This track immediately transforms you some place out there. Magic

Not to Speak II

from the album Little Pink Fluffy Clouds A
released August 11, 2022
Mixed/Produced by Karen Vogt
Mastered by Mark Beazley/Trace Recordings
Artwork by Caro Mikalef (Cabina)
Physical and digital items can be purchased from my Bandcamp: https://karenvogt.bandcamp.com/album/little-pink-fluffy-clouds-a

cloud one Karen Vogt

Toby L’Rone produces ambient and experimental electronic music compositions for work, relaxation, and meditation.

Check out Toby's profile here:
https://soundcloud.com/tobylrone77

Descent

The sonic epilogue to Fionnlagh's debut album, 'What Came Before'. Featuring original material and remixes from ambient heavyweights: Warmth, Powlos, Hilyard, Anwalter, Logic Moon and Seabuckthorn.

Download here: https://bit.ly/3hdecqL
'What Came Before' vinyl here: https://bit.ly/2SZvdsi

What Came After

Download

Fionnlagh - Bj2x8i8l2e0f7s1 (Warmth Remix)

‘Floating World’ is an album by US based artist Todd Gautreau, who records as Tapes and Topographies. It was created in response to a collaboration project called Thirty-Six Views of Newland Island with British artist Jonathan S Hooper. The album follows last year’s ‘Amplitudes’ and is another entry to Todd’s discography, alongside music on labels such as Past Inside The Present, Dronarivm, Shimmering Moods and his own Simulacra Records.

Jonathan S Hooper is a mixed-media artist based in London, who works with paintings, photography, sculpture and film. Thirty-Six Views of Newland Island is an evolving multi-factorial project in which Hooper continues his exploration of ontological concepts of time and space through the landscapes of his native Cornwall. Specifically, the project focuses on a small uninhabited outcrop called Newland Island, which lies just off the Cornish coast in the Atlantic Ocean’s most westerly margins. The project’s title is inspired by Katushika Hokusai’s series of woodblock prints of Mount Fuji, drawing in Hooper’s broader interest in Japan’s artistic heritage. It also adds to the cultural connection between Cornwall and Japan first established in St Ives, in the 1920’s, through the collaboration of master potters Bernard Leach and Hamada Shoji. A collaboration that continued through much of the twentieth century.

A particularly fascinating consideration is that Mount Fuji is an instantly recognisable geographic icon, yet in contrast, Newland Island is unknown to most. This frees the project from the limits of preconception, opening up opportunities to explore further ideas of landscape, and our place within it. Through collaboration with Gautreau (who is based some 5000 miles away), Hooper sought to give creative licence to a composer, in order to encourage another viewpoint. He had first discovered Todd’s music through Elizabeth Alker’s BBC Radio 3 Unclassified programme, and subsequently reached out to invite him to work on a soundtrack, which has now become ‘Floating World’. He sent photographs of his paintings, scans of the polaroids and his studio notes; the work developed organically into a collection of nine soundscapes, in which Hooper sees as independent views of Newland Island in their own right.

Hooper will be working to share this project through galleries and installations and we felt it was apt to assign full creative control over the CD packaging design to these two artists. Todd, also a graphic designer, has pulled together some of the polaroids for the outer and inner sleeves. There is a 16 page booklet included, which contains paintings, further polaroids and text from both artists. This is also included with the digital version of this album.

Written and produced by Todd Gautreau
Mastered by James Edward Armstrong
Paintings and polaroids by Jonathan S Hooper
Design by Todd Gautreau

https://www.jonathanshooper.com/

floating world - reflections on 36 views of newland island

wlr126 Tapes and Topographies -Floating World - Reflections on 36 Views of Newland Island

Untitled

Sunday, Late

"Billowing, Grouper-esque folk-drone works for processed guitar and voice improvised by Paris-based Australian musician Karen Vogt. ‘I’ve been waiting for the longest time’ wears Vogt’s heart openly with a floating structure of melancholic chord progressions and wistful melody, before really blooming out in the 14 minutes of noctilucent pads** threaded with shivering strings that eventually introduce her harmonically layered choral vocals like a forlorn Grouper."   ~~Boomkat
**bless Boomkat for this review, but no pads/strings here. Made only with vocals, guitar & effect pedals. 
Mixing: Karen Vogt/Mastering: Stephan Mathieu/Design: Joe Gilmore/Released on Superpang Nov, 2022 
Buy on Bandcamp: https://karenvogt.bandcamp.com/album/ive-been-waiting-for-the-longest-time
HD quality video: bit.ly/3GC4KIh
Recorded originally as a live improvisation session at Karen's home in Paris, France. Later, she made some edits and added minimal overdubs to the two tracks. Karen plays electric guitar and runs both her guitar and voice through various pedals, effects and loopers.

I've Been Waiting For The Longest Time

Glass

Equipment:YAMAHA Reface CP,Cooper Fx Outward V2,Chase Bliss Audio MOOD,Chase Bliss Audio Blooper,BOSS RV-5

summer vacation

Our Ancestors Are Like Trees That We Sow In Soil From The Sea

Ambient, Soundscape, other
https://dewtone.bandcamp.com/album/shelter
https://dewtone.bandcamp.com/album/dreaming-of-summer-in-winter
https://christopherhanlon.bandcamp.com

Not to Speak II

Christopher Hanlon

Recent comments

Broken Chip

Editor Cole

q_u_b_i_k

Related tracks