Recording session at the Cleveland Museum of Art, December 18, 2015. French harpsichord by William Dowd (after Pascal Taskin).

Couperin, L - 5. La Piémontoise

Couperin, L - 4. Sarabande

Couperin, L - 3. Courante

Couperin, L - 2. Allemande

Couperin, L - 1. Prelude

Recorded at Cleveland Museum of Art, December 18, 2015. Italian harpsichord by Tony Chinnery (after Carlo Grimaldi, 1697), Built: 1994 (Florence, Italy).

Frescobaldi - Partita Sopra L'Aria Di Follia

Couperin, L - Chaconne En Fa Majeur

Recorded on December 18, 2015 at the Cleveland Museum of Art. German harpsichord by Bruce Kennedy (after Michael Mietke, 1719)

Handel - Suite In A - 3. Courante

Handel - Suite In A - 2. Allemande

Handel - Suite In A - 1. Prelude

Highlights from past collaborations with amazing and wonderful musicians and composers. Representative works on piano and harpsichord.

Boismortier - Flute and harpsichord

Santa Ana - F.C., with Mark McGregor, flute

Enescu - Violin Sonata 3, 1st movement

Beethoven - Handel Variations, cello and piano

Allemande-Courante-Sarabande from the D major partita, recorded on December 18, 2015 at the Cleveland Museum of Art.

Bach - Partita In D - 3. Sarabande

Bach - Partita In D - 2. Courante

Bach - Partita In D - 1. Allemande

“Versatile, serious and a whole lot of fun, keyboardist Christopher Bagan is a rising star  in Canada’s music scene.” He is equally at home on modern and historical keyboard instruments and is in high demand as a collaborator, chamber musician and basso continuo specialist. Recent engagements include appearances with soprano Ellen Hargis, Toronto Masque Theatre, Aradia Ensemble, University of Toronto Opera and the Britten-Pears Baroque Orchestra as well as his debut as music director for Handel's Giulio Cesare in Ferreira do Zezere, Portugal. He holds a Doctor of Musical Arts from the University of British Columbia where he studied with Jane Coop. He is a regular performer in the Early Music Vancouver main series and Summer Festival as well as Vancouver’s Music on Main concert series. He has performed with many of the leading baroque singers, instrumentalists and conductors in North America. He now resides in Toronto where he is on faculty at the University of Toronto and at St. Michael’s Choir School, and is a staff accompanist at the Glenn Gould School. He also freelances across Canada, working as a soloist, chamber musician, lecturer and collaborative keyboardist.

ChrisBagan

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