Mozztronics DI-2

Bass: Sadowsky Jazz with preamp disengaged. 

Clip 1: Flat which means all EQ at noon; drive and blend all the way counterclockwise; EQ dial in Flat position. Gain at 11:00
Clip 2: Flat (same as clip 1) but bass at 2:00
Clip 3: Flat (same as clip 1) but mid low at 2:00
Clip 4: Flat (same as clip 1) but mid high at 2:00
Clip 5: Flat (same as clip 1) but mid low at 10:00
Clip 6: Flat (same as clip 1) but mid high @10:00
Clip 7: Flat (same as clip 1) but bass at 2:00 and treble at 2:00
Clip 8: Flat (same as clip 1) but bass at 10:00 and treble at 10:00
Clip 9: Flat (same as clip 1); Here a rotate the bass control starting at noon and then rotating clockwise and then fully counterclockwise returning to noon.
Clip 10: Flat (same as clip 1); Here a rotate the mid low control starting at noon and then rotating clockwise and then fully counterclockwise returning to noon.
Clip 11: Flat (same as clip 1); Here a rotate the mid high control starting at noon and then rotating clockwise and then fully counterclockwise returning to noon.
Clip 12: Flat (same as clip 1); Here a rotate the high control starting at noon and then rotating clockwise and then fully counterclockwise returning to noon.
Clip 13: Flat (same as clip 1) with EQ switch in middle position
Clip 14: Flat (same as clip 1) with EQ switch in old position
Clip 15: Flat (same as clip 1) with distortion option #1 enabled; Drive at noon; Clean blend at noon
Clip 16: Flat (same as clip 1) with distortion option #1 enabled; Drive at noon; Clean blend at 3:00
Clip 17: Flat (same as clip 1) with distortion option #2 enabled; Drive at noon; Clean blend at noon
Clip 18: Flat (same as clip 1) with distortion option #2 enabled; Drive at noon; Clean blend at 3:00
Clip 19: Starting flat (same as clip 1); Here I sweep the drive and blend with distortion option #1 and adding various EQ
Clip 20: Starting flat (same as clip 1); Here I sweep the drive and blend with distortion option #2 and adding various EQ
Clip 21: Starting flat (same as clip 1); Here I rotate various EQ dials to give a sense of the different tones

There are many more tonal options with different EQ/switch positions and gain/drive configurations. This is just a variety to help communicate the idea of what the Markbass Vintage Pre is capable of.

Markbass Vintage Pre

Goliath

Lightstone Emperor

Notiko

JT Amplification Alpha

Sushi Box finally Tube Direct Box

PF-50T; Khan, DUB-1, Alpha

Khan

Cruicial Audio DUB-1

EQ off
Treble 11:00, bass 11:00
Treble 12:00, bass 2:00
Treble 2:00, bass 3:00
EQ off

Kaos DI

Supernova Nobelium
Clip one: Flat
Clip two: Bass 7:00; Treble 7:00
Clip three: Bass 9:00; Treble 9:00
Clip four: Bass 10:00; Treble 9:00
Clip five: Bass noon; Treble noon
Clip six: Bass 3:00; Treble noon; HPF switch ON
Clip seven: Bass max: Treble noon; HPF switch ON

Nobelium

Broughton P-15

Noble

Arkham Oracle sound samples

Broughton Audio SuperStack sound samples

Sushi Box Particle Accelerator sound samples

Retrospec Squeezebox sound samples

Oracle Revised

A request to include Bass EQ at the higher end of the spectrum.

Super Stack — Take 2 — More Bass EQ

Oracle - Noble - B15 fed by Squeezebox

Kahn DI then Rupert Neve DI

Clip one = Sadowsky flat into Brick
Clip two = Sadowsky flat into Cali76 CB into Brick
Clip three = Sadowsky flat into Effectrode LA-1A into Brick

Groove Tubes The Brick

Teegarden Fatboy

REDDI

Sonic Farm 2DI4

Broughton SSDI and P-15

Sadowsky into SVT DI Direct
Sadowsky into SVT DI Tube enabled
Sadowsky into REDDI
Sadowsky into LA-1A into SVT DI
Sadowsky into LA-1A into REDDI

Ampeg SVT DI

Shaw Tube Injection

Clip 1: EQ flat (dials at noon); all switches off (down); Gain 11:00
Clip 2: Bass 2:00; Treble noon; all switches off (down); Gain 11:00
Clip 3: Bass 2:00; Treble 2:00; all switches off (down); Gain 11:00
Clip 4: Bass 11:00; Treble noon; all switches off (down); Gain 11:00
Clip 5: EQ flat; Ultra High switch on (up); all other switches off (down); Gain 11:00
Clip 6; EQ flat; Ultra High switch on (up); Ultra Bass on (up); Bright switch off (down); Gain 11:00
Clip 7: EQ flat; all switches on (up); Gain 11:00
Clip 8: EQ flat; all switches off; Gain 1:00
Clip 9: EQ flat; all switches off; Gain 3:00
Clip 10; Bass 1:00; Treble noon; all switches off (down); Gain 3:00
Clip 11: EQ flat (dials at noon); all switches off (down); Gain 11:00; Effectrode LA-1A on

Sushi Box Slampegg Bee Pre

Clip 1: Zod, polarity switch up
Clip 2: Zod, polarity switch down
Clip 3: REDDI
Clip 4: Zod, polarity switch down; Effectrode LA-1A on
Clip 5: Zod, polarity switch up; Effectrode LA-1A on
Clip 6: REDDI with Effectrode LA-1A on

Jule Simone

Slampegg Bee X

Jule Monique

ChrisTromp

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