when you hit  rock bottom  when  you have lost everything  he's  the only one that hears your heart  .. always there no matter what ❤❤

this song will always remind me of my baby niece Diamond-Arabella  RIP sweety, love U

first song I learned how to play on the guitar ❤🙏🏾 and forever reminding me of How Good God is ❤

The Lord is my rock and my foundation and I won't let anyone break it down............this song speaks life.........love it..........to me it means to be influenced by God and not the world because look at it this way the world is the devil and of course the other one is God............WHO ARE YOU GOING TO STAND BY IN THE FIGHT?...............God or the devil..........you choose God can't choose for you...........but just know it is not to late to turn back and come to God..........God bless and have a wonderful day...........Jesus loves you........ #blessed #loved #only1 #amen #always_and_forever_loved

this song helped me through a lot of my troubles. love this song ❤ stay blessed always 🙏

spiritual keithy

“Love Lifted Me”
By: Ulysses Brown


Somewhere between the pulpit and the dance floor, this uplifting gospel/r&b song from Atlanta-based worship leader, Ulysses Brown, will have you praising God and raising your hands, while singing along to the memorable chorus and dancing in the aisles.

Kicking off with a retro-inspired drum loop, accompanied by a tight bass and piano riff, this track is a sparsely-produced foundation (smartly so) for Brown’s emotional and soulful testimony. Although Mr. Brown has a very distinctive tone and vocal style, from the opening note, I was reminded of several brilliant 80s/90s secular r&b vocalists like JT Taylor (Kool and the Gang) and Rafael Sadiq (Tony!Toni! Tone!) as well as gospel contemporaries like Kirk Franklin and Israel Houghton.

Brown begins his story with the very emotionally-heavy, “I was sinking, deep in sin,” laying the groundwork for his powerful testimony. The funk-infused bass groove carries the verses nicely, adding to the dance-ability of the track. That funky groove is accompanied by a lilting organ and driving piano chords, which gives the music a bit of a club/house feel. From there, the story takes an uplifting course: ”The Master heard my despairing cry.” The real party starts when the choir appears on the chorus. You can almost visualize the members swaying and clapping along jubilantly, as they sing, “Love Lifted Me.” The song reveals its most poignant line as it approaches the final chorus:“I came running to Jesus; weary, wounded and so sad within my heart. And, I found in Him a resting place, and He has made me glad.”

It’s easy to see why this song was a number one single on James Banfield’s Blog Talk Radio show. Pure joy, praise and redemption are found on “Love Lifted Me.” For fans of bass driven, r&b-influenced gospel music, this track is pure heaven.

--Reviewed by Michael Stover
MTS Management Group
www.mtsmanagementgroup.com

Love Lifted Me

Here's My Heart - Out of Eden

Tua I Manū

..just a lil simple mix for one of ma favorite gospel trackz! GB

Draw Me Nearer-Jireh (Dj Villez)

Here's My Heart

E foofogiaOe performed by Punialava’a @Punialava’a

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SILI'AGA I FA'ATUFUGAGA...BEYOND OUR STORIES...

E Ofoofogia 'Oe

Punialava’a - E Ofoofogia Oe

The Lord is My Light (Adeaze)

Chris - Draw Me Nearer - Jireh

John Saw The Vision

Fill My Cup

Twelve pages preserved in a sealed chamber reveal the final writings of Silvio Nicastro—a man moving through nights heavy with watchers, warnings, and vanishing figures. Each lyric carries the tone of someone navigating narrow alleys and shadowed rooms, brushing against strangers who seem to know him far too well.

The early writings drift through keys without doors, men without shadows, mirrors that fail to give back what they receive, and toasts with people whose intentions turn strange. As the pages continue, the world tilts: owls fall silent, stars seem to listen, corridors warp, photographs shift, and time itself begins to pull backward.

Yet despite the paranoia and the gathering darkness, a hidden pulse of defiance runs through every line—as if Silvio knew something was coming and refused to bow to it.

The final page changes everything.
Unlike the others, it rises.

What begins as an ending becomes a sudden celebration, a curtain refusing to fall, and a surge of music lifting the unfinished lyric into something bright, triumphant, and unbound. What started as a document of fear becomes, in its last breath, a declaration of ascent.

Twelve fragments.
Twelve nights.
One last moment of rising light.

Draw me nearer - Jireh

LuCille Sia

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