Please message my instagram if you want to work, your voice and music taste is amazing man. My instagram is @worthless.ig

Обожаю. На повторе. Beautiful 😍

Humans are amazing, when you got it, u got it!!! Talented dude

Low on Sub Pop http://www.subpop.com/artists/low

C'mon http://www.subpop.com/releases/low/full_lengths/cmon

C’mon is the shortest title of any Low album, which seems fitting, as it also ranks among the most succinct and straightforward entries in their variegated discography. Singer-guitarist Alan Sparhawk has even perfected the “elevator pitch” for C’mon: “Recorded in an old church in Duluth, MN and mixed in an apartment in Hollywood, CA.” But that brief synopsis hides universes.

Comprised of new material written on and off the road, the ten-song set was recorded in a former Catholic church, aka Sacred Heart Studio (where the band previously crafted 2002’s Trust) and co-produced and mixed by Matt Beckley. The band took full advantage of Sacred Heart’s high, vaulted ceilings, natural reverb, and audible affinity for organ sounds and group singing. The thunder-crack percussion that peppers the final minute of the slowly unfolding “Majesty/Magic” is just one example of this dynamic in action. With its jangly guitars and sweet vocal harmonies, opener “Try to Sleep” sets the album’s tone: Warmer, fuller and more introspective. Whereas 2007’s Drums and Guns railed against the war in Iraq, C’mon feels like a plea for humanity, decency and common sense in a world gone mad. Sparhawk concurs. “With the last couple of records, we were grappling with something outside of ourselves. This one feels more like, ‘Well, forget that. I’m looking in your eyes right now, and we need to figure out how to get through the next moment, together, as human beings.’”

Without curtailing their artistry one iota, the trio has made one of its most accessible, affecting albums to date. And while the origins of C’mon may lie in a church in Minnesota, Beckley’s apartment in CA and the hearts of the modest individuals who created it, the resulting music has the capacity to resonate deeply with audiences everywhere.

C'mon

Especially Me

Low - Especially Me

I Fall In Love Too Easily / cover / 20240504 / studio

"Save Me is about difficult situations in life… times when we are basically BEGGING for someone or something to "SAVE" us. Times when ANY solution sounds good… (any solution is better than nothing...) Usually these kinds of situations 'solve them selves' - we end up literally saving ourselves - but the song is about someone in the midst of that desperation... calling out for that elusive 'saviour.'"

Short bio:
Cole and Shpresa met on SoundCloud; where each had been uploading their music independently, in early 2012. At first, their love was simply for the other's music. That quickly turned into something more, however, and it wasn’t long before the two began a relationship on Skype which lasted more than five months. In June 2012, Shpresa flew to Cole in Minneapolis, from Stockholm, and stayed until the couple returned to Sweden two months later. It was there that Flora Cash was born.

Since that time, Flora Cash has lived, written and played in Stockholm, London and Minneapolis. They've assembled over nineteen-thousand YouTube subscribers and amassed over a million views on their videos. They've released several singles and three EPs and have recently signed with Swedish indie label, 'Icons Creating Evil Art,' with whom they'll be releasing an EP late this summer/early fall.

Follow Flora Cash 
Youtube: https://www.youtube.com/user/floracash
Facebook: https://www.facebook.com/flora.cash.band

Icons Creating Evil Art
www.icea.se

Save Me

Flora Cash - Save Me

I Need My Girl - The National

Conatus es el segundo album de Nika Roza Danilova, mejor conocida como Zola Jesus. En este nuevo material Nika no deja que ningún sonido se le escape. Se exploran desde baladas triunfantes hasta sonidos electrónicos sumamente refinados. Todos acompañados de la potente y enigmática voz de Nika. Todas las canciones de Conatus fueron escritas por ella misma, compartiendo la producción con Brian Foote, quien también se encargó de la mezcla.

“Zola Jesus no tiene miedo a
enfrentarse a sonidos desconocidos, y
eso es digno de admirarse”.
—Spin Magazine


Zola Jesus - Skin

From Greg Laswell's 2009 release 'COVERS'...

Your Ghost (Kristin Hersh cover)

Find “Dodged A Bullet” on iTunes here: http://smarturl.it/dodgedabulletiTunes

LYRICS:
I'm not gonna try and make it even
You're way ahead by now
No, I'm not gonna try and make it all even
Even though I know how

Everyone thinks I dodged a bullet, but I think I shot the gun

I'm not gonna tell my new friends about you
No, I'm gonna let that slide
I'm gonna be lazy when I write about you
Even though it takes all my might

Everyone thinks I dodged a bullet, but I think I shot the gun

I'm gonna get back to believing
It's been a long, long time now
I'm gonna get up and make it look easy
Even though I don't know how

I'm not gonna try and make it even
I'm way behind by now
No, I'm not gonna try and make it all even
Even though I know how


Dodged A Bullet

The Vampire Diaries Soundtrack - Episode 15 – I Would For You – S07E15

Angus & Julia Stone - Crash and Burn

This is a cover of Colorblind by Counting Crows.

MY NEW ALBUM IS HERE!!

https://soundcloud.com/chrisvi/sets/the-midnight-sessions

Counting Crows - Colorblind

i can't believe i haven't covered this song til now.  it's so perfect.

colorblind (counting crows)

Taken from Phosphorescent's 'Muchacho' out now on Dead Oceans

Your local record store: http://bit.ly/1mYQtHB
iTunes: http://glnk.it/1xu 
Amazon: http://glnk.it/1xt 
SCD Deluxe Bundle http://www.scdistribution.com/phosphorescent/

Phosphorescent
http://www.deadoceans.com/artist.php?name=phosphorescent
https://www.facebook.com/Phosphorescentmusic
https://twitter.com/Phosphorescent

Song for Zula
Some say love is a burning thing 
That it makes a fiery ring
Oh but I know love as a fading thing
Just as fickle as a feather in a stream
See, honey, I saw love. You see, it came to me
It put its face up to my face so I could see
Yeah then I saw love disfigure me
Into something I am not recognizing

See, the cage, it called. I said, "Come on in"
I will not open myself up this way again
Nor lay my face to the soil, nor my teeth to the sand
I will not lay like this for days now upon end
You will not see me fall, nor see me struggle to stand
To be acknowledge by some touch from his gnarled hands
You see, the cage, it called. I said, "Come on in"
I will not open myself up this way again

You see, the moon is bright in that treetop night
I see the shadows that we cast in the cold, clean light
My feet are gold. My heart is white
And we race out on the desert plains all night
See, honey, I am not some broken thing
I do not lay here in the dark waiting for thee
No my heart is gold. My feet are light
And I am racing out on the desert plains all night

So some say love is a burning thing
That it makes a fiery ring
Oh but I know love as a caging thing
Just a killer come to call from some awful dream
O and all you folks, you come to see
You just stand there in the glass looking at me
But my heart is wild. And my bones are steam
And I could kill you with my bare hands if I was free

Muchacho

Song for Zula

Buy via SCDistribution

Phosphorescent - Song For Zula (Official Audio)

NEW ACCOUNT + 
NEW ALBUM!!

https://soundcloud.com/chrisvi/sets/the-midnight-sessions

Counting Crows - Colorblind

Chrisandhisguitar

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Minthol420

mein name ist Hase 🥴🤣😜

RICKYWORTHLESS

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