Chris liebing

Beatport http://www.beatport.com/release/flash-100/1407170
LTD200 Splattered Vinyl https://www.decks.de/track/florian_meindl-galaxy_storm_ep/cl8-n3
FLASH Recordings www.flash-rec.com
Mastered by www.riemannkollektion.com

Florian Meindl - Mental Atmosphere (FLASH 100)

Mars Bill - Panorama [INTACDIG047]

Florian Meindl - Mental Atmosphere

Volumes

Storming his way back onto Drumcode Luigi Madonna closes off the Summer with a four track smasher that will see him welcome in Autumn with a bang. Each track contains the solid, raw drums that are the backbone to each track Luigi has conjured up. With a brooding undertone, the simplicity found in each track gives the lead lines and ideas more space to breath, which overall creates a unique and charismatic submission that can only be found from the Italian.

Luigi Madonna - Le Ly Land - Drumcode - DC146

One side of CLR 23 Releasedate: Dec 5th 2008

Chris Liebing - Turbular Bell

Auf und ab

Auf und davon

Moby is a name synonymous with us all in the electronic music world and we are lucky enough to have been able to hand select some Drumcode artists to remix his work. This 9 track package included remixes from Enrico Sangiuliano, Dense & Pika, Bart Skils, Alan Fitzpatrick, Marco Faraone, Tiger Stripes, Manic Brothers and Luca Agnelli. Each one has been thought out and accomplished with precision using some of Moby’s synonymous samples.

The Remixes

Moby - Porcelain (Alan Fitzpatrick’s late night dub) - Drumcode - DC164

My Remix of one of the tracks of Brian's upcoming Album on CLR. Out now. Please also check Brian's new Album out soon on CLR. Many more Bombs there....

Brian Sanhaji - Cortosis (Chris Liebing Remix)

Amelie Lens Join the label with the forces of another fresh face on the label, Farrago. This record is the modern method for representing simplicity and elegance. Concrete connaisseur François X finalize all with his brilliant Remix.

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Buy the 12" Worldwide or in these online shops all over the world:

Hardwax: bit.ly/2urDXJJ
Decks: bit.ly/2vu1BT3
Juno: bit.ly/2t8prmq
Rushour: bit.ly/2v9QC1G
HHV: bit.ly/2vFuJaA
Redeye: bit.ly/2uW8yir
Grooveselect: bit.ly/2vXDOek
Technoimport: bit.ly/2tzd2rP
Technique: bit.ly/2tGSL80
Discopiu: bit.ly/2v4nFr3
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Digital: bit.ly/2eHPPkM

B1. Amelie Lens & Farrago - Purge

Out now on Beatport

https://www.beatport.com/release/percussionix/2280205

Carl Cox is an industry figurehead whos legacy in music includes his iconic label Intec, which he runs with friend and business partner Jon Rundell.

Intec's new release is from UMEK who is a Slovenian artist accredited with kick-starting the techno scene in his home country, before earning critical acclaim on a global scale when he first started his career in the 90s.

Having released on labels ranging from CLR and Novamute right through to Toolroom, in recent years UMEK's own imprint "1605" has also become a main outlet for his music.

People with a good knowledge of technos history will be more than aware of the impact of UMEKs classics tracks, such as his anthemic Gatex that came out only a few years before his first Intec release in 2005.

Having also collaborated with many influential figures such as Chris Liebing and Joey Beltram, this new solo EP is UMEKs third release on Intec.

Titled Percussionix the EP opens with (Mix 1) which centres around a thick set bassline cut with filter sweeps and full of menacing intent. Leading the track is a combination of tribal percussion loops, which provide the track's main driving force.

Track two is UMEKs alternative mix of Percussionix which titled (Mix 2) has a more refined sound with the raw edges of the percussion being rounded off to smooth the sound, and its bassline is left unfiltered so it becomes more of a gradual sweep that grows with building tension.

ID152 1. Umek Percussionix Mix 1

Weight Of The Land

Purge

Pre-order: https://www.beatport.com/track/yuzu-original-mix/12472089

Release date: 20.09.19

A home grown product of the Frankfurt electronic scene, it’s only right that Michael Klein should find his way to Cocoon Recordings. After a string of releases on BLK DRP, Second State and Micro.fon, together with a DJ schedule that’s established him as a well known face on the European techno circuit, destiny has come knocking and the result is a two track EP
that will blow the roof off even the most sturdy of clubs.

Thunder clouds gather on “Yuzu“ - a full-on dose of headstrong, slamming techno. Rampant hi hats, a rasping bass and a frenzied acid riff conjure up a deliberately disorientating electric storm that takes a
certain amount of pleasure in battering the dance floor like a force ten gale. Plastik snare rolls dominate the breakdowns and whip-crack percussion prolong the audio beatings being dished out on
this ‘next generation’ acid-techno.

Klein adds some extra bounce to the raw, pounding beats on “Eureka“, creating a cavernous backdrop that transports you back to the heyday of E-Werk. Then, it’s all aboard the night train as the sounds
gradually morph into some kind of demonic locomotive, hissing and spitting out fire and smoke as it cuts a path through the darkness, hurtling full throttle into the abyss where at- mospheric tempo
changes to the main motif add an extra dimension of mayhem to proceedings.

Warning! Like a surfer waiting for the seventh wave you either rise to the occasion, get on top of these tracks and ride them ecstatically to the shore or you’re gonna find yourself crushed by the relentless
power and energy of Michael Klein’s music... and that’s just the way we like it.

Yuzu EP

Beatport

Premiere: Michael Klein - Yuzu

Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: mariesa@liaisonartists.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

Auf und ab

Chris Liebing

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