Ce genre d'humour noir me fait vraiment sourire. Excellent.

Sparadrap Céleste

“Don’t Say Sorry” is out ON ALL MUSIC PLATFORMS: 
distrokid.com/hyperfollow/sukopyramid/dont-say-sorry

Music Video:
https://www.youtube.com/watch?v=i-35sQFkeNk

I composed and recorded this song 2 years ago as a class assignment with the enormous help of:

@renoestudios
@mariosediment is a great musician and teacher, he recommended me to make the song longer by adding a new section. I followed his advice and composed the climax of the song. He also plays 12-string guitar
@escuelatai 
@reqe.music plays drums 🥁
@alecantoss plays piano 🎹
@martiitaa.lcb sings backing vocals (you can hear her voice in this intro)
@dayanabatista_27 sings backing vocals
@olivia.durand sings backing vocals (I made the song for her)
@marleny.dv plays saxophone 🎷
@gabimartinezx plays bass 🎸
@semperemiguel plays slide guitar 🎸
@amammalusingspeech plays the theremin 🎼

Artwork by Matt Bertzyk

"Don't Say Sorry" toma lugar en una cabaña sumergida en la espesura del bosque. El protagonista que canta en primera persona vuelve a su hogar a altas horas de la noche donde se encuentra a su amada sumida en un horrible dolor del que ella misma desconoce razón u origen. Se siente avergonzada por su estado inexplicable que no experimentaba desde que se alejó de su pueblo natal pero que había vuelto a visitarla en los últimos días, sin previo aviso. Ruborizada pide perdón. El protagonista, sin saber cómo ayudarla, le responde - "No pidas perdón, si tu dolor te abruma. Aquí siempre será bienvenido" -. Pero secretamente la voz de la canción se siente culpable por no poder dar fin al dolor de su querida, y peor: se siente incompetente. Esto le llevará a huir de su hogar y perderse en el bosque, dónde se volverá a encontrar con ella en un lugar inesperado...

This song narrates an early 20th century romance set somewhere in the mid-western woods. The protagonist and voice of the song laments not knowing how to help her sick lover. An old pain has come to torment her. Neither him or her know the origins of said anguish. After many failed attempts from the narrator himself to clarify or sedate his lover's suffering he comes to the realization that even if it's only her pain that she has to offer that he will welcome it regardless.

And yet he still feels defeated. All his failed efforts might reveal a defect in his character. His proclivity to help might be hiding a deeper desire to sanctify his strive and therefore render his passion as "pure".

He starts drinking and taking long drunken strolls late at night in the woods. One of those nights he finds her lover unexpectedly... 
lyrics
I arrive late yet again
she is in her shed
why did I leave her there?
I ask myself

With the door left open wide
she is laying hurt
on the floor shaking her head
I cry for her:

"Don't say sorry
if your pain's all you've got
that's your offer
it's welcome here anytime
if you wanted i could not come back"

In the forest near the shed
I found way
a path I wouldn't take
I took it then

Where it led me I couldn't tell
but I don't care
cause it brought me back to her
now inside a well

"Don't say sorry
if your pain's all you've got
that's your offer
it's welcome here anytime
if you wanted i could not come back"

Come back...

"Don't say sorry
if your pain's all you've got
that's your offer
it's welcome here anytime
if you wanted i could not come back"

Music Video

Don't Say Sorry - Suko Pyramid

Sunny's Fusion〜光の鼓動〜

This episode features music made by Naviar’s community inspired by Janice Doppler’s poem “Summer sky… / rippling the silence / a watersnake”. 

https://www.naviarrecords.com/2023/09/20/naviarhaiku507-summer-sky/ 

Tracklist:

Zenbytes - Watersnake
Halcyon Hum - Rippling Silence
Rikardfvs - Summer Watersnake
Noksidam - Summer Sky Watersnake
Ed Mundio - The Watersnake's Song

Credits:

music intro: “This ruined house” by Tuonela
voice intro: Ian Joyce
cover image: Micah Hallahan
voice reciting the poem: Marco Sebastiano Alessi

Naviar Broadcast is a radio programme curated by Naviar, broadcasted on Resonance Extra every Wednesday at 7pm UK time. Thirty minutes of experimental music made in response to a weekly assigned haiku poem.
To have your music featured on the show, you'll have to participate in the Haiku music challenge: https://www.naviarrecords.com/about/naviar-haiku
support the show: https://www.naviarrecords.com/support-us/

Naviar Broadcast #287 – summer sky… – Wednesday 4th October 2023

Bass keyboard, Decembre 23
Picture : Les humanoïdes associés

That the angel look around here

It's my submission to KVR's One Synth Challenge #179, featuring Synthmaster3 synth by KV331 Audio

Wave Caster

Xaamkëjxp. Disco conmemorativo de la Banda Filarmónica del CECAM. Gira musical en Sonora.

Director General del Centro de Capacitación Musical y Desarrollo de la Cultura Mixe: Lic. Aristeo Vázquez Martínez / Director de la banda: Bonifacio Gutiérrez Vásquez / Grabación “Estudio El Foco Rojo Producciones”: Ing. Gilberto Vargas. / Asistente: Edwin 0.Benitez Illesca y Elda Vargas Martinez / Edición, Mezcla y Masterización: Ing. Gilberto Vargas, Mtro. Bonifacio Gutiérrez Vásquez, Lic. Aristeo Vázquez Martínez, Luis Enrique Díaz Martínez, Rubén Vásquez Nuñez, Erick Aurelio López Antonio y Omar Ortiz Cruz / Diseño Gráfico: Lizet Arellano Mariscal.

Integrantes de la Banda Filarmónica del CECAM:
Director artístico: Bonifacio Gutiérrez Vásquez
1. Vásquez Reyes Miriam Heidi / Flauta
2. Jiménez Martínez Hannia / Flauta
3. Severo Ignacio Édigar / Clarinete
4. Manuel tomas Carlos Alan / Clarinete
5. Leonardo Mijangos Víctor Hugo / Clarinete
6. Hernández Hernández Juan José / Clarinete
7. Vargas Jiménez Ariadna Xóchitl / Clarinete
8. López Antonio Erick Aurelio / Clarinete
9. Martínez Ramón Fredy Daniel / Clarinete
10. Ramos Ramos Andrés / Clarinete
11. Vásquez Gómez Areli / Saxofón Soprano
12. Diaz Calleja Carmelo / Saxofón alto
13. Mendoza Rosendo Reyna de la Paz / Saxofón alto
14. López García Carlos / Saxofón alto
15. Jiménez Jiménez Mariana / Saxofón tenor
16. Bautista Rodríguez Misael / Saxofón alto y Barítono
17. Hernández Martínez Rodolfo Emanuel / Trompeta
18. Vásquez Gallardo Eufronio / Trompeta
19. Vásquez Núñez Rubén / Trompeta
20. Avendaño Núñez Luis Gonzalo / Trombón
21. Dávila Gil Miguel / Trombón
22. Francisco Yescas Gerardo / Trombón
23. Herrera Domínguez Willi Isaí / Barítono
24. López Carreño Oscar Mauricio / Barítono
25. Vásquez Martínez Misael / Barítono
26. Sánchez Vásquez Leonardo / Corno
27. Aguilar Gopar Oscar Axel / Corno
28. Jiménez Ríos Miguel Ángel / Tuba
29. Cruz Hernández Marcos / Tuba
30. Sánchez Ramírez Juan Carlos / Tuba
31. Hernández Santiago Carlos / Percusión
32. Ortiz Cruz Omar / Percusión
33. Diaz Gutiérrez Leonel / Percusión

México, 2023.

Xaamkëjxp

Yaquesita. Autor Manuel Rodrigo Gogobachi Arreglo Bonifacio Gutiérrez Vásquez

Philippe Janin est l'auteur, le mélodiste et l'interprète de cette chanson. J'en ai fait la musique et les arrangements.

Il n'a pas pu faire
Sur les commissures
De ses lèvres, sur
Leur pulpe plissée,
D'un geste posé,
Passer la serviette
Il n'a pas, c'est bête,
Juste déposé
Un tissu velours
En dernier recours

Non. Il est tombé
Dans son assiette

Il n'a pas non plus
Envoyé au ciel
Ce petit message
Comme un nuage
Aux effluves qui
Par ventriloquie
Nous auraient permis
D'être rassurés
Sur sa satiété
Ce beau jour de fête

Non. Il est tombé
Dans son assiette

Il n'a pas non plus
Défait sa braguette
Un bouton ou deux
C'était toujours mieux
Qu'un ventre serré
Par la nourriture
Autant que ça dure
Autant on mange et
Avant que d'aller
Se faire une sieste

Sûr, il est tombé
Dans son assiette

Il n'a pas enfin
Pu remercier,
En s'étant levé,
En levant son verre
Après le dessert
D'un air satisfait,
Le ventre bombé
- C'était bonne chère !
Il aurait aimé
Ponctuer la fête

Mais il est tombé
Dans son assiette

Le banquet (avec Philippe Janin)

This week's Disquiet Junto prompt was "Take one held tone and make it dance slowly."

I thought this would be challenging, but really it all came together very quickly!

I thought about what dancing means (motion?) and tried to imagine ways a long held tone could "move" slowly. 

I came up with three main ways:
0:00 - 0:53 - a slowly moving bandpass filter followed by Abletons' stock Echo plug-in (the resonance of the filter immediately introduces an overtone that is not the held note, but hey don't blame me I didn't invent physics)
0:54 - 1:18 - Using a vibrato plug-in at about 50% wet/dry to slowly move the tone and town by cents
1:19 - 2:33 - Using tremolo to add a lot of motion - the tone is doubled, panned L and R, and tremolo'd at different rates to make it dance across the stereo field (the slowness of the dancing is debatable here, but the intent is there!)
2:34 - 2:58 - This is the opening phrase of the piece, but accompanied by an echo blast from the tremolo'd section that fades out

All in all, a ton of fun! I never in a million years would have tried something like, so this was a great experiment.

* * * * * *
More on this 631st weekly Disquiet Junto project, In a Silent Waveform — The Assignment: Take one held tone and make it dance slowly — at: https://disquiet.com/0631/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0631-in-a-silent-waveform/

"Take one held tone and make it dance slowly." (Disquiet0631)

Made a few evenings ago while messing around with a patch I created in Vital. Additional bass sounds from TAL-Mod.

The track contains some samples from the Kenopsia pack by Emtpyvessel

The witches' path: Three cauldrons

Been too down in the dumps to write lately. Thought I'd try to get back in the swing of things by making some weird shit. noxpox has been waiting for a remix for like 500 years... I'll get to it next.

Black Market Brains
https://soundcloud.com/blackmarketbrains

Original Track
https://soundcloud.com/blackmarketbrains/the-boat-can-leave-matool-balun-mix

Video

Black Market Brains - The Boat Can Leave Matool (Insatiable Void Remix)

Je suis surtout compositeur et parfois parolier.
Merci à tous les interprètes qui mettent si bien en voix mes musiques.
Les arrangements sont faits à partir du logiciel Band-in-a-Box.

Le banquet (avec Philippe Janin)

Christian Devienne

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