Great, can't wait to hear where this leads to, it's intriguing and full of wonder. Thanks! Is the entire song available somewhere?

In this episode you will get covered up with a cozy ambient blanket created by @izlane_svsn. originally from Kazan, Russia, she currently lives in Morocco and curating on VIV Radio: avivmedia.com.
links: https://linktr.ee/izlane

Tracklist:
01. 00:00 Qeight - Faces In The Crowd (ft. Jacob Shaulin) [Plexus Music] 
02. 03:52 Der Waldläufer - Magu [Ambiosoul] 
03. 06:16 Chronos - Deimos [Altar Records] 
04. 15:18 Qeight & Eguana - Edge To Edge [Plexus Music] 
05. 21:54 Sonic Scope - Slow Sleep [Avatar Records] 
06. 25:35 State Azure - Codex [Self-Released] 
07. 32:38 Martin Nonstatic - Into The Mist [Self-Released] 
08. 39:00 Eguana - Singing Universe [Cosmicleaf Records] 
09. 48:36 Germind - Ambient Wave 3 [Cosmicleaf Records] 
10. 53:00 Astropilot & Astronaut Ape - Ad Astra (Aksemetrix Remix) [AstroPilot Music] 
11. 56:54 DATURA - there's no escape from reality (Outro) [Self-Released]

Immersive love - Guest Mix 003 (IzLane)

O2N - Sunrise

Purchase link: o2nbm.bandcamp.com/track/sunrise
Donate (PayPal): solavirum0.7@gmail.com
Instagram: www.instagram.com/o2nbm/
Youtube: www.youtube.com/c/UC9Kiuc3YA50hLSinJ_Oe39g

©Full rights to this track belong to me

When I'm Gone, Will You Remember Me?

O2N - Sunrise

color

Atlantea Records is proud to present their next compilation in the ambient series featuring:

@renzozong 
@wasim-cosmic
@soular-child
@adhemarmusic
@unaporte10
@sebbykowalmusic
@logic-moon
@giadarmusic
@anthony-asher-yates
@postapocalypticsociety
@drcrowipresume
@macheteoxidado
@atmosphare
@hymns57

Available on all platforms and digipack CD via Bandcamp 💿

https://atlantearecords.bandcamp.com/album/ambient-ii

Ambient II

Various Artists - Ambient II [AR004] preview

https://birdsofpassage.bandcamp.com/track/between-the-hours

Between the Hours

1. LOW - HIGH

"While being in the midst of transition, it is almost impossible to recognize that transition itself"

First of all, please listen to the entire piece. It's 35 minutes of unremarkable sound that goes on and on. You will probably find some repose there, or perhaps you will subconsciously listen to this sound as you do your housework or desk job. But many of you probably didn't notice a certain change in the sound that took place during those 35 minutes.

After listening to the beginning for a bit, I want you to skip ahead and listen to the last five minutes or so. You will realize for the first time that the sound you have just listened to has actually changed over time without you knowing it.

What I wanted to emphasize here is that "Only by setting a certain starting point and an ending point can we clearly recognize the transition of time itself". Although concepts of time and seasons such as "Morning" and "Winter" exist, they are merely concepts that humans have assigned to themselves for the convenience of their lives, and they are endpoints from the perspective of counter-conceptual starting point such as "Night" and "Autumn". For example, when we look at images taken 30 years ago, we can clearly recognize that time has definitely passed. It is precisely because there is a starting point of "30 years ago" and an ending point of "Today" that we can recognize the passage of time itself. And there should not be many opportunities to recognize this clearly.

In these 35 minutes, you will realize once again "We are actually living under various conditions that are constantly and gradually changing". At the same time, I would like to present the importance of questioning various things that are now taken for granted.

Produced by Hidekazu Imashige
Cover Art by Hidekazu Imashige

Transition 1

https://soundcloud.com/treestoryrecords
http://onurkorkmaz.deviantart.com/

Beatport

S.Bluyer - When Time is Infinite

artist: Darkroom
title: Water like mbira
catalog: eR014
release date: 27/01/2023

release type: album
series: eRecords digital series
playing speed: 33 1/3 rpm

Written and produced by Darkroom
Mastered by James Edward Armstrong
Photos by Michael Bearpark, Rob Blackham
Art and design by Harry Towell

Special thanks: Ulrich Schnauss & Nathaniel Cramp (Sonic Cathedral); that secret South Devon summer stream; Elif Yalvaç for her song on the Galata bridge; Colin Edwin; our supportive audience; Philip Larkin

whitelabrecs.com/erecord-series/

eRecords are a series of digital editions which aim to transform the digital format into something that can be experienced in a similar way to a listener’s interaction with a real, whitelabel vinyl record. Each edition includes a special PDF scrapbook including polaroids and liner notes and you will only be able to find out more about the themes and ideas about each record, once you’ve downloaded them.

Water like mbira

eR014 Darkroom - Water like mbira (Excerpt)

I believe that music is present in every moment, in every scene. We can feel music relatively easily when those scenes are easy to understand and impressive, of course, but when they are not, for example, I think this is especially true in situations that are too mundane, too ordinary, or seemingly unrelated to music.

I can never hear it, but I think I hear it. Only after it has taken shape as a piece of music do I feel that this is how it must have sounded at the time. And the question of whether it was right or not will never be answered. But by questioning things that are becoming just a shell and looking at things from a different angle, we can gain a new perspective.

Questions always come up and I try to answer them somehow, but they always elude me. So by continuing to create my work, I manage to find my own answers to different questions at different times.

In this day and age, when all that is valued is how easy, quick and simple it is to get answers, it would be nice to have a few more people who are willing to face questions that will never be answered.

Produced by Hidekazu Imashige
Cover Art by Hidekazu Imashige

Angle of Light

The Mesh of Light

Horizon

#CinematicAmbience
#CinematicSound
#DeepListening
#MusicalLandscapes
#Atmospheric
#EmotionalMusic
#Soundtrack

S.Bluyer - (aka Ratix)producer  from Russia (Saratov city), living in Moldova. Real name - Kate. Her immersion in the world of writing music began in 2004 and continues to this day. Near her main style - trance was added slowly ambient, chill out and in summer of 2011 it appears as "alter ego", Melancholic, electronica, emotional atmosphere of her tracks makes you wonder off from the world creating a fine line to another reality. She plays sets exclusive only with her tracks.
Past event:
1.03.2025 ELECTRIC SPRING 2025, Chisinau Arena
20.06.2023 Moldova, Chisinau  -> Kino Pleme @ Zpațiu - Live Soundtrack 70 w/h Bincovski, SBluyer, Azurium, Transink
03.07.2021 Moldova, Micauti -> SOLAR w/ Hipp [RO] & more, Parcul Verde eco-camp
13.01.2020 Moldova, Chisinau  -> Experimental Charm at Casa Dacă
1.03.2019     Molodva, Chisinau BandaBaR->  Spring by Giegling x Sod x Solar
02.01.2016 Moldova, Chisinau, Kira's club, Olandeep OC#2
31.10.2015 Moldova, Chisina, Tiraspol -> SOUNDCZECH: Aid Kid, Ventolin,
22.11.2013 -> Art-Labyrinth sound of Olandeep,
Muzeul Zemstvei
21.06 -23.06.2013 -> Art-Labyrinth Summer Festival 
31.12.2011 -> New Year 2012, Flash Festival (Giuseppe ottaviani)
Patria Multiplex
S.Bluyer 8.08.11
Supported by Robert Miles in his mix Hypnotronik 015 (my track starts at 34:35)> https://openlab.fm/radio/shows/hypnotronik

S.Bluyer - When Time is Infinite

S.Bluyer

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