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About the song: http://bit.ly/1VnyhGg

LYRICS: 

﻿﻿﻿I count the falling leaves 
Under this big old tree
I am a big big fool
But that I'll be for you

Everything aligns
All at the perfect time  
Carved out your name quite right
Onto this heart of mine

Oh woah oh woah oh woah
oh woah oh woah

You and I in a frame
Marked by infinite space
But your voice is a lovely sound
And I drown when you're around

The secret's in your lips
Honest words make me flip
And your hair , your pretty eyes
I melt when yours meet mine

And the hope for the moment to see you again
Is as strong as the moment when we both first met (2x)

Oh Love
So tough
But my love
Knows no infinite space


Infinite Space

Remixed version of Leaving Soon by Yolanda Moon. 

Leaving Soon

To Have and To Hold is not a biography, a lecture, or a historical reconstruction. It is an imagined world — one you step into to feel your way around an idea rather than to learn it.

The album takes place loosely in early-20th-century Cambridge, at the moment when Western thought was beginning to strain under its own certainty. Science had proved astonishingly powerful at breaking reality into parts, explaining mechanisms, and producing results — yet at the same time it was encountering problems it could no longer fully contain. Probability was replacing certainty. Events mattered as much as objects. Meaning no longer sat still.

Out of this tension emerged process philosophy: the idea that reality is not made of finished things, but of ongoing happenings — that love, time, marriage, and even truth itself are not states you reach, but activities you keep participating in.

The album imagines this moment through a human lens. A mathematician trying to complete a system of logic. A thinker insisting that nothing important is ever truly finished. Proofs accumulating. Years passing. A marriage understood first as a statement, then slowly revealed as a practice. Love appearing not as romance in the foreground, but as something quietly unfolding elsewhere — happening whether it is attended to or not.

Rather than explaining these ideas directly, the songs allow you to inhabit them. You hear bells ring. You feel evenings close in. You sense the weight of unfinished work and the relief of letting something continue without control. The philosophy is not taught; it is lived.

This is a soft documentary in sound — an audio quantum leap into a world. Its purpose is not accuracy, quotation, or instruction, but immersion. By the time the album ends, you may not be able to define process philosophy in a sentence — but you may feel why it arose, what problem it was answering, and why it still matters.

To Have and To Hold is an exploration of commitment not as possession, but as attention.
Of marriage not as a conclusion, but as renewal.
Of understanding not as something you arrive at — but something that keeps happening.

If you listen closely, nothing here ever quite resolves.
But something continues.

Cambridge in November

Fleeting Days

Peaks and Tides

From their debut album Honeymoon. My favorite track.

Is This Love - Jensen and the Flips (cover)

My 2nd composition about "the one who got away". Special thanks to Lara Maigue for sharing her talent and her time :)

Keyboard and male vocals are me.
On the trumpet is Neo Manosca. 

Muntikan Na

She walks away when I call her to lay
She don't wanna stay one more stupid day
Oh she shut the door 
She don't want me anymore 
She ran away when I told her to stay 

And I know I know it's not true 
And I'm standing out here with you
And I'll try I'll try to fix you baby 
So please

She walks away when I call her to lay
She don't wanna stay one more stupid day
Oh she shut the door 
She don't want me anymore 
She ran away when I told her to stay 

And I know I know it's not true 
But I saw him out there with you
And I'll try I'll try to fix you baby 
So please

Written by Patrick Santos 
Produced by Ram Alonzo
Mixed by Ram Alonzo
Recorded by Roberto Sena at futurestudio
Co-arranged by The Wants
Art by: Tristan Jacalan
Model: Jennifer Mizzi
Recorded at futurestudio

Written by Sage Ilagan
Featuring Pauline Rana on Vocals
Produced and arranged by Emmanuel Aguila and Ashley’s Kryptonite
Drums recorded by Perth Salva at Perthman Records
All other tracks recorded by Emmanuel Aguila and Sage Ilagan at The Office
Mixed and mastered by Dan Galapon at Eelectric Studio

LYRICS

Sa madilim na sulok dun ka lang nagmumukmok
Kamay ay nakadukot sa bulsa ng 'yong suot
Panyo mo ay hinugot, basa na at lukot-lukot
Puno ng luha mo

Kahapon lang nakita nakangiti at masaya
Mas maliwanag pa sa araw sinag ng mga mata
Ngunit pagsapit ng gabi walang tigil ang pagpatak
ng mga luha mo

Sa iyong paghihintay
Lumamig mga kamay
Nagmistulan ng bangkay
na nilimot na, 'di na maalala

Siya ang dapat na kasama mo
Ang magdadala sa 'yo diyo
Siya naman kasi'ng pinili mo
Bakit siya hindi na lang ako
Ba't ngayon 'di mo siya matanaw
Kung kailan dapat ka nang masayaw
Nangakong yayakapin ka pa raw
Bakit ngayon 'di man lang lumitaw

Sabi mo pa sa'kin, 'di ka iiyak
Luha mo'y 'di na papatak
Pwede bang ulitin, 'di na iiyak
Luha ko'y 'di na papatak

Infinite Space

Cinnamon Crayons

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