Corazón Remixes es el nuevo disco del artista francés Turn Water, un trabajo en base a la canción “Corazón” perteneciente al Ep de New Latam Beats, “My first Poncho” (2020), que hace referencia a los latidos del corazón de la hija del músico mientras estaba en el vientre de su madre. Los remixes están a cargo de los destacados proyectos Vinzoo y Unja.

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Turn Water - Corazón (Unja Remix)

The prolifically talented Mineral and Moakz join forces to offer their own perspective of each others tracks remixing each others deep beats. Moakz takes on the stunning beauties of 'It's Always With me' and 'Why Don't We See' and makes each track his own. Classic breaks, floating pads and serene melodies are the order of the day as he creates something new from something old. Mineral delves deep into his musical repertoire with 'A New Future' and 'Lost Chapter' where he effortlessly sprinkles the original sounds with extra soul, taking each in his own stunning direction where melodies twinkle and pads sparkle. This is an incredible set of remixes, with each artist showing their dexterity at creating music for the future.

https://omnimusic.bandcamp.com/album/helsinki-to-hampshire-ep

Moakz - A New Future (Mineral Remix)

Written by Tansing
Ramshackle My Disco
The Disco Insiders

2000's
First mix

Night & Day

First Dancefloor

@maracuyacita – France.

Let Maracuyá be your world music guide, this is her gift for ecos del mundo:
“A special mixtape for me, as it reflects the music I use in my DJ sets; I’ve never recorded this before. It is pure World Beat, a joyous sound journey across continents and it’s a reflection of my passion that is to research about hidden music”.

We admire music researchers like Maracuyá and are thankful to have her in our series.
Enjoy, move your spirit and dance to her mixtape as much as we did!

More Maracuyá stories:
Soundcloud: https://soundcloud.com/maracuyacita 
@randomcollectivecr https://soundcloud.com/randomcollectivecr 

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For the Aztecs, Chalchiuhtlicue was the water goddess who was a personification of youthful beauty and ardor. She was represented as a river from which grew a prickly pear cactus laden with fruit, symbolizing the human heart.

Chalchiutlicue's association with both water and fertility is derived from the Aztecs' common association of the womb with waters. This dual role gave her both life-giving and a life-ending role in Aztec mythology. In the Aztec creation myth of the Five Suns, Chalchiuhtlicue presided over the fourth sun, or creation, in her aspect as goddess of streams and standing water. This world—in the mythology, the world preceding the current (fifth) one—was destroyed by a great flood and its people transformed into fish.

In her aquatic aspect, Chalchiutlicue was known as Acuecucyoticihuati, goddess of oceans, as well as the patron of women in labor. She was said to upset canoes and drown men.

The mythology of Chalchiuitlicue reports that she helped Tlaloc rule the paradise kingdom of Tlalocan. Chalchiutlicue brought fertility to crops and is said to have been the protector of children and women.

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Remember the healing power of being in Nature.

ecos del mundo 033 | Maracuyá

Laxman Jhula ft. Lapola Kalu

noch etwas durch den Sommer tanzen...es ist schon fast August ;)

free download: https://theartistunion.com/tracks/bb344a

llegó volando (la marmota edit)

Tradici๏nes ★ 02 - Raíces Afro Caribenas (100% Vinilos) por @rhythmandhues
⋘ ────── ∗ ⋅ESPAÑOL⋅ ∗ ────── ⋙
Esta mezcla es un viaje sonoro a través del tiempo, el espacio y percusiones hacia los orígenes espirituales de la música afrolatina. Desde el llamado de apertura del pregonero a "abrir camino" a la rumba cubana y los cantos de orishas, a los ritmos folclóricos afrobrasileños y de las antillas, trazamos una compleja red de influencias y tradiciones, delineadas por las antiguas rutas de comercio de esclavos, de vuelta al Africa que los dieron a luz. Después de descender por la costa atlántica de Colombia, bastión de los sonidos del carnaval y de Palenque (el legendario pueblo formado por cimarrones o esclavos escapados en el siglo XVII), cerramos el círculo con el mítico "Yiri Yiri Boum" de Gnonnas Pedro, originalmente compuesto por el rey de la percusión el Cubano Silvestre Méndez, creador de la "Oriza".
Las corrientes transatlánticas son fuertes y continúan arrastrando culturas en sus mareas incluso hoy.

∗ ⋅ BIO ⋅ ∗

Vagabundo musical y coleccionista empedernido, Parker Mah, también conocido como ¨Rhythm & Hues¨ ha estado compartiendo sus selecciones poco convencionales durante más de una década. Como DJ ha destacado y encendido las pistas de baile en lugares como Ciudad de México, Cotonú y Hong Kong. Cofundador del colectivo DJ Tumbao, su especialidad abarca el espectro afro-latino-brasileño-caribeño, con una fuerte predilección por el vinilo.
Músico, compositor y presentador de programas de radio, su pasión es ampliar y compartir su interés en el legado sociocultural de estas músicas y las historias que cuentan sobre la migración y la polinización cruzada.

⋘ ────── ∗ ⋅ENGLISH⋅ ∗ ────── ⋙
This mix is a sonic journey through time, space and drums into the spiritual origins of Afro-Latin music. From the opening call of the pregonero to “abre camino” into Cuban rumba and Orisha chants, to Afro-Brazilian and Afro-Antillean folkloric rhythms, we trace a complex web of influences and traditions, outlined by slave trading routes, back to the African shores that birthed them. After swooping through the Atlantic coast of Colombia, bastion of carnaval sounds and of Palenque (the legendary village formed by cimarrones or escaped slaves in the 17th century), we come full circle with Gnonnas Pedro’s mythic “Yiri Yiri Boum”, originally composed by Cuban percussion king Silvestre Mendez, originator of the “Oriza”. 
Cross-Atlantic currents are strong and continue to tow cultures in their tides even today. 

∗ ⋅ BIO ⋅ ∗

Musical vagabond and inveterate digger, Parker Mah aka Rhythm & Hues has been sharing his offbeat selections for over a decade. As a featured DJ, he has set dancefloors alight in places as far-flung as Mexico City, Cotonou and Hong Kong. Co-founder of the Tumbao DJ collective, his specialty spans the afro-latin-brazilian-caribbean spectrum, with a predilection for vinyl. 
Musician, composer and radio show host, his passion is to broaden and share his interest in the socio-cultural legacy of these musics, and the stories they tell of migration and cross-pollinisation. 
.
+ DJ RHYTHM & HUES
https://www.mixcloud.com/rhythmandhues
https://rhythmandhues.bandcamp.com/
https://rhythmandhu.es
https://instagram.com/rhythmandhu.es

Tradici๏nes ★ 02 | DJ Rhythm & Hues | Raíces Afro Caribeñas

Trabajo del destacado artista argentino Cyma (Juampi Sanchez). Un hermoso trabajo titulado: “Nuevas Aguas Remixes”, el cual se compone de 7 remixes del anterior disco que fue publicado por nuestro sello.
Mente Orgánica (Colombia), Jin Yerei (Argentina), Silvio Asttier (Argentina), Sauco (Argentina),  Danza Perfume (Argentina), Janax Pacha (Argentina) y Renzo Zong (Perú).

Cyma - Ancestralizado Feat. Ramiro Gonzalo (Silvio Astier Remix)

Dengue Dengue Dengue - Simiolo (Manduka remix)

Beautiful Mix brought to you by @allesclarinka to celebrate 2020's winter solstice. There have been technical issues while recording, sorry for that. Nevertheless, enjoy! <3

Clarinka – die längste Nacht

Chusma Records subscribes to the sound of “urban bastard music”, presenting cutting edge breaks and beats. At the same time, it makes accessible to the public the almost unknown tropical classics, productions and mash ups.

Dengue Dengue Dengue - Simiolo (Manduka remix)

Chusma Records

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