it's a bad faith false premise... you would have to hold the "human shields" as human which no imperial power has ever done.

Citaitons Needed Marathon I need to do

2024 is off to a great start.  New Epstein documents drop, Mike Flynn tweets that #PizzagateIsReal, and kraft retailer Etsy is being accused of selling ‘bespoke children’ on their marketplace.  It’s a throwback QAA-style ep where Julian, Jake, and Travis begin to unravel at the realization that they’re about to relive 2016 for the seventh year in a row.  Is Etsy really engaged in human trafficking?  Is Pizzagate actually real?  Are there still unanswered questions about the Epstein scandal?  No, no, and yes.  

Subscribe for $5 a month to get an extra episode of QAA every week + access to our archive of premium episodes and ongoing series like PERVERTS, Manclan, Trickle Down and The Spectral Voyager: https://www.patreon.com/QAA

Music by Pontus Berghe. Editing by Corey Klotz.

https://qanonanonymous.com

Episode 262:  Etsy, Pizzagate, Epstein

In this News Brief, "Quantifying the Media's Selective Humanity in Gaza," we are joined by Adam's anonymous co-author of their two recent studies—one of print media and one of cable news—detailing US's media's double standards when covering the 'Gaza conflict.'

News Brief: Quantifying the Media's Selective Humanity in Gaza

This week we're joined by writer Lily Lynch (@lilyslynch) to talk about the end of humanitarianism, how and why the liberal international order was established in the 90s, and how the realists were right about Ukraine.

You can find her writing here: https://www.newstatesman.com/author/lilylynch and here: https://newleftreview.org/sidecar/search?query%5Bauthor%5D=Lily+Lynch

You can support us on Patreon here: www.patreon.com/trillbillyworkersparty

Episode 327: Hague Invasion Pact (w/ special guest Lily Lynch)

"Join Wall Street. Save the world," The Washington Post urged in 2013. "How to Know Your Donations Are Doing the Most Good," The New York Times proclaimed in 2015. "I give 10 percent of my income to charity. You should, too," Vox advised last November.

Each of these headlines tops a piece that extols the virtues of Effective Altruism, a philanthropic philosophy, for lack of a better term, ostensibly dedicated to the pursuit of the best ways to address large-scale, global ills like pandemics and factory farming, informed by “evidence and reason.” The school of thought, popularized by figures like the academic and author Peter Singer and disgraced FTX founder Sam Bankman-Fried, has been widely embraced – or at least uncritically boosted – in mainline media for years.

Superficially, this makes sense. Effective Altruism seems unimpeachably virtuous: It’s great if people want to solve the world’s problems, and so much the better if they’ve done their research. But beneath this surface lies a deeply reactionary movement, predicated on an age-old desire to characterize the wealthy as the solution to, rather than the cause of, the very problems they purport to want to solve.

On this episode, we parse the rise, motives, and influence of Effective Altruism. We look at how the doctrine gamifies wealth distribution, falsely portrays the rich as uniquely qualified to make decisions about public welfare, often provides cover for eugenics and racism, and masquerades as a groundbreaking ethos of data-driven compassion while it merely regurgitates a 100-year-old rich person ideology of supposedly benevolent control over the masses.

Our guest is Dr. Linsey McGoey.

Ep 196: Benevolent Billionaire Despotism and US Media's Softball Treatment of 'Effective Altruism'

"Viet Cong Use Children as Human Shields," the Associated Press alleged in 1967. "'Civilian casualty?" That's a gray area," Alan Dershowitz argued in The Los Angeles Times in 2006. "We can’t ignore the truth that Hamas uses human shields,”"Jason Willick wrote in The Washington Post in 2023.

For more than five decades, military forces with overwhelming firepower, including the U.S., Israel, and others have accused enemy combatants of using “human shields.” According to these allegations, militant resistance throughout the world, from the Vietnamese National Liberation Front to Palestinian militants, herd civilians in front of them, or hide in hospitals, religious institutions, and other public places, in order to evade attacks. In turn, they force the enemy to “risk” killing civilians, and they themselves bear responsibility for those who are killed.

But rarely, if ever, have these accusations been true. Indeed, the term “human shields,” despite having a clear legal definition, has become a catch-all for militias or insurgency groups that merely operate among a civilian population, functioning as a convenient pretext for invading, occupying and colonial forces to kill civilians, and reinforcing racist conceptions about besieged populations. So why, and how, do media provide cover for governments that lie about and instrumentalize supposed “human shielding”?

On this episode, we dissect the decades-old “human shields” accusation, examining how it dehumanizes and militarizes people living under occupation and invasions, demonizes resistance movements, and sanitizes civilian-killing aggressors as reluctant actors who "simply had no choice."

Our guests are Neve Gordon and Nicola Perugini.

Episode 197: The "Human Shields" Canard as Catch-All Colonial Absolution

We’re joined by Josh Bloch and David Safran to talk about the disappearance of Daniel Yuen from CEDU 20 years ago today — and the many narratives spun by officials over the decades.

Listen to The Lost Kids podcast: www.usgaudio.com/podcast/lost-kids

Suspect No. 1: Inside Daniel Yuen's Missing Person Case: lamag.com/news/daniel-yuen-cedu-missing-person-san-bernardino

Are Police Stifling the Investigation Into 3 Teens Who Vanished From a Controversial Residential Treatment Facility? lamag.com/news/cedu-running-springs-san-bernadino-sheriffs-department-daniel-yuen-john-inman-blake-pursley

Contact the San Bernardino Sheriff's Department: paffairs@sbcsd.org 

Listen to TrueAnon's series The Game: https://www.patreon.com/collection/520?view=expanded

Episode 352: CEDU Country

We open this week with a tale as old as time: about a man and his unusual proclivities getting him into trouble. Then we switch gears a bit to talk about this week's USA-sponsored atrocities in Palestine

Support us on PATREON: www.patreon.com/trillbillyworkersparty

Episode 330: Wood-Sprite's Tenure

In this News Brief we are joined by friend of the show, Maximillian Alvarez of The Real News, to discuss Democrats' pathetic, myopic, and nihilistic attempt to play the racist reverse Uno card on Congressional Republicans.

News Brief: How US Media Obscures the Violence of the Generic, Sterile-Sounding "Border Deal"

On this News Brief, we are joined by Jesse Rabinowitz of the National Homelessness Law Center to discuss the upcoming Johnson v. Grants Pass case, which will be heard by the Supreme Court of the United States on April 22nd 2024. This is the most significant case about the rights of homeless people in decades, determining whether cities can make it a crime to be homeless, to sleep outside, even when there is no safe shelter available to them. We discuss the boarder media narratives that got us to this cruel, irrational point.

News Brief: Media, Billionaires' Attacks on Homeless People May Pay Off Big at Supreme Court

“Teachers Unions: Still a Huge Obstacle to Reform.” “Countering Iran’s Menacing Persian Gulf Navy.” “Open Everything: The time to end pandemic restrictions is now.” “The Good Republicans’ Last Stand”

Each of these headlines comes from the same magazine: The Atlantic. For 167 years, the publication has enjoyed elite stature in the American literary and journalistic worlds, publishing such luminaries as Ralph Waldo Emerson and Barack Obama, and serving as a coveted professional destination for writers throughout the country. Founded by a number of esteemed 19th century authors, the magazine has long prided itself on its cultural and political depth.

But beneath all of its high-minded rhetoric about democracy, free expression, fearlessness, and American ideals is a vehicle of center-right pablum, designed to launder reactionary opinions for a liberal-leaning audience. As the employer of warmongers like Jeffrey Goldberg, Anne Applebaum, and David Frum, under the ownership of a Silicon Valley-tied investment firm hellbent on destroying teachers’ unions, The Atlantic, time and time again, proves a far cry from the truth-pursuing, consensus-disrupting outlet it claims to be.

On this episode, we dive into the history and ideology of The Atlantic, examining the currents of middlebrow conservatism, left-punching, and deference to boring business owners that have run through the magazine throughout its nearly 17 decades of operation.

Our guest is Jon Schwarz.

Episode 198: How The Atlantic Magazine Helps Sell Austerity and War to Middlebrow Liberals

"Ex-officer Amber Guyger testifies in wrong-apartment murder trial: 'I was scared to death,'" a " story reported in 2019. "Starbucks Files Complaints with Labor Board, Accuses Union Organizers of Bullying and Harassment," reported Food & Wine Magazine in April 2022. "Labour MPs fear for safety as pro-Palestine protesters target offices," The Guardian warned in November 2023

Within the last decade, we’ve seen the rise of a phenomenon we’ll refer to as “elite crybullying," in which people in power engage in political manipulation in order to portray themselves as victims. Routinely, we hear that armed American police fear for their safety around unarmed civilians, lawmakers feel for the their safety after there's a sit in protest and corporate executives are being unfairly intimated by union organizers. 

It's a sleazy, manipulative tactic that not only flattens, but flips, power dynamics. By claiming to have been bullied or traumatized by those who oppose them, wealthy and influential figures suddenly transform themselves from victimizers into victims. Meanwhile, by this same perverse logic, they characterize their actual victims–be they organizing workers and peace activists, who merely seek to stand up for themselves, or people killed by military and police violence – as victimizers.

On this episode, we explore the rise of ruling-class crybullyism, how elites increasingly traffic in the language of anti-bullying and therapy-speak to indemnify themselves from criticism, examine how cynical distortions of power relations recast the upholders of colonialism, labor abuses, and police violence as the oppressed, and the people who dare to object as the oppressors, all in an effort to silence dissent from the justifiably angry masses. 

Our guests are Mari Cohen and Saree Makdisi.

Episode 199: The Golden Age of Crybullyism

“Obama lauds small business owners in his State of the Union,” announced The Washington Post. “I have always said that there is nothing more optimistic – perhaps maybe getting married – than starting a small business,” Speaker Nancy Pelosi tells us. “John Kerry would raise taxes on 900,000 small businesses,” insisted a reelection ad for George W. Bush.

Everywhere we turn we are centering the needs of and reminded of the glowing status of the “small business.” They are the bipartisan holiest of holies in our economy – the scrappy little guy that also props up the moral pillars of capitalism – evidence that with a little elbow grease and knowhow anyone can build a business in their image. Small businesses are one of two major vehicles for COVID-19 relief – a wholly uncontroversial good that both parties, all ideologies, everyone!, can agree are worth protecting and prioritizing. 

But what do pundits and politicians mean exactly when they say “small business”? How does our romantic vision of “small business” match up with reality, and how is their plight used as a messaging vanguard to strip away environmental and labor regulations, tort protections, taxes and a host of safeguards against corporate greed?

The rhetoric forces the evocation of a wholesome image of a Mom-and-Pop candy store in Appleton, Wisconsin, in order to push for laws that will ultimately benefit hedge funds, Dupont and Koch Industries, and a murderers row of polluters and worker abusers.

Our guests are Public Citizen's Lisa Gilbert and Street Fight Radio's Bryan Quinby.

Episode 111: How “Small Business” Rhetoric Is Used to Protect Corporate America

The United States and its close allies Saudi Arabia and Israel have been bombing and occupying large sections of the so-called “Muslim world” for decades – drastically ramping up after the 9/11 attacks and seemingly with no end in sight. The U.S., like all empires, cannot operate a large, complex system premised on violence, meddling and subjugation without a moral pretext. This moral pretext, even before 9/11, was primarily about fighting a war on so-called “Terrorism” or “Islamic extremism” while allegedly promoting “stability,” “freedom” and “democracy.”

Along with American news media’s constant fear-mongering over scary Muslims lurking in the shadows, a major pillar propping up this moral pretext is pop culture – namely the cultural products coming out of Hollywood. Our decades-long "War on Terror" would no doubt be much more difficult to sustain without a constant reminder from TV and film that, despite the fact that the average American is more likely to be killed by a vending machine than a terrorist attack, the threat of Islamic terrorism remains ever-present and existential, marked by an inevitable “clash of civilizations” devoid of context or any notion that the U.S. is a primary driver of violence across the globe.

Over the course of three episodes, we'll be taking a look at how Hollywood’s television and studio film output helps prop up America’s military aggression in the Middle East, engages in both casual and explicit racism, strips conflicts of any historical or imperial context pushes the idea the only Good Muslim is a snitch or CIA agent, and generally leaves its audience angry and ill-informed. 

In this episode, we review Hollywood’s long history of anti-Muslim racism in both classic and campy action/adventure films and TV and how it both primed us for – and sustains – the never-ending and self-perpetuating "War on Terror."

Episode 113: Hollywood & Anti-Muslim Racism (Part 1) - Action and Adventure Schlock

Our cultural context for understanding what we see on the news and hear in our politics, is often informed by the films and TV shows we’ve grown up watching. Pop culture is powerful and persuasive, and — for a century now — racist, Orientalist and cartoonish portrayals of Arabs and Muslims have littered our screens, big and small. This is the second episode in our three-part Citations Needed series on anti-Muslim racism in Hollywood. On Part I, we discussed big budget action and adventure films like Delta Force, American Sniper and True Lies, where Muslims get blown away at every turn.

But not every movie and TV show is quite so overt in its vilification of the designated enemy. Since the release of these movies, the state curated narrative in film has diversified, broadening to include savvier Oscar-bait productions in which anti-Muslim racism is dressed up in elaborate plot structures and supposedly nuance "debates".

Films like Argo, Syriana, and Zero Dark Thirty are lauded for their ostensible complexity, subtlety, and nuance, such as their willingness to suggest that government agencies like the CIA are bloated and bureaucratic. Instead of scenes with a tough action hero bodyslamming or mowing down teeming hordes of Muslim terrorists, these films are part of a smarter genre of jingoistic action film — the prestige thriller — featuring flawed protagonists, some meta comedy, and women CIA agents excelling in a historically male-dominated field of coups and torture. 

But ultimately, they project the same tired nationalism and ideology reinforcement just in a sleeker, more modern form. On this episode, we’ll examine how anti-Muslim and anti-Arab propaganda is disseminated through the contemporary prestige thriller genre.

We're joined by historian, artist and author Maytha Alhassen.

Episode 114: Anti-Muslim Racism in Hollywood (Part II) - Oscar-Bait Imperialism

For over a hundred years, the American film industry has been promoting and glorifying U.S. foreign policy, initially working with the military and Department of Defense, and eventually, the CIA as well. From its origins as a producer of wartime propaganda like 1911’s The Military Air-Scout to its contemporary role as purveyor of high-tech action epics like Iron Man, Hollywood and the American war machine reinforce each other — myth and politics intertwine.

In the process, the entertainment industry has reaped handsome rewards. Producers, directors, and other top brass in the entertainment industry are lavished with military equipment for filming, personal tours of government headquarters, and inside information — or at least what government officials want filmmakers to believe is inside information — all under the guise of lending “authenticity” and “realism” to film and, to an extent, television shows as well.

But what are the costs of this so-called “authenticity?” How do the U.S. military and intelligence agencies use benign-sounding partnerships like “on-set consulting” and “equipment loaning” arrangements to shape and censor narratives so they make American Empire look, at worst bumbling and good natured, and, at best, heroic and pure hearted?

In Parts I and II of this three-part series on Hollywood and anti-Muslim racism, we analyzed over half a dozen films and TV shows, illustrating how state-driven narratives of U.S. nationalism and vilification of an official enemies animate Hollywood’s cultural products, namely those targeting Arabs and Iranians. On this episode, we’ll explore the intersection of U.S. military and intelligence agencies with Hollywood, taking a closer look at how the military state helps shape films and television showing that pro-U.S. messaging used to smear Muslims doesn’t happen in a vacuum, but is often subsidized by the very forces dropping bombs on them.

Our guest is Professor Matthew Alford, co-author of National Security Cinema: The Shocking New Evidence of Government Control in Hollywood.

Ep 115: Hollywood & Anti-Muslim Racism Part III - How the Pentagon & CIA Sponsor American Mythmaking

By now, it's largely taken for granted that country music is a racialized signifier, interchangeable with right-wing politics. And it’s not such an unreasonable generalization: the political currents of twanged and drawled patriotic paeans like Lee Greenwood's "God Bless the USA," Toby Keith's "Courtesy of the Red, White, and Blue (The Angry American)," and Brooks & Dunn's "Only In America" leave little to the imagination.

But how, exactly, did this come to be? After all, country music, a descendant of the blues, folk, Tejano, and other genres, with connections to labor organizations like the Industrial Workers of the World and social-justice movements, has historically attracted musicians spanning the political spectrum, and didn’t necessarily emerge from such a staunchly right-wing political tradition.

Rather, popular conceptions of country music have long been deliberately shaped by a series of broader ideological projects. Throughout the 20th and early 21st centuries, conservative politicians and other right-wing forces have exploited the genre to promote illiberalism, racism, revanchist politics, and runaway anti-intellectualism where not giving a shit about the world beyond one’s own cold beer, pickup truck, old lady is not only acceptable, but actively encouraged and flaunted. 

On this episode, we examine how the genre of country music has been wielded as a tool of reactionary politicking in the US, from the machinations of Henry Ford in the 1920s to the Nixon administration’s Southern Strategy in the 1960s and ‘70s to the heady Shock and Y’all days of the Bush years, and how a once working-class tradition became a cultural cul de sac of worn-out tropes and middle-class, white grievance politics.  

Our guest is writer, editor and artist Alexander Billet.

Episode 119: How the Right Shaped Pop Country Music

Citations Needed is a podcast about the media, power, PR, and the history of bullshit. It is hosted by Nima Shirazi and Adam Johnson, and produced by Florence Barrau-Adams.

Episode 197: The "Human Shields" Canard as Catch-All Colonial Absolution

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