DJ Sets

Carl Cox & Jeff Mills - Live @ Cherry Moon, Lokeren 18-04-1997

This is a version of the live set played by Chris Liberator & Sterling Moss at Stay Up Forever's infamous 'No Sleep Til' Brixton' party in September 2010!

1. Dirt Box - Cluster 87
2. Move Along - Yolk 21
3. We're On The Outside - Stay Up Forever 97
4. Massive Line - Stay Up Forever 95
5. Croydon Girl (Featuring Rackit) - SUF 100
6. I'm Bored - Stay Up Forever 92
7. Halloweird - Hive 07
8. Way Of The Samurai - Stay Up Forever 95
9. Punk Attitude - Scythe Squadron 07
10. High Society (Featuring Aaron Liberator) - Wah Wah 24
11. Chips & Gravy (Featuring Mark EG & Chrissi) - Wah Wah 25
12. Acid Wah Wah Wah - Wah Wah 23

Available for booking:
www.sufbookings.com/chris-liberator-sterling-moss.php

Chris Liberator & Sterling Moss - Live Set September 2010

Jeff Mills & Frankie Bones - Live @ Panoramix, France 8-8-98
No need to much words for this 2 ,but i will say something about 1 of them guess who ;)

Jeff Mills, along with Robert Hood, Carl Craig, and Joey Beltram, is one of the biggest American names in techno. Championed for his music's relentless pursuit of hardness and his stripped-down, almost industrial DJ sets, Mills is the latest in a long line of Detroit-bred talent to take on an international reputation. A founding member of noted Motor City institution Underground Resistance, Mills helped build the artist roster and label ideology (as well as much of its back catalog) with partners "Mad" Mike Banks and Robert "Noise" Hood before moving to New York in 1992 to pursue more vigorously his solo and DJ career (with a resident spot at the legendary Limelight and a recording contract with the noted German label Tresor). (Although rumors of bad blood between the early UR crew have been denied by all involved, Mills' decision to split was apparently total, with Banks all but repudiating his involvement with Mills and Mills distancing himself from the continuing political militancy of Banks and the UR organization.) 
Mills' UR-related releases (including "The Punisher" and "Seawolf") are stripped-down and erratic, fusing elements of hardcore acid and industrial techno to the sparse Detroit aesthetic. Not surprisingly, his post-UR sound hasn't eased a bit, although UR's penchant for the four-track has been replaced by higher-quality production.

Prior to his involvement in UR, Mills was a DJ at Detroit public radio station WDET (he was also studying architecture at the time), spinning everything from Meat Beat Manifesto and Nine Inch Nails to Chicago house and underground Detroit techno. He began producing in the mid-'80s, working with Tony Srock on the project the Final Cut.

DJ Sets

Chris Whitten 2