It seems necessary to supplement this episode with some commentary on casinos on Native American reservations, and how the problems highlighted here affect those communities specifically.

The fact the casinos dedicate most of their floor space to slots makes it clear where the profits come from. 

wind

Improvising on contrabass recorder to acoustic jungle loops by Ned Haweeli.

Drum And Contrabass Recorder

SciFiSky
Song: Aerodynamics of Intelligence
Album: Spontaneity / Live Recordings: 4th Session - October 2017

This is the first track from our fourth jam session. We had recently acquired and began experimenting with new and improved recording gear.

Recorded in a converted garage by Jonathan Carey (guitar) and Evan Witkowski (drums, keys).

Album Art by SciFiSky. 

SciFiSky 2017

Stray From the Hive

29 Aerodynamics of Intelligence (Live Spontaneous Jam)

The Devil is in the Paperwork

our mother is our daughter is our mother

The 1970s is often depicted straightforwardly as the moment when the radical movements of the 1960s fractured, failed, and radicalised in ways that were self-destructive. In The Subversive Seventies Michael Hardt argues that not only is that a much too simplistic understanding of the decade, but that it serves to prevent us from drawing important lessons and inspiration from the radical movements of the 1970s. We talked about popular misconceptions about the movements of the 70s, how to understand the turn towards projects characterised by autonomy and in some cases armed struggle. And finally we also talked about why the emergence in the 70s of a multiplicity of struggles can be seen as a source of strength for the left, rather than evidence of irresolvable division.

The seventies and us w/ Michael Hardt

Sonor Music Editions proudly presents this restored issue of Maestro Sandro Brugnolini's Overground. This elusive masterpiece in library music captures the most impressive work, alongside Underground (1970), of the Italian composer and alto sax player.

Sandro Brugnolini was a prominent member of the Modern Jazz Gang, a famous Italian jazz group, during the 1950s and 60s, which also included Amedeo Tommasi, Cicci Santucci, and Enzo Scoppa. The group was active from 1956 to 1965 and produced some remarkable albums such as Miles Before And After (1960) and the original soundtrack from Gli Arcangeli (1962), which featured the renowned American jazz singer, Helen Merrill. Subsequently, he recorded many of the genre's most iconic releases, including Feelings (1974), albeit uncredited, and ventured into Psychedelic Lounge Funk and Progressive Jazz Beat tunes.

Overground was released on Sincro Edizioni Musicali in 1970 as the soundtrack to Enrico Moscatelli and Mario Rigoni's documentary Persuasione, commissioned by Ente Provinciale Per Il Turismo Di Trento, a local tourism board in Italy, with music composed by Sandro Brugnolini and Luigi Malatesta featuring some of the best musicians in Italy at the time like Angelo Baroncini and Silvano Chimento on guitars, Giorgio Carnini on piano and organ, Enzo Restuccia on drums, and Giovanni Tommaso on bass and effects. The music spans from underground Psychedelic Prog. Rock with swirling organs, trippy effects, and distorted fuzz guitars to sophisticated Lounge grooves with Avant-garde orchestrations.

OVERGROUND

Sandro Brugnolini - OVERGROUND

Aerials live, dials tuned, Transmission Towers broadcasting. On either side of the river Mersey, transcendental communications are traded back and forth. Two late-night revellers, one firing messages filled with music, the other returning them laced with lyrics. The result, a dopamine hit of oddball machine soul, melded with a highlife, Afrofuturist touch. Wonky and murky yet deeply emotional, Transmission One, is a debut album that also marks the first release on Luke Una’s É Soul Cultura label, encompassing expertly the off-kilter atmosphere the label sets to orbit. 

A synthesised landscape with a Northern charm, Transmission Towers marry the musical worlds of two artists that last collaborated over a decade ago. 10 years have passed, lives have been led, but a gravitational pull has placed Mark Kyriacou and Eleanor Mante back in each other’s spheres on opposite sides of the city of Liverpool. Energised with a newfound desire to strip it all back to the sounds that influenced their formative years in the late ‘80s and ‘90s - astral travelling, intoxicated on Motor City techno, Black Dog IDM and mystical Sun Ra. 
 
Mark half Irish, half Greek Cypriot, Eleanor half Nigerian, half Ghanian, the music contained within is an alchemy of those roots and the pivotal acts that buried deep into their minds. A cosmic contrast, part machine-made, part distinctly human. Take the opener ‘UP’, an ESG-channelling, sci-fi punk beatdown or the polychromatic hyperspace anthem ‘Roller Skater 23’. 
 
Transportive throughout, you ride the solar waves, pace and emotion ebbing and flowing. Tracks like ‘Go Slow Heart’ and ‘Cosmic Trigger’ step to a slower beat but hit with a punch. The former, a slo-mo blast of celestial tenderness, the latter an otherworldly, chugged-out lunar excursion, micro-dosing on whacked-out Wah Wah and Eleanor’s ethereal vocals. Beaming love letters to space and back, ‘Sparse’ marries the organic with the artificial, pianos and percussion circling around synth pads and broadcasting bleeps.
 
Elsewhere, vibrations move faster. ‘Mega’ strikes, fusing sonic tribalism with psychedelic swirls, as ‘Everything’ sweeps you up in its extra-terrestrial new wave grip. Synth stabs and basslines fizzing from every angle.  
 
Demos of Transmission Towers music surfaced on Luke Una’s radar, making him stop in his tracks. Something magical was emerging, perfectly aligned with the E Soul guardian’s tastes. Guidance followed, quickly turning into conversations about Transmission One becoming the first release on Luke’s own label. 
 
Escapist and futurist yet grounded and relatable. Transmission One is synthesis meets sentiment with a deep, spine-tingling soul at its core.

Transmission Towers - Affirmation Of Love

Unlike most Maison Dufrene shows, which are mostly comprised of music I came upon over the decade, Archivalesque represents the years before that when I decided to devote close to 98% of my listening to music made before 1980. The archival mixes in this series were compiled between '12 and '14 and contain songs, which were mostly taken from my record collection at the time, that take me back to certain points in my life and music development. It wouldn’t be the least bit untrue or disingenuous to say that THIS MUSIC CHANGED MY LIFE. Please accept my attempt to share it with you and PLEASE do the same. - Paul @pauldufrene
Curated by @pauldufrene 
Stranger In A Strange Land - Leon Russell 
Stack-A-Lee - Dr. John 
I Found A Love – Lonnie Mack 
Blue Eyes Crying In The Rain - Willie Nelson 
Too Sick To Pray - Phosphorescent 
Mississippi You’re On My Mind - Jerry Jeff Walker 
Montgomery - Magnolia Electric Co. 
Knockando - Michael Hurley 
Border Lord - Kris Kristofferson 
Don’t You Take It Too Bad - Townes Van Zandt 
I Came To Hear The Music - Mickey Newbury

Archivalesque #1 :: Blue Eyes Crying In The Rain

"Susan Rice examines U.S. foreign policy strategy with The Post's David Ignatius," read the title of a 2016 Washington Post Live conversation. "Key player in war on climate change? The Pentagon," CNN insisted in 2020. "Democrats Need To Learn How To Get Excited About the Center-Left," The Messenger proclaimed in 2023. 

These posts were all facilitated, sponsored, or authored by a member of a Democratic-aligned, corporate U.S. think tank. Whether the Center for American Progress, Center for a New American Security, Center for Strategic and International Studies, or any other Washington, DC-based "Center" with a capital C, center-right to center-left think tanks are ubiquitous in major American media and in Democratic policymaking.

This might seem unremarkable, even beneficial. Think tanks, after all, purport to be empirical institutions, designed to craft research-based policy proposals. But, given the prevalence of corporate funding in the DC think-tank world, these claims of neutrality contradict the anti-labor and anti-regulation records of major US think tanks, as well as their function as de facto corporate lobbying groups.

On this episode, Part II of our two-part series on the relationship between political party officials, media, and the corporate laundering machine, we examine the revolving door between Democratic administrations and corporate and despot-funded think tanks, looking at how those institutions effectively serve as a stomping grounds of business industry influence on everything from climate to labor, healthcare to infrastructure.

Our guest is The Intercept's Akela Lacy.

Ideological Shaping of the Possible Part II: How Corporate Thinktanks Serve as Influence Laundromats

As more and more states turn to casinos and lotteries to ‘fill the gap” in 'falling' state budgets, the predatory and regressive nature of gambling as an alternative to increasing taxes on the rich avoids nearly any media scrutiny among centrists and liberals. Even the Left has mostly ignored the issue––ceding criticism of our most regressive tax to the Christian Right, who largely oppose gambling for all the wrong reasons. 

In this episode, we explore how lotteries and casinos have come to represent the last throes of the false neoliberal promise of "jobs” and “growth.” Throughout much of the United States, specifically the Rust Belt and Midwest, casinos and prisons are increasingly the only growth industries, entrenching the shift from an industrial economy that (albeit with certain downsides) actually built things to one that exclusively preys on the poor and desperate in a never-ending race to the bottom. Beyond the glitz and easy “tax revenue” lies a massive transfer of wealth from the poor, black and elderly to the super wealthy - achieved, slowly over decades, with zero sustained criticism from the media. 

We are joined by two guests: John Balzarini, Assistant Professor of Sociology & Criminal Justice at Delaware State University, and Les Bernal, National Director of Stop Predatory Gambling.

Episode 63: Gambling and Neoliberal Rot - How Our Most Regressive Tax Flies Under the Radar

Citations Needed is a podcast about the media, power, PR, and the history of bullshit. It is hosted by Nima Shirazi and Adam Johnson, and produced by Florence Barrau-Adams.

Episode 63: Gambling and Neoliberal Rot - How Our Most Regressive Tax Flies Under the Radar

Citations Needed Podcast

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