Bonjour à tous
Voici Adélis, une voix qui chuchote à l’âme.
Originaire d’un coin de campagne où le silence fait écho au vent, elle chante depuis l’adolescence des chansons comme on confie des secrets. 
Son prénom rare, aux sonorités anciennes, semble venir d’un autre temps. 
Celui où l’on chantait pour ne pas sombrer. Pour aimer dans le noir.
"Quand mon monde sera éteint", enregistré en 1997 au studio 5/5 Production. 
Son premier titre, en lumière, est une chanson testament, tendre et dépouillée, qui évoque le passage du temps, l’amour en creux, et ce qu’il reste quand tout s’efface.  
Merci pour votre écoute. 
Bien musicalement

Interprète ;                  Adélis
Paroles :                      Laurentides Music
Musique :                    Laurentides Music
Arrangements :           Laurentides Music
Copyright :                  Laurentides Music 2025

Quand mon monde sera éteint, Voici Adélis, une voix qui chuchote à l’âme

I used to make sad lofi beats upstairs in my room
Bedroom beats and melancholy thoughts about you,
Wrote breakup lines under a paper moon,
Didn't matter, I couldn't change who you choosed.

It was heartbreak in a minor key
Every song a quiet apology
But I learned that pain’s not currency
It won’t buy love, it just buys sympathy

So I turned the dial, changed the sound
And I cut my hair, changed my style
Gave myself a second name
Hoping you’d hear it just the same

From a sad lofi boy to a postmodern man
Rebranding the pain, putting beats to the plan
Told myself this is who I am
From a sad lofi boy to a postmodern man

Remixed the pain, gave it a different spin
Played some sick chords, from deep within
You can change the name, change the chords you play
But some goodbyes still sound the same

I threw away my MPC and that old four-track
Bought a B-C Rich six-string and never looked back
But under the chords, beneath the art
It’s still the same fuckin' fragile broken heart

We danced around the words unsaid
Tuned the sorrow to a different thread
I hit the pedal, changed the tone
But you still echo in my headphones

But no matter how you spin the blame
Some goodbyes sound the same
Gave myself a second name
Hoping you’d hear it just the same

From a sad lofi boy to a postmodern man
Rebranding the pain, putting beats to the plan
Told myself this is who I am
From a sad lofi boy to a postmodern man

Remixed the pain, gave it a different spin
Played some sick chords, from deep within
You can change the name, change the chords you play
But some goodbyes still sound the same

You can call it rebirth, call it growth
Call it whatever helps you cope
But I know, deep down, beneath the frames
Some goodbyes,
Never fucking change.

From a sad lofi boy to a postmodern man
Rebranding the pain, putting beats to the plan
Told myself this is who I am
From a sad lofi boy to a postmodern man

Remixed the pain, gave it a different spin
Played some sick chords, from deep within
You can change the name, change the chords you play
But some goodbyes still sound the same

What's the fucking point?
I remade myself,
I tried so hard,
To be somebody else

I did it all for you,
You didn't even notice
I swear I did it all for you,
You make me lose focus.

I stopped making what I used to,
Now I play the guitar for you,
I threw out my lo-fi style,
Since you've been gone, I've hated it for a fucking while.


 “Hey… I miss you,
You know you really don't have to do all this.
You sound like you really can't get over me, I'm sorry you still feel that way.
But I know you need this more than ever. 
Goodbye"

From A Sad Lo-Fi Boy, To A Postmodern Man

Who You Are To Me

Who You Are To Me (feat. Lady A)

Some artists enter the studio determined to make a radical departure from who and what they are, or indulge some musical flavor of the month in a bid to expand the fan base. In either event, those strategies often backfire — though in staying true to his calling, GRAMMY® winner Chris Tomlin thinks not of popularity, but rather the populace his music can touch and encourage.

“I’m not trying to make a different kind of record,” says Tomlin of his latest effort, Love Ran Red “It’s still the same path I started down: writing songs for the church, songs people can sing, songs that connect with people in their heart and move them in a way only songs can. That’s not changed — and yet this collection I feel is the strongest I’ve ever done.”

That’s setting the bar quite high for his tenth studio recording, given that his last effort “Burning Lights” kicked off 2013 as a No. 1 album. It also led to sold-out tour dates, Billboard Music Awards, being named a BMI Songwriter of the Year and receiving the K-LOVE Fan Award for Male Vocalist of the Year and Dove Award for Songwriter of the Year.

Yet Love Ran Red picks up where its predecessor left off. True to its title, it expresses beating-heart faith and channels love’s ceaseless flow into a dozen songs to get the blood pumping and spirits soaring.

To that end, Love Ran Red shows Tomlin reaching and stretching forward, even as he leans back on what’s always worked best. Produced by longtime friend and collaborator Ed Cash (Kari Jobe, Vince Gill, David Crowder* Band, Dave Barnes, Steven Curtis Chapman), the album strikes stirring tones of hope, praise and the peace found only in God’s presence. 

Who You Are To Me (feat. Lady A)

Chris Tomlin

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