TranquoTec

We True LP

Hidden Eyes

ZC-DIG013 - Paul Renard - Hidden Eyes - We True LP

Oldschool driven hardware gooves! Trippy and spaced out acid techno by italian duo Boston 168. Outstanding coverprint, shrinked and DJ friendly 140g pressing. Mastering and Cut by CGB at Dubplates and Mastering.

http://www.decks.de/t/boston_168-oblivion_ep/c6g-ns

Oblivion EP

ODDEVEN004 A2 Boston 168 Oblivion

Two of Figure’s core artists combine their production forces on this release, presenting a fully fledged EP of their joint studio efforts. Spanish azid-wizard Regal teams up with Len Faki himself for some tracks that are as lively and versatile as they are effective and cut for the club.

Coming soon

www.figure-music.com/news

The End

Abroad (snippet)

Bullit

Auf und ab

Howling - Signs Rødhåd Remix[www.MP3Fiber.com]

Slow Attack

First live performance of my new remix.  Comments please. :)

soundcloud.com/thomas-melville-1
mixcloud.com/muppetdriller

Bang The Box - Jackmaster vs SLAM vs muppetdriller Remix

Mark Broom - Dank (Luca Agnelli Remix)

Subati

First single off the forthcoming album 'Bring A Friend'

Gary Beck - Before The Crash  - Soma Recordings - CLIP

Lux Prima

Ministry

Up and coming Dutch DJ, Masalo, delivers a bold arpeggiated number drawing on Italo-Disco influences, and featuring the vocals of Guineo-Malian singer Doussou Koulibaly. 
Taken from the release "Esa Presents Amandla: Music To The People", an electronic compilation put together by South African DJ and producer Esa Williams.
Full release available from 6 September. "Yera" is available to download on Bandcamp now: https://soundwayrecords.bandcamp.com/album/esa-presents-amandla-music-to-the-people

Esa Presents Amandla: Music To The People

Yera

Buy or Stream

Masalo - Yera (ft. Doussou Koulibaly)

https://fanlink.to/Mover

Metodi Hristov, the Bulgarian mind-bending chef returns to Filth on Acid with a menu consisting of 3 filled techno plates that will tickle your senses until you're are licking the plate while fist-pumping on the dancefloor.

This is Filth on Acid NOW! Lick your plate!

Delivered by <a href='http://www.label-worx.com'>Label Worx</a> on behalf of <a href='http://www.filthonacid.com'>Filth on Acid</a>

Kopen op Beatport

Metodi Hristov - Mover

Renato Cohen has remade his Pontape original eleven years on, bringing new life to one of techno’s classic records. Beginning with the immediately recognisable droning bass line that has become so synonymous with the release, Cohen introduces a build during the middle section that gives the track a new depth second time around. Alan Fitzpatrick has been selected for remix duties, adding a contemporary twist to this classic track by retaining the original hook-line using the drone in the breaks but adding his own synth-stab to bring a new and interesting dimension to the track.

DC108A - Renato Cohen - Pontape - 2013 remake

Captain My Captain

Captain My Captain (feat. Cari Golden)

Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

Auf und ab

Chris Liebing

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