Into The Wind

“Princess and the Castle” evokes a timeless and mystical atmosphere, transporting listeners to a realm of ancient days and romantic fantasy. The story revolves around a princess, who is intricately described as her hair being made of gold. “Princess and the Castle” features intricate, finger-tapping melodies that evoke a sense of wonder and nostalgia, transporting listeners to a magical time long ago. The music beautifully complements the story of a beautiful princess in her castle, capturing a timeless, enchanting essence.

Princess In The Castle

Your Kisses – A Song of Devotion and Timeless Romance

Christopher’s original composition, Your Kisses, is a soul-stirring ballad that blends the elegance of classical guitar with the richness of three-part harmony, evoking the golden era of soul music. It tells the story of a man’s unwavering devotion—the lengths he would go to, the challenges he would face, all for the touch of a single kiss.

The Sound: A Blend of Classical Grace and Vintage Soul

At its core, Your Kisses is built around intricate classical guitar work, each note resonating with warmth and intimacy. The melody moves with a delicate yet passionate energy, creating an emotional foundation for the song’s heartfelt message. But what truly makes this piece stand out is the layered vocal harmony—a nod to the lush, soulful arrangements of Motown legends like The Temptations.

The three-piece harmony adds depth and nostalgia, weaving together seamlessly to create a sound that is both timeless and deeply emotional. Whether through call-and-response phrasing or smooth, intertwining vocal lines, the harmonies breathe life into the song, elevating it beyond a simple love ballad into something truly moving.

The Story: A Love Worth Everything

Lyrically, Your Kisses is a declaration of love and longing. It speaks of devotion so strong that distance, time, or hardship could never stand in its way. Every verse is a vow, a promise to chase love no matter how far it may seem. The chorus swells with emotion, capturing the yearning and passion that make love unforgettable.

The harmonies echo that sentiment, as if three voices are calling out, reaching for something just out of reach. Together, the melody and vocals create a sense of romance that lingers, much like the memory of a kiss that never fades.

A Love Song for the Ages

With its fusion of classical elegance and vintage soul, Your Kisses is a song that transcends time. It captures the essence of love—the way it consumes, inspires, and transforms. Christopher has crafted a piece that is as heartfelt as it is timeless, where every note, every harmony, and every lyric is a testament to the power of love’s embrace.

Your Kisses

“In Your Arms I Want to Be” has the raw sensuality and sophistication blending the finesse of classical guitar with a deep, soulful groove. The guitar work is intricate yet rhythmically charged, weaving in a funky, percussive pulse that keeps the track moving. It’s a sound that feels both vintage and fresh, effortlessly blending Marvin Gaye’s silkiness, Al Green’s warmth, and Terrance Trent D’Arby’s electrifying edge.

Vocally, it’s all about passion and urgency—soulful, dynamic, and dripping with charisma. There’s a playful yet serious energy in the delivery, a heartfelt plea wrapped in smooth falsettos and rich, expressive phrasing. The lyrics cut straight to the point: no games, no hesitation—just pure attraction and desire.

This song glows with intimacy, its mix of classical guitar elegance, funk-driven rhythm, and deep R&B soul making it a timeless, seductive anthem. It’s bold, romantic, and impossible to resist.

In Your Arms I Want To Be

A Live 2 Channel acoustic guitar recording done from my studio. I Hope you enjoy.

I Vow To Thee

This isn’t just music you listen to—it’s a journey you experience, a murder-mystery you can feel in your bones. “The Hypnotist” grips you from start to finish, delivering a soundtrack to an unsolved case, where the only way out is through its intoxicating, electric rhythms. Prepare to be drawn into a sonic world of deception, danger, and dark allure—where the guitar is your guide, and the thrill is relentless

The Hypnotist

I am so high

Smile

A song I did a retake on 
The song was originally recorded as "Let's Get Together" by the Kingston Trio in a live performance in March 1964 that was released on June 1, 1964, on their album Back in Town. While it was not released as a single, this version was the first to bring the song to the attention of the general public. The Kingston Trio often performed it live.
A version of the song first broke into the top forty in 1965, when We Five, produced by Kingston Trio manager Frank Werber, released "Let's Get Together" as the follow-up to their top ten hit "You Were on My Mind". While it did not achieve the same level of success as the other, "Let's Get Together" provided the group with a second top 40 hit on the Billboard Hot 100 when it peaked at number 31. It would be their last hit record.
"Let's Get Together" was the third song on side 2 of the Jefferson Airplane's first album, Jefferson Airplane Takes Off, released in August 1966. As Tim Jurgens said in his review of the album in the January 1967 issue of Crawdaddy, "Jefferson Airplane Takes Off is the most important album of American rock issued this year (1966); it is the first LP to come out of the new San Francisco music scene..". He called "Let's Get Together" a "most sensitive, hopeful and contemporary ballad", and wondered why it isn't sung in church. However, the song wasn't released as a single, although the album did make the top 100 of 1966, as number 97.
In 1967, the Youngbloods released their version of the song under the title "Get Together". It became a minor Hot 100 hit for them, peaking at number 62 and reaching 37 on the US adult contemporary chart.[5] However, renewed interest in the Youngbloods' version came when it was used in a radio public service announcement as a call for brotherhood by the National Conference of Christians and Jews. The Youngbloods' version, the most-remembered today, was re-released in 1969, peaking at number 5 on the Billboard Hot 100.
The Youngbloods version of the song has been featured in several films, including Purple Haze, Forrest Gump, The Dish, Stephen King's Riding the Bullet, Fear and Loathing in Las Vegas and most recently Cats & Dogs: The Revenge of Kitty Galore.
In The Simpsons episode "Treehouse of Horror II", Lisa wishes for world peace and her wish comes true. All people on Earth start singing "Get Together" and dance in a large peace sign.
The South Park episode "Smug Alert!" contains a parody of the song which repeats the line "come on people now" several times.
The song also appears on the soundtrack for The Wonder Years.
In 2008 the Youngbloods' version of the song was used in a commercial for Luvs diapers.
A snippet of the Youngbloods' version of the song was used in a 2014 commercial for KFC.
A snippet of the Youngbloods' version of the song was played in the beginning of Bart's dream in The Simpsons episode "Oh Brother, Where Bart Thou?"
Krist Novoselic sings part of the chorus of this song at the beginning of Nirvana's recording of their song, "Territorial Pissings".
The Christian hard rock group David and the Giants released a cover of the song on their CD Giant Hits.[12]
Christian Slater echoes the chorus in the 1990 film Pump Up the Volume.
In 2017, the Youngbloods' version of the song was used in a Walmart commercial showing people of many ethnicities joining together for a meal. 

Following the September 11 terrorist attacks, the media conglomerate company Clear Channel Communications included the Youngbloods' version of the song on a list of "lyrically questionable" songs that was sent to its 1,200 radio stations in the United States.

Let's Get Together

Christopher Scott Hamilton is a versatile musician, vocalist, and singer-songwriter.from Monroe, Louisiana, recognized for his ability to write, produce, and record his own music. His distinctive sound seamlessly fuses electric and acoustic elements, crossing genres to create captivating, emotionally rich compositions.

Christopher Scott Hamilton

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