Name: Hasta que no pueda (2023) by Christian Quinones
Duration: 7 min 47 s
Description: Written for Alarm Will Sound, amplified sinfonietta and live keyboard sampler for the electronics.

yo when they said ee-WAH-bwananananana-eeWAH-dookdookdookdookdookdook-rrg-ee-bwanananana-ee-WAH-drrrrr i felt that lol such a good piece

June 2021, Paris 
https://www.youtube.com/watch?v=TyhhsNXbRvU

Day Was Departing _ For Tenor, Electronics and Video

We present Eris that Will appear on our upcomming album. 
The track is titled "Treogtyve" on our bandcamp page.
We chose to call it Eris on soundcloud due to fitting tracknames. 

Eris

Written for Alarm Will Sound, amplified sinfonietta and live keyboard sampler for the electronics.

Hasta que no pueda (2023)

This is my submission to Disquiet Junto #0591, a weekly compositional challenge.

. . .

Disquiet Junto Project 0591: The Loneliest Number
The Assignment: Record the first third of a trio.

Please note: While this is the start of a three-part project, you can participate in one, two, or all three of the parts, which will occur over the next three weeks.

Step 1: This week’s Junto project is the first in a sequence intended to encourage and reward collaboration. You will be recording something with the understanding that it will remain unfinished for the time being. Your part will be done, but more will happen. Read on.

Step 2: The plan is for you to record a short and original piece of music using any instrumentation of your choice. Conceive the piece as something that leaves room for something else — other instruments, other people — to join in.

Step 3: Record a short piece of music, roughly two to three minutes in length, as described in Step 2.

Step 4: This is important: be sure to make your track downloadable because it may be used by someone else in the next Disquiet Junto project, and then after that.

---

Took a break from Juntos recently to deal with life and trying to re-think my studio practice.

It's so nice to be back. Hoping to get into the "actually finishing creative work" mode again.

Here's a short ambient piece based on this idea I've been developing recently:
-  a few unsynchronized loop layers washing over like waves, endlessly recombining in new ways.

There's plenty of room for new material:
- there's no BPM as such - all sounds are coming as waves from a few unsynced loops
- sound is mostly located in this part of the spectrum, leaving space in the bass and treble parts for new layers
![image|507x500](upload://oh5uoAPjatvNVJtsiDq170Gk0Wh.jpeg)


Key: D minor, 10-15 cents above the reference note.
Tempo: none (multiple unsynced looping waves).
Instrumentation: bowed electric guitar + reverbs + tape emulation.

Enjoy! Can't wait to hear what you add :slight_smile:


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More on this 591st weekly Disquiet Junto project, The Loneliest Number (The Assignment: Record the first third of a trio), at: https://disquiet.com/0591/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/ 1

Project discussion takes place on llllllll.co 1: https://llllllll.co/t/disquiet-junto-project-0591-the-loneliest-number/

Eden [disquiet0591]

À l’aube,
Un petit duc sonne la cloche du village et réveille les rossignols,
Solo de mobylette qui dessine le paysage,
Un bourdon drague un saxophone,
L’eau capricieuse se fraie un chemin jusqu’au vignoble d’un mélomane, 
Le boulanger guette le vent…
Au commencement était le son.

Avec la participation de Vincent, Georges, Stéphane, Victor, Emma, Jacques, Marc et Myriam.

Création sonore collective réalisée par Ana Sany, Anaïs Binggeli, Celia Dessardo, Cicely Fell, Déborah Benarrosch, Irazema Vera, Jacob Redman, Léa Roger, Marie Casanova et Mathias Arrignon.
@kovisuel @cicelyfell @irazeman @lea_roger @user-653640218

Réalisée durant le stage de prise de son animé par Félix Blume à Azillanet (Avril 2023) dans les locaux du Couvent géré par le Foyer Rural d’Azillanet.

Remerciements à Nicolas Darzacq, Sara Lana, Martine Rousseaux, les membres du Foyer Rural et la Mairie d’Azillanet.

Le Chòt

I've been meaning to engage with NI Playbox for a while now ... coupled with needing to start work on some of the video projects planned for the halF unusuaL YouTube channel, including this recording of a bee harvesting pollen from the first poppy to flower in the back garden ... https://youtu.be/I983Kk6enPI

More on this 597th weekly Disquiet Junto project, Goal Line (The Assignment: Get started on a plan by getting over getting started), at: https://disquiet.com/0597/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0597-goal-line/

visuals (YouTube)

halF goaL [disquiet0597]

This is my first time participating in a Disquiet Junto project. I've been lurking on the mailing list and forum since December, but haven't had enough time to participate yet (or, at least, I told myself I didn't have enough time to participate). I've been mentally preparing to join in starting with project 600, but when I saw this week's assignment—to get started on a plan by getting over getting started—how could I let it pass by again?

Nonetheless, I put it off all weekend, and had to do it quickly Monday night. To save some setup time, I created this entirely with plug-ins in Ableton Live—something I haven't done in a while—along with a field recording of the morning here in the suburbs of Adelaide, South Australia. I used it as an opportunity to explore the Arturia MiniLab 3 controller I recently bought, and the V Collection software that pairs so well with it.

More on this 597th weekly Disquiet Junto project, Goal Line (The Assignment: Get started on a plan by getting over getting started), at: https://disquiet.com/0597/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0597-goal-line/

Each Day Begins Anew [disquiet0597]

Looking for the Magic (Studio ver.)

"venus" was performed at the Phoenix Cultural Centre in Sydney on 30 September 2023, by ELISION: Peter Neville, Marshall McGuire and Ben Ward, conducted by Tristram Williams. Recorded by Richard Hundy and mixed/mastered by RB.

"venus" is a component of the ensemble composition "elsewhen", which itself forms part of the conglomerate composition "PSYCHE". The title refers to the prehistoric figurines with stylised female forms (like the well-known “Venus of Willendorf” in the illustration). It isn’t known whether they were sculpted by men or women or both and for what purpose, although they do seem to embody the origin of what subsequently evolved in human culture as a sense of aesthetic beauty. This composition is so to speak “sculpted” from a musical material which remains mostly consistent in terms of pitch-range, placing the contrabass in its extreme high register almost throughout.

venus (2018-19) for percussion, harp and contrabass

Tyndell

Adaptive

Composer from Puerto Rico who enjoys rhythmic music, sparkly textures, and dem-bow.

www.christianquinonesmusic.com

Hasta que no pueda (2023)

Christian Quinones

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