music: mike brosco
image: suzanne rinehart / mike brosco

Trailing Half-Night

æfenlīc

adyborura_02

sonic structures and silent stretches
https://soundcloud.com/sonic-textures

Open collaboration based on Jo's  Poem, vocals, and drumbeats
https://soundcloud.com/sonic-textures/nettle-seed-lyrics-for-an-open
I added some synthezisers 

Photo: H Skeneby  - Laxbäcken i Kopparberg

nettle seeds (copyright Jo Richter)

he got locked out of her garden
before this springtime's floral bloom
as he saw her soft glance harden
saw different patterns on her loom

he found some fallow, barren wasteland
on a hill of thistles, nettles
to cultivate defiant plants and
to get scarred by willful brambles

go feed on nettle seed
thistle oil and fibre weed
there is nothing else you need
nutrient rich and bittersweet

haggard, thin and somewhat healthy
his medicine was on demand
to overcome fatigue and palsy
when there is nothing left to want

go feed on nettle seed
thistle oil and fibre weed
there is nothing else you need
nutrient rich and bittersweet

sonic structures and silent stretches and well   -   nettle seed

A new Proof of Utah track. 
The yellow turtle is located towards the top left and just beyond the edge of the image.
music: mike brosco & louie simon
image: suzanne rinehart

Yellow Turtle (w/Louie Simon)

Without A Shadow Of Doubt

Three Ships

Three Ships (Oct. 2025)

COOP SYNT

a small snippet of a live performance by the Intonarumori Trio at the opening of When The Fog Clears as part of The Ten Days On The Island Festival. This was the exhibition where i got to exhibit Caligo Paean, so a big evening for me......more about the trio here

Formed in 2018, The Intonarumori Trio is Danielle Kirby, Mat Ward and Dylan Banks. All three are Hobart based artists whose individual professional practices all span 20 plus years. They have diverse artistic backgrounds that include painting, instrument and theatre design, installation, classical music, noise- art, graphic design and academic research. They have all exhibited, published and performed extensively across Australia as well as undertaken international art-based residencies.  

The trio explore the more occult-centric aspects of Russolo’s practice, approaching performances as a ritualistic space to play with the idea of connection and communication beyond the human realm. 

Russolo believed, and pursued the idea that noise could be used as a bridge to spiritual understanding. He sought to congure and transform energy through the Intonarumori’s ability to ‘spiritualise’ noise. 

Performances by the Trio are pure improvisation, allowing the space and the air to guide the players.

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