Techno

ASPARD - Ueruouff (Original Mix)

remix pack including remixes from : Popof, Egbert, Mladen Tomic, Heartik, Joachim Pastor & Miguel Bastida

release date : 11/11/13

Buy the original here: www.beatport.com/release/back-to-basics/1076693

Sébastien Léger - Snow Flakes (MIGUEL BASTIDA interpretation rmx) OUT NOW !

Sam Paganini At Berghain (Berlin) 9 /11/2013

Gary Beck will be playing at Time Warp Netherlands in Utrecht 07/12/2013

Gary Beck Time Warp Promo Mix

On my Drumcode Radio Live show this week I welcome Joseph Capriati live from the Loft Club, Germany as part of his 'Self Portrait' album tour.

Tracklisting to follow.

DCR174 - Drumcode Radio Live - Joseph Capriati live from the Loft Club, Germany

Sound Associates - Boombox (Len Faki Edit) 

Len Faki - BX3 (Techno)

Recondite - Cleric (The Advent  Industrialyzer Rework)

Auf und ab

Joris Voorn - Mpx 309 (Original Mix)

“I didn’t plan to go back to Grindhouse. It’s a monster of a record and undoubtedly the biggest release we’ve had on the label, but after 10 years it seems right to revisit the track and also add some new versions from some of my favourite techno producers." – Radio Slave With Danton Eeprom’s vocal resonating throughout, Faki’s first remix features crunchy snares, ominous chords and shuffling effects before piercing synths come into effect in the latter half. Meanwhile, the second version rumbles forward with its undulating bassline, soaring atmospherics and echoing elements to round up two solid productions exemplary of the Figure founder’s seasoned abilities in the studio.

buy links

Radio Slave - Grindhouse feat. Danton Eeproms (Len Faki Hardspace Mix 1)

Out now on vinyl & digital release - lnk.to/REKIDS114

Slam and Obscure Shape & SHDW step up for the second wave of Radio Slave ‘Grindhouse’ remixes on Rekids this February.

One of techno’s most iconic records, ‘Grindhouse’ first appeared on Radio Slave’s ‘No Sleep’ series before spawning multiple remixes from Dubfire, Danton Eeprom, Terence Fixmer and Nic Fanciulli. Kick-started by Len Faki, last year saw the announcement of a series of remixes with more to come from Vatican Shadow, Markus Suckut, Lady Starlight and Special Request.

Complete with relentless kicks, sinister drones and industrial elements, Part Two is not for the faint-hearted. Starting with Slam, the Soma bosses keep things dark, with rattling top lines and echoing effects resulting in a truly decadent techno floor destroyer.

Following a remix of Radio Slave’s ‘Vision’ in 2016, Obscure Shape & SHDW’s abilities are held in high regard by the Rekids owner and their rework of ‘Grindhouse’ reinforces why. Complete with a rumbling low- end, metallic melodies and soaring synths, the From Another Mind founders continue to establish themselves as two of techno’s most exciting names.

Grindhouse (Redux Part Two)

Radio Slave - Grindhouse (Slam Drum Mix)

Taking on a true trance classic and a personal favorite of his, Len Faki takes us back to the golden era of big melodies and early raves, sharing two very distinct interpretations of Firedance by Odyssee of Noises, the prolific production outfit helmed by Ralf Hildenbeutel.

Originally released in 1994 on legendary label Eye Q, this track marked a special period for Faki, when he was fully immersing himself into the scene, and accompanied him through his most formative times as a dancer and a becoming DJ.
Brimming with the iconic elation of those nights, side A keeps with the emotive theme of the original‘s Sunrise version, tweeking only slightly to cater for the needs of these days‘ dancers. Re-shaping the classic to match modern productions for it to be mixed with current bangers, Faki packs the tune‘s anthemic appeal into a propulsive ride down memory lane...

As with all releases of LF RMX, the proceeds of this record will be forwarded to the Berlin organization Straßenkinder e.V. to be used in actions against child poverty.

Bandcamp

A - Odyssee Of Noises - Firedance (The Sunrise) (Len Faki Hardspace Mix)

Solid Buzz EP

Solid Buzz

Industrialyzer - Solid Buzz

When Len Faki tackles an old school Matthew Herbert record (released 1998 under his rare Wishmountain moniker), the outcome couldn‘t get any better. Granting the haunting ’Radio’ a proper kick to beat along the chugging, percussive craze of the original, it quickly turns into a mesmerizing trip down memory lane. On the flip Faki leads an excursion deep into the jungle, with ’Bottle’ sporting an atmosphere so immersive, it‘s easy to get lost in the underbrush of this one!

As with all releases of LF RMX, the proceeds of this record will be forwarded to the Berlin organization Straßenkinder e.V. to be used in actions against child poverty. 

www.lfrmx.com
more info about the project here: https://strassenkinder-ev.de

LF RMX 018

Beatport

B - Wishmountain - Bottle (Len Faki Deepspace Mix)

www.soundcloud.com/johnsteel 
www.verknipt.org

JOHN STEEL CLOSING SET @ CLICK FESTIVAL DAY 2, WOODSTOCK

OUT NOW: Chris Liebing 'Phantom Rider EP'
https://lnk.to/CLR128

World: javier@analog-a.com
North America: mariesa@liaisonartists.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

Auf und ab

Chris Liebing

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