Name: Stay Hungry -Chris Rivers by ChrisRivers
Duration: 2 min 29 s
Description: Chris Rivers is kicking off this weeks freestyle over “Holding It Down” by At Wendy’s, off of their “We Beefin?” EP with his version called “Stay Hungry” . We can clearly see that Rivers never lost his hunger with these insane flows and braggadocios bars hitting us with humor , punch lines and that good old fashion Chris energy. Like share and support !

We are one month removed from the biggest event in TBP history, Mission Underground LA (MULA), and quite possible the biggest underground hip-hop festival in current production. It is only fitting to drop the biggest cypher of the event first. This one features Funk Volume's Jarren Benton, G.O.O.D. Music's CyHi The Prynce, and Slaughterhouse's Joell Ortiz over one of the hardest beats we have ever heard from Trox. If you aren't familiar with any one of these artists PLEASE get acquainted after watching the cypher, as they are some of the most elite emcees in the industry right now. Watch the video & share, download the audio, follow the artists, and look forward to some more EPIC Mission Underground LA content.

Jarren Benton, CyHi The Prynce, Joell Ortiz (Prod. Trox)

LAX To JFK - Chris Rivers, Oswin Benjamin, Denzil Porter (prod. Trox)

NOBODY

Royce Da 5'9 - Wait A Minute (Freestyle)

I Got The Keys (Freestyle)

Let's Take Them To War (FREESTYLE)

The Bar Exam 4

N My Zone (Mask off)

Almost a year ago KXNG Crooked released a manifesto in the form of Good Vs Evil.  To rewind, Donald Trump had just been elected the 45th President in one of our most controversial presidential elections, divisiveness infiltrated every aspect of the populous, governmental agencies were willingly pumping poison into its communities, protests were raging in the streets, unprovoked police brutality was rampant (with zero accountability) and the societal divide widened with each passing day. 

With a seemingly basic disregard for human rights, it was understood that we were living in a complicated and dangerous time.  People were in search of answers and a unifying message; Kxng Crooked’s Good Vs Evil could not have appeared at a more needed time as he delivered a project that stared into the face of oppression and struck a nerve.

Though it seems counter-intuitive and unimaginative, the year that has passed in-between has led us even further astray.  The Donald Trump era has borne witness to fake news, championing racism, bigotry, separatism, sexism and a general contempt for rule of law.  Further, he continues his quest to eradicate the health care of millions, advocated a foreign government meddling in an election, diminished our standing in the International community and has displayed more concern about the behavior of NFL football players; then he has for the well-being of the citizens he is sworn to uphold.  

Welcome to the new normal!  

Thankfully, Kxng Crooked’s Good Vs Evil 2: The Red Empire picks up right where its predecessor left off. On the surface, Good Vs Evil 2 is the epitome of woke; a politically and socially conscious decree that demands to be heard and processed.  At its core, it’s designed to be the theme music that Colin Kapernick and a generation can proudly knell to.

“When I first started creating Good Vs Evil I wondered how I would get my audience to listen to a project covering social injustice, racism, classism etc. in a climate where most rappers are making music about poppin' Xanax and drinking lean” Crooked commented. “My immediate afterthought was who gives a fuck what other artists are doing, Hip-Hop needs this album! Look at the world today. We have a president whose ex-wife is on record saying she was raped by him. We have police officers who are on film killing unarmed citizens with no consequences. We have entire cities like Flint, MI drinking poisonous water. Good Vs Evil 2 is just as necessary as part one. From the production to the content to the music sequencing to the artwork everything is designed to provoke thought. And the shit slaps too!” 

Good Vs Evil 2 is just as incendiary, authentic and unapologetic as its predecessor and that is evident by the projects cover art and first single, “Truth” (Why You Mad) as one half of Slaughterhouse (Crooked and Royce 5’9”) reunite to drop bars on the right wing. 

“There are a few messages I wanted the artwork to communicate” Crooked asserted.  “One is the thin line between good and evil. Sometimes there's light in villains and darkness in heroes. I also added a figure that may be a bit controversial and that's the widely accepted image of Jesus Christ. No shot at Christians, but that particular image of Christ symbolizes death, slavery and colonization to many. Most American slave masters and the Klu Klux Klan members hang that image on their walls and truly believe themselves to be Christians. I'm trying to open doors to taboo conversations. And lastly, the Trump figure is “Red Hood,” the albums new enemy of justice being inducted into the Tyrants club and kneeling like the football players for what he believes in; hatred and division.”

No Justice, No Peace! 

KXNG Crooked Good Vs Evil 2: The Red Empire 12-8-2017!

GOOD VS EVIL 2

Stand ft Styles P & Emanny

TBP brought together MC's with the highest rap abilities and wordplay.
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First 48 - X, Passionate MC, Huey Briss & Daylyt (Prod by Theory Hazit)

Chris Rivers blesses us this week with an introspective freestyle over Isaiah Rashad’s “Shot You Down” called “Now Or Never” . It’s easy to be distracted or held back with everything that happens in life. But sometimes you have to accept that it can’t be now forever. Sometimes it’s now or never. Like share and support !

Now Or Never - Chris Rivers

Chris Rivers is kicking off this weeks freestyle over “Holding It Down” by At Wendy’s, off of their “We Beefin?” EP with his version called “Stay Hungry” . We can clearly see that Rivers never lost his hunger with these insane flows and braggadocios bars hitting us with humor , punch lines and that good old fashion Chris energy. Like share and support !

Stay Hungry -Chris Rivers

ChrisRivers

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