all really smooth and easy to listen to ....good work

Nice spacious feel with micro-melodies tastefully peppered throughout.

This piano work aims to reflect the sensations and emotions experienced on a short trip to Lisbon. The narrow and steep streets, trams, viewpoints and bridges of this city inspired me to create this piece of music.

This marvelous photograph was taken by Lisa Fotios and belongs to his Pexels book.

As I Write These Lines

All my setting suns

Got wild with this for a few days till i could barely straighten my body out haha! I guess that's the zone we all crave:)

Above Snakes

Embrace Me

Lyrics: @user-264930040 (poet Peter)
Piano and composition for piano: Debra Buesking https://soundcloud.com/debra_buesking
Vocals, and vocal composition : Oddrun Eikli
Trumpet, studiowork and mix: Arne Hiorth


Debbies`s words about the piano composition:
"This piano composition takes its cues from Beethoven's Bagatelle "Für Elise". It seemed a bit of fun to give Beethoven's famous piece a new twist and so we have."

Thank you to my dear Debbie, Arne, and Peter, for this marvelous and joyful experience of working together. It brings so much JOY:)

An Autumn Pastorale

The year’s getting late, now summer’s sleeping
I contemplate how autumn’s creeping in.
Berries shining for the birds
As they harmonise each others’ words In a chorus like the angels heard.

The year’s getting late, for carefree living

Lazy times, with honest give and take.
Simple joys like baby smiles
And climbing hills to see for miles
The evening star switching on…year’s getting late

The year’s getting late, memories clinging
Better times, that sweet hope’s bringing in
The last of this year’s butterflies
Mother nature’s neat surprise

Can’t those days come back please? … year’s getting late.

Autumn Pastorale. Debra B. Oddrun E. Poet Peter. Arne H.

'Shadows In Fallen Clouds' Chemtrails are covering our skies worldwide daily. These chemtrails contain a mixture of chemicals and heavy metals. Most of the worlds population appear to think that these chemtrails are clouds or contrails and some are even oblivious to their very existence. However I am not and am well aware that what is being sprayed artificially in the upper atmosphere, won't stay there for long and will soon succumb to gravity. So then these chemtrails start to fall to earth, with their pollutant toxins. We are then breathing these in and eating the food produced from the contaminated ground and drinking the water. 
My track then 'Shadows In Fallen Clouds' is my protest to this assault on the earth and every living thing on it.
Alan

CON-FUSION

Shadows In Fallen Clouds

DRUMAX No. 70 // AUTUMNAL // Warm Colours in the Air ...
@joerxworx // Composition, Instruments, Arrangement, Tenor Saxophone, Mix
@docfritz // Rhythm Design, Awesome Drums & Percussion, Tracktitel & Cover
© 2025 | DRUMAX PROJECT | All Rights Reserved

DRUMAX // AUTUMNAL

This is a re-upload of a track that was recorded a few years ago.  It was originally recorded in 2023, and it consists of 3 different segments of sitar and drum jams spliced together with subsequent sitar and bass tracks added after.  Drums were played by Mick Mack, sitar and bass by Gremescer Fuckburger.  I generally like the way it turned out, but I always wished I had tuned the sitar better before recording.  I have edited this track a bit to fix some of the tuning issues, but there is only so much I can do.  Either way, I hope you enjoy.

Orchid (Remastered)

Dug out my old Monomachine and used it for drums as a foundation to my newly bought Novation A-station (first melody and low strings in this track). Early VA is soo satisfying. Noisy digital stuff makes my brain melt, in a good way. Also featured is the pretty sweet Micro Q, doing some long release background notes drenched in its own effects. Effects from Micro Q, Waves and Valhalla. As always, all tracks recorded thru the small neat RNLA 7239. Enjoy.

Digital Bliss Station

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Vice

perpetual pain

I live in a forest.This is the music that comes to me over the tree tops.

All my setting suns

Cities and Shapes

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