season with his 6th hard hitting EP released on Drumcode

Since his debut on Drumcode in 2012, Bart Skils has been one of the label’s most regular contributors, with the Dutchman’s brand of functional, hook-driven techno a go-to weapon for Adam Beyer; from his stellar ‘Shadowprint’ EP in 2014, to last year’s classy remix of Moby’s ‘Go’. One of The Netherland’s hardest working ambassadors for techno, he is the organiser of the beloved Voltt Love Summer Festival that’s has been a favourite of Beyer’s for many years. 

His latest work for Drumcode, ‘Bells of the Revolution’ continues his impeccable reputation for quality with everything he does, with four cuts all with their own distinct storyline. The title track is characterised by dark driving grooves and bubbling acid line that slowly evolves into a lush melodic riff. ‘Ocean Drive’ nose-dives into deeper techno territory, while maintaining a sense of exquisite tension throughout. ‘Vocalized’ follows, a stomping acid techno cut that slides into the deep courtesy of skilfully programmed vox and elegant licks of melody. The EP concludes with ‘Retrodade’, a track that’s been one of the biggest in Beyer’s sets in 2017 and features the famous vocal from Rozalla’s ‘Everybody’s Free’. The sample was used with kind permission from the iconic ‘90s singer.

Bart Skils - Bells Of The Revolution - Drumcode - DC184

Mutter

First single off the forthcoming album 'Bring A Friend'

Gary Beck - Before The Crash  - Soma Recordings - CLIP

Staring back to 2011, Adam Beyer and Alan Fitzpatrick’s ‘Human Reason’ track was a huge Drumcode release and with Len Faki’s new stamp on it, he is showing the unique talent that Drumcode have within their ranks. Len Faki’s Remix incorporates the original lead sound into different rhythms and puts it against different sound textures to create a sure-fire techno track. ‘Memesis’ is a new original track from Adam Beyer and Alan Fitzpatrick that uses a deep bass line to create a solemnly dark atmosphere. It also uses synth stabs help to enforce this trippy, hypnotising ambiance that moulds the track together. 

01 - DC105 - Adam Beyer & Alan Fitzpatrick - Human Reason - Len Faki Remix - Drumcode

1) Sawf- Sand#1
2) Pinion- Mirv
3) Black Asteroid- Hydrogen
4) Black Asteroid- Black Acid
5) Mr Jones- Black Rainbow (Black Asteroid remix)
6) Brian Sanhaji and Drumcell- Split
7) Mondkopf- Ease your Pain
8) Soolee- Circle Back
9) Motor- Ice
10) Truncate- Transients V1
11) Ascion- Poetics of Withdrawal (Pfirter remix)
12) Motor- Hyper Lust (Monoloc remix)
13) Monoloc- Shame
14) Barker, Baumecker- Buttcracker
15) Black Asteroid- Black Acid (unreleased remix)

CLR podcast #200- Black Asteroid

‘Vertigo’ is the A side on this four track EP by Roberto Capuano that uses reverberated kick drum’s and piano chords to create a groove that was designed for peak-time play. The second track, ‘Inversion’ uses rising and filtering synths with the use of space and influxes of pitched hi hats and percussion loops to create a 5am track that will keep people rooted to their spot. ‘New Chapter’ uses a repetitive percussion-like stab to keep the deep atmospheric sounds together over the industrial techno drums.The final track ‘Earth’ uses phased sporadic stabs to create an interesting groove that compliments the driving drums that are ever present. 

DC109 - 01 - Roberto Capuano - Vertigo - Clip

Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

Auf und ab

Chris Liebing

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