unfrotunately this does seem the way everything is going now. I suppose to some extent it's always been like that if a company themselves created a product.  But you can look at damn near anything and there's companies paying tons of money to get the exclusive rights to some product, which then means they can charge whatever they want.  It really feels like there's going to be some sort of consumerism bubble in a few short years, where the big companies finally bleed the average worker dry of all their funds and then society will just collapse (the most extreme result...)

This is how fake news is spread, people see a legitimate article behind a pay wall and decide to go somewhere else for their information that's free, and who know's what their sources are.  I totally agree that Journalism relies of some form of payment, though they do tend to pay pretty high salaries, and also have the income from advertisers.  Surely they could have some 'important' articles for free, then just put all the gossip and entertainment stuff behind pay walls

Here's a small twist on the 're-cast a movie' segment you've done in the past.  Say you've just come across someone who's awoke from a long term coma (at least 20 years) and rather then telling them directly which movies to catch up on.  Would you be able to tell them who from the existing crop of stars is comparative to those they would have known back in the day?  For example, Dwayne Johnson is the current day Arnold Schwarzenegger

All that talk about Mountain Dew means I have to ask...DID YOU ORDER THE CODE RED?

Scorsese’s Cape Fear is great (especially De Niro), but the subtlety of the original and the building creepiness from Mitchum is perfect. Plus, Gregory Peck elevates every movie he’s in

Have not seen the remake, but the original The Vanishing is fantastic. Great psychological mystery/character study that turns hard into horror at the very end. 

I don’t actually care for the original True Grit all that much. My favorite John Wayne performances/films are The Searchers and The Man Who Shot Liberty Valance. He is the emotional heart of both, and demonstrates that he has legitimate talent

The kinda-trance-whatever-ritual-thingy scene at the end of the Suspiria remake, coupled with this beautifully peaceful and warm Thom Yorke song and hard red color filter is still printed in my brain even though I only saw it in theatre upon release. That scene is completely unique and what cements the remake as the better film for me.

live wire is the best Mountain Dew. I remember seeing the 12 on a road trip one summer when I was pretty broke. I paid $6 for it. I had to have it. So I get that. 

Jeremy called Barrett out on his AUDACITY to offer a steak at Applebees.

Which movies SHOULD have been remade? Which ones should NOT? The SinCast crew sets out to answer these questions with a review of the best and worst of reboots, remakes and shot-for-shot replications on a brand new SinCast!

Also all the questions you have about soda, fast food, Google Fiber and MUCH more!

Join us every Monday for a new episode of SinCast, and keep in touch! Tweet us @cinemasins, comment on SoundCloud, https://soundcloud.com/cinemasins subscribe to the subreddit https://www.reddit.com/r/CinemaSins/ and email us at cinemasinssincast@gmail.com

SinCast - Episode 294 - The Best and Worst Movie Remakes

CinemaSins Creators Chris Atkinson and Jeremy Scott, along with Barrett Share from Music Video Sins talk about the life and deaths of David Bowie and Alan Rickman, two artistic treasures. They then move into the long-anticipated discussion of Star Wars: The Force Awakens. If you're not interested in the discussion about Bowie and Rickman (although you totally should be!), you can skip to the 15:26 timepoint. The segments sound a little different, something we're working on :)

Episode 2 SinCast - Star Wars and Celebrity Deaths

Chris, Jeremy, and Barrett break down the movies that ALL your friends were all, "You have to SEE this... it'll blow your mind", but you're all "This thing is way overrated". That's right, it's a rundown of critically acclaimed movies we think are overblown, overwrought, or downright overpraised. Also, Chris breaks down the folly of The VVitch, and a lively Q&amp;A on this week's SinCast!
Join us every Monday for a new SinCast, and keep in touch! Tweet us @cinemasins, comment on SoundCloud, (https://soundcloud.com/cinemasins)&nbsp;subscribe to the subreddit (https://www.reddit.com/r/CinemaSins/) and email us at cinemasinssincast@gmail.com.

SinCast: Episode 10 - The VVitch, The Good Dinosaur, and Critically Acclaimed Movies We Don't Like

Join the CinemaSins crew as they go through the process of how sins are conceived, birthed, and edited, using many examples of videos you've watched before, but may have wondered how they devised what ended up on the screen. This is a "peek behind the curtain" to show everyone what kinds of things are cut and how much damn thought goes into the famous "Everything Wrong With..." videos. &nbsp; All this plus a review of the best movies of 1983! Will Return of the Jedi win hearts and minds with their adorable Ewoks? Will a group of astronauts take the prize? Or will someone inevitably shoot their eye out? Also in this week's Q&amp;A, the guys list the movies they like but would not want to watch again.&nbsp; &nbsp; Join us every Monday for a new episode of SinCast, and keep in touch! Tweet us @cinemasins, comment on SoundCloud, (https://soundcloud.com/cinemasins)&nbsp;subscribe to the subreddit (https://www.reddit.com/r/CinemaSins/) and email us at&nbsp;cinemasinssincast@gmail.com.&nbsp;

SinCast - Episode 22 - How the Sausage Is Made: CinemaSins on Dissecting Sins

Every week, your favorite creators from CinemaSins record podcast episodes you love!

SinCast - Episode 294 - The Best and Worst Movie Remakes

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