Choir!Choir!Choir! sings Band Aid's "Do They Know It's Christmas", as broadcast on CBC Radio One's "As It Happens" on Wednesday, Dec 21, 2011.  Hosts: Carol Off & Jeff Douglas.

C!C!C! - Do They Know It's Christmas (CBC Radio One)

Choir!Choir!Choir! sings K-Ci & JoJo's "All My Life" to open the 15th Anniversary edition of the Toronto Reel Asian International Film Festival.  Taken from the video recording by Jonny Bunning at the Isabel Bader Theatre, November 8 2011.  The song was chosen because it was released in 1997, the festival's inaugural year.

Choir!Choir!Choir! sings All My Life (Live at Reel Asian 2011)

Choir!Choir!Choir! sings Wham!'s "Freedom" at the opening of the 15th Anniversary edition of the Toronto Reel Asian International Film Festival.  Taken from the video recording by Jonny Bunning at the Isabel Bader Theatre, November 8, 2011.  The song was chosen because the video for it was one of the first by a major pop act to be shot in China.

Choir!Choir!Choir! sings Freedom (Live at Reel Asian 2011)

Choir!Choir!Choir! sings Tears For Fears' "Mad World" as broadcast on CIUT 89.5's "Dreaming in Stereo" programme on Friday, March 2, 2012.  Host Alex Nursall fills in for Alexandra Simion.

C!C!C! sings Mad World (CIUT Dreaming in Stereo)

CBC Radio One's "Here & Now" programme features Choir!Choir!Choir!'s rendition of Tears For Fears' "Mad World", with behind-the-scenes interviews by Lily Ames.  Originally broadcast at 5:20pm on Tuesday, March 6, 2012 on CBC Radio One 99.1FM

Making A Mad World (CBC Here & Now)

Recorded live at the Bloor Cinema on Friday, September 7, 2012, during the intro for the Canadian premiere of Sarah Polley's "Stories We Tell" at the 2012 Toronto International Film Festival.

C!C!C! sings In My Life (TIFF 2012: Stories We Tell)

Work-in-progress recorded on my shitty iPhone voice memo app. Haven't written the low parts - mids have the melody and there's a high part.  

Escarpment Blues (JFN demo)

Slightly less shitty recording than Escarpment Blues.  Right now mids have most of the melody with lows on back-ups, except for the pre-bridge, when the lows have the lead and the mids are on back-ups.  For this recording, imagine the back-ups an octave lower for the lows.  We can probably easily write a high part that harmonizes on the back-ups throughout the song, or just leave it two-part. 

Chris Chin

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