Feel Good Classical

My official remix for Taylor Swift - Wildest Dreams
http://bit.ly/WildestDreamRemix

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Taylor Swift - Wildest Dreams (R3hab Remix)

Franc Kosem, trumpet
Loris Voltolini, conductor
Slovenian Philharmonic Orchestra

Johann Nepomuk Hummel TRUMPET CONCERTO in E / Allegro con spirito

Ultimate Piano Classics

Dvořák: Humoresque, Op. 101, No. 7

Mariinsky Theatre: Great Russian Ballet

Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 12, Divertissement: e. Dance of the Reed-Pipes

Road Trip

Appalachian Spring: VII. Variations on a Shaker Hymn. Doppio movimento

My Figure Skating Album

Stravinsky: The Firebird, K10, 1919 Suite: VI. Finale

Frederick Fennell Conducts The Music Of Leroy Anderson

Anderson: The Typewriter

Mozart: Une petite musique de nuit - Pachelbel: Canon

String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra)

Driving: 111 Pieces Of Classical Music For The Road

Grieg: Holberg Suite, Op. 40: 1. Präludium (Allegro vivace)

Ballet Favourites

Ponchielli: La Gioconda / Act 3: Dance Of The Hours

Recording Team - John Blinco, Lucas Willmer & Tye McLoughlin
Mixing: John Blinco

Country Gardens - Percy Grainger, Orch. Brant Karrick - (QWO Live At The Old Museum) 8

youtube.com/watch?v=00j8u7elu24

Alexander Borodin In The Steppes Of Central Asia

Mad About The Waltz

Tchaikovsky: The Nutcracker, Op. 71, TH.14 / Act 2: No. 13 Waltz Of The Flowers

Beethoven: Rage Over A Lost Penny

Rage Over A Lost Penny, Op. 129

For more information visit: http://www.klassikakzente.de/recomposed/home 

Some works are so familiar that it is almost impossible to hear them afresh, but that is what Max Richter has achieved with Vivaldi “Recomposed”. This is no mere arrangement; instead Richter has absorbed Vivaldi’s The Four Seasons into his own musical bloodstream. At first Richter followed the example of other works in the “Recomposed” series, which re-mix existing recordings, but, he says, “I wanted to open up the score on a note-by-note level, and working with an existing recording was like digging a mineshaft through an incredibly rich seam, discovering diamonds and not being able to pull them out. That became frustrating. I wanted to get inside the score at the level of the notes and in essence re-write it, re-composing it in a literal way.”Richter calculates that, in the process, he has discarded around three-quarters of Vivaldi’s original. He opens with what he describes as “a dubby cloud which I’ve called Spring 0. It functions as a sort of prelude, setting up an electronic, ambient space for the first Spring movement to step into. I’ve used electronics in several movements, subtle, almost inaudible things to do withthe bass, but I wanted certain moments to connect to the whole electronic universe that is so much part of our musical language today.” Other resonances are no less unexpected: Richter describes part of the first movement of his Summer as “heavy music for the orchestra. It’s relentless pulsed music, which is a quality that contemporary dance music has; and perhaps I was also thinking about John Bonham’s drumming. Then, in the second movement of Autumn I asked the harpsichordist Raphael Alpermann to play in what is a rather old-fashioned way, very regularly, rather like a ticking clock. That was partly because I didn’t want the harpsichord part to be attention-seeking, but also because that style connects to various pop records from the 1970s where the harpsichord or Clavinet was featured, including various Beach Boys albums and the Beatles’ Abbey Road.” Clearly, Richter has brought his own frame of reference to the project. As he says, “Vivaldi’s music is made of regular patterns, and that connects with post-minimalism, which is one strand in the music that I write. That felt like a natural link, but even so it was surprisingly difficult to navigate my way through it. At every point I had to work out how much is Vivaldi and how much is me. It was difficult but also rewarding because the raw material is so fascinating.”Just as Richter’s Seasons plays tricks with the way we hear Vivaldi’s original, so it also asks questions of the soloist, Daniel Hope. “Violinists have Vivaldi’s The Four Seasons hardwired in their brain. Daniel is likely to play the original I don’t know how many times in a year, and for him to have my parallel text going on in another part of his brain is a challenge. I think he did a wonderful job. He brought to it a deep engagement with the original, but he was fully prepared to cut this new swathe through the text.”


Spring One - Vivaldi Recomposed - The Four Seasons

Spring 1 (2012)

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Vitamin String Quartet Performs Bjork

New World

Best Of

Ludwig van Beethoven - Symphonie No. 6 in F Major, Op. 68 PastoraleSymphonie No. 6 in F Major, Op. 68 Pastorale I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande

Samba

"September Song" is an American pop standard composed by Kurt Weill, with lyric by Maxwell Anderson, introduced by Walter Huston in the 1938 Broadway musical Knickerbocker Holiday
Enjoy my version :)


September song

Kiss the Rain

Kiss the Rain (Orchestra Version)

Feel Good Classical

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