Wonderful instruments! Awesome composition!!

Belle montée ! L’ambiance est bien sympa avec la gratte elec

why only is a perfect title for this vibe

Great track! Love the dynamics and the emotion.

Develops really well, great instrument choices

Ladat’s Support Jan’25 vol.2

REKAO SI

Smile ("Over" version)

Smile

Soap Jaw ("Over" version)

Soap Jaw

Vaticano

The Chronicles of Manimal and Samara
“Waves"

🔗 Stream on all platforms: https://ffm.to/_waves
🔗 Watch Official Video: https://youtu.be/zEtqEsGWIx0?si=_hPPM292z_9CgIu3

Music and Lyrics by: Daphne Ang & Andrea Papi
Performed by: The Chronicles of Manimal and Samara
Recorded and Produced by TCOMAS Studio
Mixed and Mastered by Ergosphere Studios

© 2024 The Chronicles of Manimal and Samara
℗ 2024 The Chronicles of Manimal and Samara

The Chronicles of Manimal and Samara:
‣ Official Website: tcomas.com
‣ Spotify: open.spotify.com/artist/2V3zzIcq2sbRbaEjbGypc8
‣ Apple Music: music.apple.com/artist/the-chroni…samara/1521325813
‣ YouTube: www.youtube.com/c/TheChroniclesofManimalandSamara
‣ Instagram: www.instagram.com/tcomas.music
‣ Facebook: www.facebook.com/tcomasmusic
‣ Twitter: twitter.com/tcomasmusic

#TheChroniclesofManimalandSamara #TCOMAS #Waves

Waves

⚡️Watch Video⚡️

Not all things fade by nature. Some are made to disappear.

Evanescent Frequency mirrors a world where decay is no longer organic but imposed, where lifespans—of objects, ideas, and even sound—are carefully engineered to be short-lived. In nature, resonance lingers, and silence comes gradually. But in an age of programmed obsolescence, disappearance is manufactured, ensuring that what was once essential is discarded before its time.

The music unfolds in this same manufactured cycle. It begins with fragments—small pulses of energy, scattered textures that gradually coalesce, gaining complexity and momentum. Harmonies expand, orchestration thickens, and layers accumulate, reflecting the illusion of permanence and progress.

At its peak, the structure begins to dissolve. But this is not destruction—it is an unraveling, an enforced stillness that overtakes what was once vibrant. The density of sound fades into weightlessness, harmonies drift apart, and resonance becomes ghostly, as if the music itself is slipping away into the unreachable. The frequencies do not end abruptly but instead dissolve into an ethereal quiet, mirroring the way things vanish from use yet never fully disappear.

Evanescent Frequency is a meditation on impermanence, on the forces that decide what is allowed to endure and what is designed to be forgotten. It asks us to listen—to what fades, to what remains, and to the silence left behind.

Evanescent Frequency for Orchestra (BBC Symphony Orchestra Virtual Library_Pre-Release)

Storm Whispers

Life in constant motion
Not a chance to unwind
We Bury all emotion
Stay focused and aligned
This Life it moves so fast
And It’s a relentless race
But I can’t forget the magic
Of that old familiar place

They say you should never look back
But I can’t forget the good times

Holding on to moments 
Like precious grains of sand
Life in the hourglass
Is slipping through our hands
Faces disappearing 
into the flow of time
Never understanding that 
We were living in our prime

They say you should never look back
But I can’t forget the good times

I remember good good good good times
I remember good times 
Feels so long ago

And as the years press on
And the grievances grow
So much resentment from
A thousand years ago
All that has been forgotten 
And all you bet remains
Are the precious memories
Of my most cherished days

I remember good good good good times
I remember good times 

Remember the good times
It’s what makes life worth while
These times will make you smile
And keep your heart alive

Remember Good Times

“Why only” - Reýem
A sound between questions, loss - and new paths

“Why only” is a moving soundtrack for all those moments in life when we ask ourselves why things don't turn out the way we dreamed they would. Reýem takes us on a quiet but powerful journey through doubt, disappointment and the quiet hope of a new beginning.

Gentle guitar sounds, a touching piano melody and delicate strings form the foundation of this piece - fragile, almost tentative. But the deeper you delve, the more you feel the rebellion in the deep basses and the raw, honest tugging of the guitars: emotions turned into sound that ask questions but also open up spaces.

“Why only” speaks of an inner struggle and the courage to think of new possibilities when old paths close. The melody always stays close - sensitive, melancholic, but never without hope.

A song for all those who have to let go in order to move on.
A sound that lingers - thoughtful, sincere and deeply human.

Why only

Wake Me Up in April!

Cri du coeur d'habitants du nord de la France ...automne-hiver 24-25
Cry from the heart from the people of the north of France...autumn-winter 24-25

TRANSLATION (attempt)
Wake Me Up in April

Outside, it's too dirty, too grim
Sidewalks, men’s suits, fog and clouds
layers of gray all around
I'd rather stay hidden in here

Wake me up in April, but until then
Until then, give me a break
A break at home
Let me smooth out all my bumps
And regain  my strength
Dry out all my sorrow
Take back my human form 

I feel better under the quilt
Than on the pavement, the asphalt
I can smell scents of feathers
Forget the wind and the snowflakes

Wake me up in April, but until then
Until then, give me a break
A break at home
Let me smooth out all my bumps
And regain  my strength
Dry out all my sorrow
Take back my human form 

I’m just a little junk turtle 
When the sun tickles gently
The soft cotton of my sheets
I will slip out of my shell

Wake me up in April, but until then
Until then, give me a break
A break at home
Now I’ve smoothed all my bumps
And regained my strength
I shake out all my lace
I hear the bells ringing!

Réveillez-moi en avril (with translation)

There’s a place where the mountains sigh,
Where the rivers hum and the stars won’t die.
Dreams and memories blend as one,
Under skies that burn with an endless sun.

The wind carries songs of a life I’ve known,
Through fields I’ve sown and a love I’ve grown.
Every step I’ve taken, every path I’ve roamed,
Has led me here, to this place I call home.

A perfect world, where the wild runs free,
Built from the threads of my history.
No shadows fall, no storms arise,
Just endless skies where my heaven lies.

There’s a woman’s laugh in the summer air,
Her touch as light as the morning’s prayer.
Good horses graze where the meadows gleam,
And the peace I’ve found feels just like a dream.

A perfect world, where the wild runs free,
Built from the threads of my history.
No shadows fall, no storms arise,
Just endless skies where my heaven lies.

Time doesn’t matter; it drifts away,
Here, every sunrise feels like it stays.
Death had no fangs, it was soft and kind,
And it carried me here, where the stars align.

A perfect world, where the wild runs free,
Built from the threads of my history.
No shadows fall, no storms arise,
Just endless skies where my heaven lies.

If you wonder where I’ve gone to stay,
Follow the light at the break of day.
In the fields and skies where the wild runs high,
You’ll find me there, where my heaven lies.

Where My Heaven Lies

Depuis la pandémie mondiale, plusieurs pays ont décidé de restreindre les sorties des citoyens pour les protéger du virus. Bonne idée ou mauvaise idée, là n’est pas le propos de la chanson. Le titre parle plutôt de ceux qui avaient déjà, ou qui ont maintenant de la difficulté à sortir de leur maison depuis cet évènement. Cela se nomme  le SYNDROME DE LA CABANE. Dans la chanson, une amie essaie de venir en aide à la personne qui a peur de sortir mais ne sait pas si ça va fonctionner.


Since the global pandemic, several countries have decided to restrict the exit of citizens to protect them from the virus. Good idea or bad idea, that’s not the point of the song. The title talks rather about those who had already, or who are now having difficulty leaving their house since this event. It is called the CABIN SYNDROME. In the song, a friend tries to help the person who is afraid of going out but doesn’t know if it will work.


Musiciennes et musiciens :
Marie-Christine Tremblay : vocal
Denis Caouette : paroles, musique & arrangements, guitares, back vocals et programmation.
Michel Otis : synthétiseur
Frank Corneau : Basse
Sébastien Savard : Violons
Jérôme Vandal : Batterie
Martin Larose (Studio Septentrio) : Réalisation



PHONOGRAPHE

Prison de Verre

Prison de verre

Guitars, Vocals, Keys, Bass and Lyrics by Robert Grigg
Drums by Jim Dooley

YouTube link:
https://youtu.be/_jGh8Ogz7nk?si=0Auca4Fsu5FAVnl2

Raise Your Hands

Lyrics:
In the twilight of our dreams
You whispered soft and low
Every promise shared, it seems
Was all we’d ever know

But shadows crept
Silent and heavy

Taking whispers, fading light
I’m left to weep
Lost in the levy
Can you turn back this endless night?

Do you remember the laughter
We shared beneath the stars?
Moments etched like a chapter
Yet now we're worlds apart

But shadows crept
Silent and heavy

Taking whispers, fading light
I’m left to weep
Lost in the levy
Can you turn back this endless night?

But shadows crept
Silent and heavy

Taking whispers, fading light
I’m left to weep
Lost in the levy
Can you turn back this endless night?

Endless Night

A melody of eternal love that becomes part of the Universe.

Until The Stars Fade Away

Part of the Instrumental Rock Album 2021 from MODVÆGT: 
A New Life, https://soundcloud.com/modvaegt/sets/a-new-life

V. 1.7 m - new mix november 2023
V. 1.8 m - new mix oktober 2025

Stagnation (Instrumental)

Welcome to my artist page!

Music is more than just sound—it's emotion, experience, and storytelling. Through my compositions, I strive to give melodies a voice that speaks of the moments, memories, and feelings that move me. Each piece is a reflection of my journey, a way to capture and share the depth of emotions that words alone cannot express.

My greatest wish is to create music that resonates with you, that evokes emotions, and that perhaps even becomes part of your own story. Whether it's a feeling of nostalgia, peace, or inspiration, I hope my sounds accompany you on your path and bring you beautiful, meaningful moments.

If you enjoy my work and would like to support me, I’d truly appreciate it. You can find all the relevant links below.

Thank you for being here, for listening, and for sharing this journey with me.

With love and music,
Reýem

Ladat, born Ladislav Tesar, is Litomerice (Czech republic) native, body and soul, who writes and composes his music in Chatel-St-Denis, Switzerland. Ladat is not a band in the true sense of the word, but rather a musical project that emerged in 2019 as an escape from reality, because things go better with music.

Ladat's musical odyssey defies conventional labels and freely blends elements of rock, folk, country, and jazz into a rich and genre-bending style that invites listeners to explore the diverse spectrum of influences that shape his emotional and diverse compositions.
As an experienced composer and lyricist, Ladat weaves stories that deeply resonate with audiences and offers a captivating and immersive musical experience, where each song is an expression of boundless passion, creativity, and an unapologetic celebration of musical diversity.

Since 2021, Ladat has been collaborating freely with the Slovenian A7 Recording Studio and musicians around guitarist and drummer Blaž Pavšič, such as Uroš Mohorič (guitar), Gregor Alič aka Hanson or Peter Beznec (bass), and singers Anton Premec, Kristina Jelić, Maja Štebih, Hana Pavšič or Oliver Neff aka Titanic Jack.

Why only

Reýem

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