RELEASES

Induction

art by @2ilkroad
original track by @djspiller

Groovejet (Chris Waldt remix)

Spiller - Groovejet (Chris Waldt remix)

FREE DL

La Isla Bonita (Chris Waldt remix)

@endless_mow's coming through with the mutant, bass-forward incursions for @all-centre-504822953.

Big percussive ballistics on a label gaining reputation as a fertile breeding ground for dancefloor hybridity. It’s a return to the split EP format and a second foray into vinyl territory, complete with solo productions from EM and co-founder Simkin.

Harnessing piquant arpeggios and rapid-fire snare rolls to deadly effect, opening track ‘Spawning Pool’ sets the pace.

Pre-order: allcentre.bandcamp.com/album/acenv002

ACENV002

Premiere: Endless Mow - Spawning Pool [All Centre]

To celebrate the second release, Lambratech crew invited one of the artists they appreciate most from the Fast Music scene.
"Sad Cyber ​​Girls" is the business card of the master Wachita China, who reinterprets our present/future with 5 new weapons.

Artwork: Malasuerte
Master: Oltrefuturo

Sad Cyber GirlS

Fuckers

PREMIERE: Wachita China - Fuckers [Lambratech 02]

SND049

Acid Waves

Driven by a mad ambition to establish themselves as key players on the Parisian Bass and Break scene, they called on a hand-picked selection of the scene's flourishing artists for their very first Various Artist. The compilation, featuring 11 club weapons with both mystical and incisive vibes, reflects the eclecticism dear to the Craquages project.

Grrlsss’ member and Toulouse-based artist 130E0A is passionate about musical identities that easily jump over aesthetic borders. Mixing bass music, hard dance, hip-hop, and jungle, as well as being influenced by ambient and trip-hop culture, 130E0A keeps in mind two essential aspects of every festive and musical experience : hip moves and spiritual permanence. Their productions, created in the shadows of their home, perfectly fit with their wild DJ sets, in which deconstructed rhythms and massive bass mingle with more poetic strands of dream and light.

130E0A :
https://soundcloud.com/130e0a / https://www.instagram.com/130e0a_

[CRAQUAGES] : 
https://soundcloud.com/craquages-collectifs https://www.instagram.com/craquages.collectifs

BUY on BANDCAMP

PREMIERE : 130E0A - what are frogs

Artwork by Matilda Greiner (@matildnz)

Master by bicycle ride (@bicycle-ride)

BLUB TRAX Vol. 1

Serious Party Track (DUB EDIT)

Tek Nena | Mainstage (original mix)

Written and mastered by Tek Nena

2024

Tek Nena | Mainstage (Original Mix)

HEI$T - DARK - 31.5.24

Khroma - Acid Shadow (Original Mix) (SSCFD02) (Shady SideChain Label) FREE DL

Native Default - Eris (Meet Recordings)  In the endless pulse of the underground, Native Default returns deep, deliberate, and unstoppable. His new EP, Eris, channels raw emotion through layers of hypnotic dub techno, a journey between serenity and chaos.  Eris the title track moves like a celestial storm: weightless rhythms orbiting heavy basslines, tension building and dissolving in waves. Mortality drifts through shadow and reflection its remix by Mirko Antico reshapes the void into a fierce, pulsating groove that burns across the floor. And with Mystery of Life, Native Default reminds us that even in repetition, there’s revelation.  

Every release from Native Default is a force Eris is no exception. Dub and atmosphere entwined, it’s techno as emotion, sound as philosophy a soundtrack to our restless nights and infinite cycles.  Meet Recordings continues to define the pulse of the underground.

Native Default - Eris EP MEET053

October 31 Bandcamp Exclusive
November 22 Main Release Spotify, Beatport and more

Website: www.meet-recordings.com
Instagram: www.instagram.com/meet_recordings/

Mortality (Original Mix)

take control

Artist: @galtier
Catalogue Number: IM079
Album: Dancing On Ruins
Release Date: July 31st, 2020
Format: Digital
Artwork by @benfikaa
Mastered by Kamil Sarcowicz

Making his return to the Infinite Machine catalog is Nostro Hood System boss Galtier with his 3 track EP ‘Dancing On Ruins’; a relentless slug of driving percussion and discordant atmospheres. Taking quite a step from his 2018 ‘Terran’ EP released on IM, Galtier abandons the hopeful, up-lifting, sometimes euphoric mood that has characterized much of his sound for the last few years and flexes his ability to handle anxious, hard-hitting techno-influenced material – a healthy departure from the purposeful, existential theme evident in earlier works.

‘Dancing On Ruins’ is characterized by its dusty, weather-beaten sound palette, as if such music was created and played in a desolate, lifeless world to provide solitude for the stoic beings that reside there. It is fast and aggressive, utilising techno-esque sonics as its base, yet it avoids being scary or oppressive or too stereotypical in nature.
‘
Scuffed Souls’ leads into the chaos with the pounding force of its 909 kick that thumps over the ever-evolving, fundamentally gothic sequence of melody. It is menacing and daunting to say the least, and gets straight to the point. Rhythmically it is reminiscent of classic rave-inclined techno but draws for quick transitions evident in contemporary club music. Crisp, pointed hi hats play gracefully amongst the angry soundscape and are quickly scared off by the growling Moog bassline that rumbles in to occupy the decrescendo.

The rhythm is broken and far more syncopated on ‘Precious Quartz (To Reave), which likewise increases in BPM from 140 to 148. Being the most stripped back, percussively oriented track on the whole release, Galtier flexes his capacity to execute myriad shifts in rhythm and pace as the majority of the track chugs along, the vessel made up of a its short but monstrous kick, sharp hi hat slashes, restrained 909 rides and a mutated bell call – warning others of its approach.

Finally the namesake of the EP, ‘Dancing On Ruins’, takes place, leaving the zenith of the release’s unnerving energy for last. Galtier combines elements of UK Techno rhythm with loose UK Funky instrumentation and meshes the two and speeds things up significantly. Though the rhythm returns to a more pulsing, simply structured state, the hollow lead is pulverising and raw throughout the whole track. This, accompanied by the blistering 150 BPM tempo, makes it a vicious, restless beast.

Tracklist:

1. Scuffed Souls
2. Precious Quartz (To Reave)
3. Dancing On Ruins

Dancing On Ruins

Galtier - Precious Quartz (To Reave)

booking/inquiries: chriswaldtmusic@gmail.com

i make techno and trance

1/2 of RUSHHOUR
1/2 of @cxc-nyc

they/them

Induction

chris waldt

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Myles

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