Name: Comfort in eternity by Chronos Acoustics
Duration: 2 min 28 s
Description: Apart of an unreleased project I started last year. This one makes me think of old times and just allows me to find peace in the moment, we don’t all last forever. Love one another. I hope you enjoy this old timey tune.

Good track man! Good feeling for me as listener on this one. Keep going!

"CONSTELLATIONS" BY @SKULLKIDDXX
PRODUCED BY @NXBODYSFAV
MIXED & MASTERED BY @SKULLKIDDXX

lyrics:

In my head again, today,
today, in my head again,
i feel so far gone,

when she’s gone,
i miss the look in her eyes,
there ain’t no disguise around me,

so tell me baby,
let me hold you in my arms maybe
we can see the stars my lady,

you take the pain away, the pain away,
you take the pain away, the pain away,

cuz my life feels so alone,
and my mind runs on its own,
wishing i could find my home,

In my head again, today,
today, in my head again,
i feel so far gone,

you’re the reason i can face my demons,
help me seeing things when i don’t see them,
gimme piece of mind when peace i’m needing,
i’m keeping quiet but inside i’m screaming,

just hold me down like you do, 
imma do the same for you,
it don’t matter what we do because no matter what it’s you,

CONSTELLATIONS [PROD. NXBODYSFAV]

Apart of an unreleased project I started last year. This one makes me think of old times and just allows me to find peace in the moment, we don’t all last forever. Love one another. I hope you enjoy this old timey tune.

Comfort in eternity

Released by:
Sonnogramma Record
Release date:
August 4th 2022
P-line:
℗ Copyrighted by Sonnogramma Records

Buy on Bandcamp

Screams Silently

This is a work in progress. Excellent vocals from Kenna-Rae and honestly never going to be happy with my end of this song as it has so much potential as such.

Artwork: Espen Skaar
Synthesizer and Production: Espen Skaar
Vocals: Kenna-Rae

Shadow - Collab with Kenna-Rae

Utopia

You can view the video for this track here:
https://youtu.be/1iaiY4iXlZg

Notable Achievements
October 2022: Straight in at number 15 on the Re-Ex Underground Top 40 Chart

Artwork is from an original oil painting. Pen y Fan by Simon Williams
https://www.etsy.com/uk/shop/SimonWilliamsArt

Topography

TO ELEVEN

Fireflies Lullaby - Part 2 (Propaganda and Riot)

YouTube

Ghost Chase

support on bandcamp

sweet heart

ABUSE ProdMemento

Written: 2018-19
Duration: ca. 25'
Commissioned by J.K. Billman
Premiere: Euclid Quartet, Mostly Modern Festival, Arthur Zankel Music Center, June 25, 2019
Publisher: Bill Holab Music: http://www.billholabmusic.com
For more info.: https://robertpaterson.com/string-quartet-no-2

PROGRAM NOTES
In some ways, String Quartet No. 2 is similar to my String Quartet No. 1: the five movements are stylistically diverse, I use a few snippets of pre-existing music, and the music, while idiomatic, is technically demanding. As with my first quartet, this work explores technical and aesthetic ideas I didn’t have a chance to explore in other works.

The first movement, Colored Fields, is inspired by abstract expressionist painters such as Mark Rothko, Kenneth Noland, and Barnett Newman, but also pointillist painters such as Georges Seurat and Paul Signac. There are textures that emerge and submerge using articulations that gradually shift from soft to loud, or short to long, and there are a few transitions that utilize a technique I call pitch phasing or phase modulation, as opposed to tempo phasing. In these transitions, two or more instruments gradually modulate (raise or lower) notes, motives, or phrases by gradual, very refined, microtonal, non-chromatic increments, settling on new pitch areas that directly reflect the previous areas, just modulated up or town. The movement ends softly with a virtual desaturation of the rhythmic material. I remove notes, one by one, until there’s nothing left.

The second movement, Rigor Mortis, is inspired by a comic strip by David Lynch that newspapers ran for many years. In this strip, Lynch sketched a stressed-out, pitch-black dog, looking very mean and almost buzzing with anger; it looked like it was about to explode. Every strip began with an accompanying paragraph that read, “The dog who is so angry he cannot move. He cannot eat. He cannot sleep. He can just barely growl. Bound so tightly with tension and anger, he approaches the state of rigor mortis.” This made me envision musicians playing with such ferocity and tension that the music seems to eventually cancel itself out, anger imploding in on itself.

The third movement, Dolente, is sad, lush, and mournful. The only request I had when writing this quartet was to incorporate a Norwegian fiddle tune or theme by Edvard Grieg, so I chose themes from Grieg’s String Quartet No. 1. The form of this movement mimics the form of a song by Edvard Grieg’s entitled Spillemaend (Minstrels, or Fiddlers). The poem that Grieg set in 1876 as the first of Six Ibsen Songs (Op. 25) is based on the Norwegian folktale of the fossegrim, a male water spirit who could teach the art of violin-playing, but often at the price of personal happiness. In some versions of the story, the poor violinist drowns in the end. Like the song, and echoing the second movement, this movement beginning with the protagonist’s longing, his desire for the beloved. Next, he encounters the fossegrim, who promises that becoming a master of music will allow the protagonist to become master of his beloved. In the final stanza, the protagonist becomes a master fiddler, but he is now a cursed, wandering musician deprived of earthly love, so he drowns himself.

The humorous fourth movement, Scherzando, capitalizes on effects that at times, often make the string players sound inebriated. I make use of copious glissandi and tempos that fluctuate between 3/4 and 6/8, giving a sense of unease.

The final movement, Collage, is similar to the first movement in that it is inspired by the visual arts, and specifically, collage painting and works by surrealists. Many themes from the first four movements are brought together in this odd-metered movement.

String Quartet No. 2 commissioned by J. K. Billman and is written for and dedicated to the Euclid Quartet.

The Indianapolis Quartet: Robert Paterson - String Quartets 1-3

String Quartet No. 2 - III. Dolente

I am here for the moments in-between time.

When I started producing music and putting it out to the public my goal was to provoke emotion, how deeply certain frequencies / sounds / progressions etc.. can make people feel, how deeply it can make them think.. I feel music can help open doors in the mind one hasn’t previously explored. My only goal now is to prefect my craft so I can help open those doors.


For any inquires feel free to contact chronosacoustics@gmail.com
or message me on Instagram, links below.
 Beats for sale, DJ bookings available.
Thank you for your support.🙏🙏

Comfort in eternity

Chronos Acoustics

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