Chuck Daniels - Movement 2022 - Pyramid Stage

Doc Martin is a bona fide legend of the house music scene, and his involvement with the music can be traced back to the mid-80s.  Right there on the cusp of the house sound, Doc has become synonymous with the West Coast of America’s dance scene.   From spinning records in San Francisco, various residencies in New York, tours with the likes of Grace Jones, The Prodigy, Moby and Dee-Lite, and welcomed with open arms across Europe at clubs like Back To Basics, Cream and Ministry Of Sound, Doc Martin has tirelessly supported the music over the year with a great passion.

As a producer, Doc has served up A list productions on labels like Moonshine Music, Siesta, Wax Records and Sublevel, as well as DJ mix compilations for Fabric, DM and Nitegrooves, quite simply Doc Martin is the DJs DJ, and it’s a huge pleasure to have him on this weeks Source to Cycle.

https://www.facebook.com/Doc.Martin.Sublevel

Tracklist
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Cadenza Podcast | 135 - Doc Martin (Cycle)

Derrick Carter - essential mix-04-06-2011

http://www.mixmag.net/feature/derrick-carter

Derrick Carter delivers this week's In Session and the result is an hour and a half of pure house gold

Download here

In Session: Derrick Carter

Free Download

Moving - Omah Lay (Rory Kite Remix) Free Download

FREE DOWNLOAD

MAGNUS - Joi (Part II) (QUIRIN & ËYRIS Private Remix)

Endless

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United DJs of America, Vol. 15 - West Coast Grooves - Vol.1

Buy on Discogs

564 - David Alvarado-United DJs of America, Vol. 15 - West Coast Grooves (2000)

DERRICK CARTER

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About the CD:
002 of the Classic Mix CD Series and yet another absolute stand out classic. After getting into house at around 15, I guess my only source of info was Danny Rampling's seminal LGDP (Love Groove Dance Party) Saturday nights on Radio 1. However I can't remember Carter getting much coverage on there, yet he, much like Danny Tenaglia seemed to have a level of legend unlike most. This CD cemented my love of house music with an all might smash in the face. The tempo, the bass, the disco, the filters, and fucked up vocals... this was heavyweight. Nothing could compete at the time. I'll always remember driving to college with my 2 nerdy class mates and insisting they played this CD in the car. I'm raving in the back and they are like "What the fuck is this shit, turn it down!". It's with immense pleasure that DJ's like Sneak and Carter seem to be booking all the massive clubs and parties again. I'm not so keen on the whole 'I'm a House Gangster' vibe... but this is as bad as it gets.

002 - Mixmag presents - Derrick Carter 'The Cosmic Disco' (1997)

3 sets from my first and always favorite dj, Doc Martin @ LOST BEACH CLUB - Montañita Ecuador - March 2020 Doc Played outside on the main floor till 4am and rocked the cave each night after 5 am till people could dance no more on both the saturday and monday. Here are 3 of those sets, I know you are going to love them. ;) 

https://soundcloud.com/martin-mendoza-362616495
@martin-mendoza-362616495

art by Ivan Casanova @artivancasanova

TASCAM DR-44WL

SET #3 Doc Martin @ LOST BEACH CLUB CAVE - Montañita Ecuador - March 2020

Chuck Daniels
Since its emergence in the mid-late 1980s in Detroit, techno music has spread like wildfire across the world music scene, igniting the talents of aspiring artists seeking to leave an indelible mark on this ever-changing, competitive genre. With its driving, repetitive rhythms and diversified style, techno has become the craze of the music industry, attracting millions of fans across the globe. For those who want to delve into the techno scene, the journey would be incomplete without an exploration into the musical creations by one of Detroit’s best: Chuck Daniels. His passion for music began at an early age while listening to the vinyl hits of the 80s on his dad’s turntable, soaking in a smorgasbord of musical styles. He remembers his love of the 90s at Record Time and Melodies & Memories, where he eagerly waited for the latest and greatest releases to emerge. Unlike the media frenzy of the 21st century where music can be accessed at one’s fingertips, Daniels credits these stores for their vital contribution to the culture of the times and the dissemination of music to the public. On his travels through pop genres, Chuck was then exposed to the sounds of soul. Imbedded in soul music are roots of African-American gospel music, rhythm ‘n’ blues, and jazz, and so this too became part of Chuck’s steady diet. All this, together with influences of techno, New York and Chicago house, and the rich sounds of music legends like Stevie Wonder and Steely Dan, contributed to Daniels’ immersion into the melting pot of popular music. 
We can trace Daniels’ career back to his teens when he and his best friend, Ross Reimer, began mixing music after school on Ross’s Technics 1200’s and Numark mixer. These daily encounters eventually culminated into a co-owned DJ company. Hooked up throughout the greater Detroit area, Daniels and Reimer became the “go to guys” for weddings, parties, and clubs of all types—you name it—they played it, from soup to nuts, tailor-made for their specific clients. As time went on, the routine became monotonous and unfulfilling for Daniels. In 1993, he attended his first rave and his life changed forever. He surrounded himself with the best in the business, beginning with Dean Major, known for his Syst3m parties. This led to his first party, Can You Dance to My Beat? 

Daniels’ deep-seeded love for music, coupled with his fire in the belly to craft his own creations, could no longer be ignored. He made a life-changing decision to sell his portion of the DJ business to Reimer in order to compose and produce his own music. Captivated by music of the underground, Daniels took a giant leap of faith and took a 180 degree turn into the world of techno. Quickly, he devised a plan to build a production studio in the basement of his residence in Detroit, Michigan. This is where the magic begins for Daniels, as he separates from all the distractions of the world to mold his musical masterpieces. In 2002, Daniels’ label, Sampled Detroit, debuted and the rest is history. Although his path has not always been easy, Daniels has had a wealth of input and support for his label from colleagues such as Jason Hodges, Wally Callerio, and Dimitri Max. The collaboration with other artists in the field continues to kindle his creative juices, fifteen years since the birth of Sampled Detroit. From the remix of “Good Luck” for Kevin Saunderson’s Inner City, to his collaborations with music legends such as Amp Fiddler, Claude Young, Mike Clark, and Oliver Dollar, to name a few, Daniels keeps an energetic production schedule. Most recently, Daniels’ remix for Seth Troxler’s imprint, Play It Say It reached #1 on Beatport and top 5 in Ibiza. Undeniably, Daniels is riding high and revving up to take the motor city techno town to its highest level. Stay tuned and listen up, cause the best is yet to come!

Chuck Daniels - Movement 2022 - Pyramid Stage

Chuck Daniels

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