Name: Manifest-rumental by Chris Wyble (wz3d)
Duration: 2 min 46 s
Description: instrumental version of the intro to the Mostly Harmless album, "DoomsDay Manifesto". Screaming theremin, red-alert bass throbs, a slinky funk bass, soaring strings... the soundtrack to the funnest apocalypse ever!

It's finally here, grab the release on Bandcamp now! 

http://syntheticepiphany.bandcamp.com/album/icarus

Check out CoMa's other work - https://soundcloud.com/dirtyoysterpearl

Synthetic Epiphany - Icarus Feat. CoMa

1st single from Busdriver's upcoming album Perfect Hair.

due out worldwide Sept. 9th via Big Dada.
pre-order the album now and get a download of 'Ego Death' 
iTunes : http://smarturl.it/perfecthairit
Ninjashop: http://smarturl.it/perfecthair
http://bigdada.com/busdriver/
http://busdriverse.com/
https://www.facebook.com/pages/Busdriver/58174070929
https://twitter.com/Busdriverr
WATCH THE STRANGELOOP DIRECTED VIDEO:
https://www.youtube.com/watch?v=lTxDEu1mw68

Ego Death

Busdriver - Ego Death feat. Aesop Rock and Danny Brown prod. by Jeremiah Jae

Network Noir - Orbital Dynamics

It's the biggest machete,
with the dullest blade,
and it can't chop back those weeds that you made.

End Of The Beginning Of The End

PunchDrunk

A song about fucking.
There. I said it.
"The howl of the devil" is the sound of the perfect lover who can destroy me with her voice alone.
Big, splashy playstation 1 drums pounding out a caveman beat against my slightly overdriven acoustic while I scream my stupid lungs out.
The ending section is one of my favorite parts of any song i've ever recorded. Dialogue is from "War Of The Planets", one of my top bad Italian movies of all time.

The End of the Beginning... (mp3)

El Aullido Del Diablo (Howl Of The Devil)

"Limelighters feat. Camp Lo" from the Aesop Rock album, Bazooka Tooth
remix by Chris Wyble (wz3d) using homemade beats, glitched out and reversed samples from several different recordings of Indian Classical Music.
I do not own the rights to the original version of this song, have never sought to monetize it and it is intended only as a tribute to the artist.

Hi-Definition Black&White

Limelighters-3DRemix (Aesop Rock w/Camp Lo)

instrumental version of the intro to the Mostly Harmless album, "DoomsDay Manifesto". Screaming theremin, red-alert bass throbs, a slinky funk bass, soaring strings... the soundtrack to the funnest apocalypse ever!

Mostly Harmless

Manifest-rumental

TheVeryFirst

Hapexamendios

An extended-middle-finger anthem that starts out poking fun at those fun-loving, Funeral Goths, gleefully exploring the idea to deliberately face life with a completely negative, unironically cynical, outlook, or, at least, portray a character persona matching that outlook , chiefly expressed through fashion and a mirror-practiced attitude.
     Lyricaly:  It's judgmental, pun-filled, obnoxious, shout-along, snot rockets, written over the course of an evening, 
by myself, Sputnik the Frey and James "Lusicous J", the 3rd original member of DDD.
     It's a playground insult laden, flick of the nuts at the ultra cynical, deliberately depressed, funeral goth types,
and mainly, a reference dense mish-mash of in-jokes and absurdities, each fired off as rapidly as possible, with the intention of making the other 2 laugh. 
     Originally and for live shows, all the dialogue segments were periodically changed to include lines from:
 The Lost Boys, 
 Demons (primarily Tony The Pimp, arguably the most badass horror movie   character to date), 
 Something Wicked This Way Comes, 
 Return Of The Living Dead,
 etc.
     For the album version, all the movie dialogue was scrapped & replaced with a character that Frey voiced on the Poxyclypse Digital Pentagram podcast, named General Archibald CockStrong, but reborn a redneck vampire hunter.

Musically:  the beat was meant to pulse in a similar way to John Carpenter's score for Big Trouble In Little China, BUT re-imagined as a blaxploitation film.

Mostly Harmless (mp3)

Fearless

Song Inspired by the Dario Argento Film Phenomena (also known as Creepers in the US).

An American (Jennifer Connelly) at a Swiss finishing school calls on insects to help a paralyzed scientist (Donald Pleasence) fight a monster.
Release date: August 2, 1985

Free Download

Phenomena

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

xanny

Consumed & replaced by unknown microscopic bacteria so perfectly that it doesn't know it's not Chris.

Manifest-rumental

Chris Wyble (wz3d)

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