Şkpşn

Joint Consert Performans of Nalmes and Kabardinka orchestras
Nalmes ve Kabardinka Orkestralarının Ortak Performansı
Совместное выступление оркестров Нальмэс и Кабардинки

Joint Concert of Nalmes and Kabardinka in Maykop at 21 April 2021.
Maykopta 21 Nisan 2021'de Nalmes ve Kabardinka Ortak Konseri
Концерт, Нальмэс и Кабардинка

Joint Concert Performance of Nalmes and Kabardinka Orchestras

Khame Kheku

Marem Gökhan Şen - Hakulyash (2022 Al-Jeel Al-Jadeed Club)

Nalmes - Islamey (Adige Pshine)

Dexe Jan

Abkhazian folk dance, Apsny Apsua.

Garmon: Emre KUYUMCU
Recording: Ferhat UZUNBAŞ
Panduri, Arrangement: Genar TUNCER

Аҧсны Аҧсуа (w/ Emre Kuyumcu)

Huryan Yi Wored-Ju Kayhan,Nağaple Osman, Kujey Murat

"Vocatio Abrahae" (The Calling of Abraham) is a two-hour symphonic odyssey, divided into 12 main parts (plus optional postlude), designed for performance or sectional listening. Inspired by the Romantic tradition of programmatic music, it follows the biblical patriarch Abraham as a metaphor for radical faith — leaving home, journeying through trials, receiving divine promises, interceding for others, and ultimately facing the supreme test at Mount Moriah.

The work begins with a brooding Call in Ur, grows into the restless Journey, expands in wonder under the Starry Promise, and erupts into conflict in the War of Kings. A solemn Covenant passage anchors the symphony in sacred ritual, before turning toward the playful Hospitality at Mamre and the tragic shadows of Sodom’s Cry.

The final two sections, The Ascent to Moriah and The Sacrifice of Isaac, are the emotional and spiritual summit of the symphony: an immense meditation on obedience, anguish, and redemption. Here, motifs from earlier movements return, transformed into radiant light as the angel intervenes and the promise of faith is fulfilled.

The Postlude closes the journey with a gentle pastoral benediction, leaving the listener in peace after the storm.

Movement III – The War of Kings - Part III-A: Allegro Furioso

Şapsığ zefaug

Бзабзэ - Къафэ [pesnik.su].mp3

Woshım yi Makh - Hasırca Çiftlik yi Zefak'o

Bjamiy (Cyrillic: Бжамий) is a Circassian (Kabardian) folk group performing authentic Circassian music and dances of the Cacausus and Circassian Diaspora. It has toured various countries.

The name means "whistle" or "flute" in the Circassian language. It is a wooden instrument that has been used for music and communication since ancient times. Bjamiy is mentioned constantly in the Nart sagas:

“The flute is a musical instrument that occurs in our mythology too. Nart Ashemez’s flute was white on one side and black on the other. If he blew into the white side, there would be prosperity and if he blew into black side there would be famine. Our flutes are white on both sides. They heal patients, and invite healthy people to dance. Our songs & dances excite people. The flute, Shiqe Pshina, Pshina Digkhuakho, and pxhachich with Circassian accordion take our ancient melodies from the past to the future.”

Circassian World

Zighatlet

Duğ Jankat Yaman: apepshine , bass guitar , back vocal


Tırkuao Erhan Esen: shıkepshine  , vocal

Саусэрыкъо

Dudar Aslan - Wuic

Nalmes - The Greetings Dance

Гъогум ымакъ  (Yolun Sesi)

Mazenef Şeşen

The "Circassian World" website was created in February 2005 and has since been operated by Metin Sonmez (Kodzoko). CW’s aim is to raise awareness of Circassian culture, history and contemporary politics in global academia, journalism and policy making circles to pave the way for "Circassian Studies" to be recognized as a constituent part of Caucasian Studies. For more information visit www.circassianworld.com

Zighatlet

CircassianWorld.com

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