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система | system is proud to present a compilation of various Ukrainian artists and performers "SESTRO".

"SESTRO" is a compilation of electronic music from the Odesa-based label система | system, designed to bring together musicians from Ukraine who have been released on our label and performed at events we have organized. For many years we strive to cover a wide, diverse, and adventurous spectrum of Ukrainian music. The goal of the compilation is to directly financially support (ГО Сфера) Sphere (@womenspheresolidarity) which is a Kharkiv-based organization that actively helps women and LGBT+ people from eastern Ukraine in territories that are heavily affected by war. NGO Sphere (ГО Сфера) supplies crisis kits for women in frontline areas and also provides financial assistance to vulnerable groups of women, organizes legal and medical consultations, provides psychological assistance, informational campaigns, and activist events.

"We have never had an experience of working with women in conditions of stress, shock, and grief like today. Now we are trying to gather our experience and the experience of our colleagues from other countries to help deal with the terrible consequences of the survivors" - Anna Sharygina, a representative of NGO Sphere (ГО Сфера).

We believe that giving visibility to Ukrainian culture is an important part of our struggle, because Russia's war against Ukraine is imperialistic in nature, and for three centuries the works of Ukrainian authors have been denied and destroyed.
We will never agree to be dominated. We want, as artists, to give all possible support through our work to the brave volunteers now active in Ukraine, who are heroically fighting to save the most vulnerable.
*
система | system з гордістю презентує компіляцію різних українських артисток та артистів "SESTRO"

"SESTRO" - це компіляція електронної музики від одеського лейблу система | system, яка покликана об'єднати музикантів_ок з України, що випускалися на нашому лейблі та виступали на організованих нами заходах. Протягом багатьох років ми прагнемо висвітлювати широкий та різноманітний спектр української музики. Мета компіляції — надати пряму матеріальну підтримку організації Сфера (@womenspheresolidarity) з Харкова, що наразі активно допомагає жінкам та ЛГБТ+ людям зі Сходу України на територіях, які сильно страждають від війни. ГО Сфера постачає кризові комплекти для жінок у прифронтових районах, а також надає фінансову допомогу вразливим групам жінок, організовує юридичні та медичні консультацій, надає психологічну допомогу, проводить інформаційні кампанії, активістські заходи.

“В нас ніколи не було досвіду роботи із жінками в умовах такого стресу, шоку і горя. Наразі ми намагаємося зібрати свій досвід і досвід наших подруг з інших країн, щоб допомогти впоратися з жахливими наслідками пережитих подій тим, хто вижив” - Анна Шаригіна, представниця ГО Сфера.

Ми вважаємо, що надання видимості українській культури є важливою частиною нашої боротьби, адже війна Росії проти України, має імперіалістичний характер і протягом трьох століть твори українських авторів_ок піддавали цензурі та знищували. Ми боремося проти Росії, що прагне нас колонізувати, ми боремося за нашу свободу, ми ніколи не погодимося, щоб над нами панували. Ми хочемо, як художниці_ки, своєю роботою надати всю можливу підтримку хоробрим волонтеркам, які діють зараз в Україні та відважно боряться за порятунок найуразливіших груп населення.
credits:
FREE IS THE NEW EXPENSIVE ~ TAKE FOR FREE, NAME YOUR PRICE, DONATE.

"SESTRO" VA is supporting our sisters, Ukrainian women in areas affected by the war!
All the funds from this VA will be transferred to the Sphere, Women Association (@spherewa / Non-governmental organization (NGO)).
All transfers will be publicly released by система | system on our social media!
All the tracks are made, composed, recorded by the artists themselves
All the visuals are made by Lesha Mykhailov.

Bryozone - Bombas

"Щит частин"
Inspired by an Armenian novelist, An expression of psychological suffering, purely by his personal story written with metaphor and poetry and recited by Sasha Vosk. Guarding or watching over an evil, malevolent being sleeping under the sand of a beach, so that it doesn't wake up to avoid the massive destruction of all the surrounding flora and fauna.

>>>> For Astrid. H

Producer: Comechelet // @comechelet
Vocals: Sasha Vosk // @sasha-voskova
Design____
Render: Asdrubal 
Type: Texture404
Post-production: Jersahin Márquez

Comechelet x Sasha Vosk - Щит Частиц

the language of tears, i speak to tragedy in it

https://www.nts.live/shows/cxema/episodes/cxema-12th-september-2022

Cxema w/ Oleksii Podat 120922

Kyiv-based producer Maryana Klochko shares an hour of out-there electronics and post-club experiments, featuring original music and contemporary Ukrainian producers...

https://www.nts.live/shows/guests/episodes/maryana-klochko-23rd-september-2022

Maryana Klochko 230922

Jungle Tongue

Mokriy

Available digital only until 23.07 here: https://pointless-geometry.bandcamp.com/album/va-ardea-cinerea-benefit-compilation-for-adam

all funds will be donated to the fight of Adam with leukemia

www.siepomaga.pl/en/uratuj-adama

Sugar [Pointless Geometry] VA - Ardea Cinerea

I Will Never Forget This Life / I Will Never Die

I Will Never Die

ïðèéäè ÿíãîëå

Come Angel / Tsymbrovsky 1995

Valentina Goncharova - Recordings 1987-1991, Vol. 1
Cat. number: Shukai 03
Format: 2LP, Limited to 300
Pre-order: https://shukai.bandcamp.com/album/recordings-1987-1991-vol-1

Tracklist:
A1 Symphony Of Wind
A2 Insight
A3 Zen Garden
B1 Passageway To Eternity
B2 Maitreya
B3 Higher Frequencies
C1 Metamorphoses
C2 Contemplation
D1 Vigor
D2 Dynamics

Liner notes:
Historically informed violin player, prize-winning street musician, new age experimentalist, chamber ensemble performer and conservatoire deviant. The career of Valentina Goncharova (b. Kyiv 1953) shares parallels with those associated with the broader new music movement of the 20th century and the dissemination of home recording technologies. Valentina’s was a youth spent immersed in the world of classical music study under soviet rule, first in Kyiv and later in Leningrad (now St. Petersburg) from the age of 16. With the supervision of professors M. Vayman and B. Gutnikov she learned concert violin and developed alternate playing styles alongside skilled pianists. A student of the Leningrad conservatoire during the years 1969 through to 1983, her repertoire included music for violin and later expanded to contemporary music composition. The improvisatory nature of free jazz and then-budding experimental rock circles also intrigued Valentina during this period in Leningrad. Departing from the rules of the conservatoire, she briefly performed in underground rock clubs alongside future members of the industrial group Pop-Mechanika (Popular Mechanics). This perpetual state of flux is central to the variety found within ‘Recordings Vol. 1’, though as opposed to any degree of uncertainty Valentina’s practice is one in flux by way of earnest curiosity.
						
Pushing further into an exploration of solo electro-acoustic sounds, she took to home taping on a modified Olimp reel to reel recorder. Intrigued by the manipulability of dubbing and the fresh sounds of DIY effects chains, Goncharova developed pickups alongside her husband Igor Zubkov. Her infatuation with the music of Stockhausen, Xenakis, Ganelin Trio and Pierre Boulez channels through considerations of space and erratic sound design, the three movements of ‘Metamorphoses’ embodying this textural approach to musique concrete. The compositional skills developed in Leningrad unfold in the romantic gestures of ‘Higher Frequencies’, whilst manipulated cello combines with synthesise keys across ‘Passageway To Eternity’. The slow, pulsating drone soundscapes recall the likes of Robert Rutman’s US Steel Cello Ensemble or even deep listening pioneer Pauline Oliveros.
						
The juxtaposition of written notation and improvisatory flare is central to Goncharova’s sound world. This period of home recording documents a confluence of minimalism, free form and flirtations with new age tropes (inc. bell chimes and cavernous vocal mantras). Experimenting with unusual performance techniques, such as shouting into amplified cello strings, Valentina’s home studio functioned as a place to foster full artistic and creative freedom away from any academic strictures.

Credits:			
Composed and arranged by Valentina Goncharova Recorded in Tallinn and London during 1987—1991
						
Mastered by @producedbyflaty
Compiled by Sasha Tsapenko, Dmytro Prutkin and Dmytro Nikolaienko 
Liner notes by Fergus Clark (@fergus_clark)
						
Master tapes courtesy by Valentina Goncharova
Photos by Igor Glazistov
Special thanks to Ats Luik and Martin Jõela

Sugar [Pointless Geometry] VA - Ardea Cinerea

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