Copy of Live from the Adriatic 2024: Fantastic Man b2b Tornado Wallace

if you prefer the video version is here:
https://www.youtube.com/watch?v=H9NH84vb5As

Paula Tape The Lot NYC (recorded FEB2024)

"Since I was a little boy, music has been part of my life. The first contact I remember is with Jem and the Holograms."

Originally from Buenos Aires and now living the dream in Berlin and London, I've spent the last fifteen years mastering the art of DJing. My love for 90s dance music passed down from my mom and grandma, got me hooked on vinyl and dance beats from a young age. My record collection became my most valuable possession and has followed me loyally everywhere I go.

Lately, I've been busy in the studio, working on new music. My first track was released last July, and I'm excitedly cooking up Tremendo Recordings, my new record label, which will spotlight some gems from the past, with its first release coming out in September.  

As co-founder and booker of Hypersoft, a Berlin-based queer collective and club night, I'm all about creating inclusive dance spaces and giving fresh and seasoned DJs a stage, all while backing Queer, FLINTA+, and humanitarian causes. A very good friend ( and probably my N°1 fan) once described my DJ style as "a wild mix of 90s progressive house and trance, spiced with crazy Acid House, analogue synth, and Belgian new beat vibes, with a dash of psychedelic space techno." And I couldn't agree more with my friend's words.

Sound Metaphors Mix Series 27 : DJ Teeth

Move D @ Freerotation 2024

Jexy is back in the mix with some summery tunes for your patio, pre party or whateveh!

Tracklist: https://goodtiminrecords.com/portfolio/mustve-been-music-ii/

Must've Been Music II

Raised in Shibuya, Tokyo and now calling Naarm/Melbourne home for the past year, Kamome cut his teeth playing adventurous extended sets as part of the Tokyo based Vinyl Youth DJ collective, with close mentorship from local legends KEITA SANO and Yamarchy from the notorious Shibuya small club, Mitsuki. 

Kamome brings his unique and playful musical stylings to the table for the latest episode with a mix as deep and immersive as it is quirky and acid-groovy, primed for late night smoky dancefloor indulgence!   

@kamome-8787

Q. What inspiration did you draw upon when putting this mix together? Is there a sound, feeling, time or place that connects all the different elements in one way or another?

A. The inspiration for this mix comes from my upcoming one year of being in Australia, and I created it with the hope that the local people will get to know me. As a Japanese person, this mix is largely composed with sounds from the Japanese community and those of my seniors and friends.

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these tracks that resonate with you so much?

A. All the tracks in this mix by Chida, Keigo Okazaki, Daichi, Yamarchy, ifax!, Dj Himitsu, and KEITA SANO are important to me, but the one that stands out the most is the debut track "Got to be real" by DAICHI & Yamarchy, which will be released at the end of August. This edit seems to be a re-edit of a past track from the label Clue-L, run by Kenji Takimi.

Q. I know you’ve featured some incredible unreleased Japanese records in this mix! What Japanese artists/labels are responsible for some of your favourite sounds of late, and who should we be watching out for?

A. An artist I'm keeping an eye on is DAICHI, a member of my collective "Vinyl Youth." His recent release from MM Disco, based in Berlin and Barcelona, is still fresh in my memory, and I can't wait for what's next !

An artist to watch is KEITA SANO, and although not Japanese, Lunatic Music, based here in Melbourne, is also noteworthy. Keita is like an older brother to me :) and he releases works in a unique style at an incredible pace. (He has released five works this year alone.) 

Bart and Jack, who run Lunatic Music, have been invaluable friends since I came to Melbourne. Their label features Japanese artists, and all their releases are excellent. Be sure to check them out!

MDC.298 Kamome

Recent Mix for the one and only NTS Radio.
https://tinyurl.com/4e9xh6br

Banana Man - Heads of Babylon 
Creushal Substance & Papa San - No Ordinary Love
Global Village - Sama Doom Jangal
Guy Contact And Solar Suite - Forthcoming
Peter Crushing - No White Peaks (Ravers Anthem)
Verde Sative - Positive Cult (Summer Skies Mix)
COAX -  Cum (Chant Mix)
God Within - Daylight (Dreamerdreamsalone)
Jerome Isma-Ae - Flu Bassoon
Needle - I.J.O (Synergy Mix)

NTS Radio August 8th 2024

We’re excited to share a mix from our longtime friend and exceptional producer and DJ, Johannes Paluka, better known as Iron Curtis. A staple in Berlin's and Germany's underground music scene for over 15 years, Iron Curtis has released tracks on labels such as Office Recordings, Smallville, Mule, Tamed Musiq, Mirau, and Frank Music. His studio work is incredibly versatile, ranging from soulful house to acid techno and electro. Iron Curtis’ productions are known for their impeccable sound design and deep, heartfelt energy.
This mix from Iron Curtis is house music at its finest—an ideal soundtrack for hot summer days. From classic and vocal to soulful and deep house, Iron Curtis creates a smooth, groovy, and uplifting atmosphere. 


https://soundcloud.com/iron-curtis
https://www.instagram.com/ironcurtismusic/
https://ironcurtismusic.bandcamp.com


Follow us on social media:
https://soundcloud.com/itsdelayed
https://linktr.ee/delayed
https://www.itsdelayed.com
https://www.facebook.com/itsdelayed
https://www.instagram.com/_____delayed
https://www.youtube.com/@_____delayed

Delayed with... Iron Curtis

Introducing the 9FINITY mix series, launching with label head Secretsundaze for the first outing.

This mix was recorded live at The Cause 6th Birthday Party back in May 2024. It’s the first half of a 2.5 hour set, opening The Warehouse before handing over to Young Marco and then Courtesy closing.

Didn’t know they’d set record for this but turned out nice - proggy / techy builders all the way. We’ll share Part 2 later on and keep your eyes peeled for regular contributions here from 9FINITY friends and fam.

A Beyond Mix Vol. 1: Secretsundaze

Part of the NTS family since day dot, Moxie has held her Wednesday show since the stations first broadcasts. Inviting esteemed guests for interviews & mixes and breaking new, unreleased music, she’s got your Wednesday afternoons covered... Tune in to hear anything from Soulful House, Garage, Afro beats and all the way through to rolling techno. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/moxie/episodes/moxie-14th-august-2024

MOXIE w/ Heels & Souls and Lyric Hood 140824

2024-06-21 Live At Paloma Invites (Estimulo)

London’s Customs duo are connoisseurs of finely crafted garage music, two life long devotees to the sound’s deeply swung rhythms and unifying dancefloor vibrations.

Finessing their take on all things garage (not garage) through their regular spots on Kiosk Radio and at London's Giant Steps, the guys join us with a swinging smorgasbord of 90s and early 00s records from the UK, dabbling in top notch garage and some of the sounds that anticipated broken beat and early grime productions. 

@customs_ldn

Q. What inspiration did you draw upon when combining for this mix, and what kind of setting might you imagine it being enjoyed in the most?

Guy: 

Firstly, thank you Myles so much for sharing this mix. Longtime fans of MDC! Both of us answered “driving” as the best setting, which is funny since neither of us drives. So maybe “riding” rather than driving. Lots of thoughts percolated for me on night drives to inner city Manchester a few months back. Definitely inspired by the All Bad Boy & All Good Girl archive work of Death Is Not The End, resurfacing the sound of Moss Side blues parties like Soul Control. Reading Ed Gillett’s new-ish book Party Lines also gave a push further into alternate UK dance histories, specifically Black club scenes and music that ‘swings’.

Tom: 

I’ve been bingeing on a bunch of old club recordings from the ‘speed garage’ era lately - sets from places like Club Koo and The Colosseum - and I think some of the energy from that early blend of UK and US sounds has definitely bubbled over into this mix.

Q. With the mix showcasing your shared appreciation for deep garage music and its many adjacent styles and offshoots, could you give us a brief insight into your journeys with the sound, and what years, artists or labels have you found to be responsible for the most timeless cuts in your record bags?

Guy: 

It was a nocturnal radio sound for me as a young teenager I guess, largely mysterious, coming largely from London when I was growing up in the north west. But the sampling of R&B vocals from stuff I knew made it immediately accessible. In more recent years, digging in London, I’ve tended to get most excited by either one-off/ white label riddles that are sometimes garage-not-garage, and also alias stuff from bigger name producers across bigger labels in the genre - G-Spot Records, Nice ‘N’ Ripe, Unda-Vybe etc. 

Tom:

I actually started out as a bedroom garage DJ, so it’s a bit of a full-circle moment for me. I had a mate at school who wanted to be an MC, and on Saturdays we used to hit up Music & Video Exchange to pick up whatever white labels we could find before heading back to his flat in Ladbroke Grove to practice a set that nobody would ever hear. Shout out to Nick The Greek, wherever you are! Twenty-something years later, I’m still finding exciting stuff from the same producers we loved back then - guys like Jeremy Sylvester and Mike Millrain who have these unfathomably deep back-catalogues.

Q. Are there any songs in the mix that are especially close to your hearts, and what is it about these tracks that resonate with you so much?

Guy: 

I’d call out 2. Artist Formerly Known as PP - When I’m Down, from 1998. Bit of a private press oddity from a producer who’s prolific but mysterious (the PP = ‘Persian Prince’). It’s a kind of rolling, morphing megamix type cut that samples Brandy - Best Friend but also features raw toasting style MC bits the likes of which you hear from the live party recordings in All Bad Boy & All Good Girl. The other is Colour 3 - La Femme, a beautiful, melodic white label that’s been so versatile for me since I picked it up from Crazy Beat in Upminster. Has worked a treat on sound systems like Giant Steps and after parties alike. 

Tom:

The penultimate track, Drivers Anthem, is a special one for me. Super deep and melodic production, but with that trademark UK bump on the bottom end.

MDC.299 Customs

Welt Discos featuring Joe Delon

http://www.instagram.com/joedelon

Welt Discos with Joe Delon @ The Lot Radio 08-23-2024

OTW recording in the REX at Down The Rabbit Hole 2024

OTW @ DTRH 2024 REX

Chez de Milo b2b Ellie Stokes live from The Olive Grove at Love International Festival 2024

TASCAM DR-05X

Live from the Adriatic 2024: Chez de Milo b2b Ellie Stokes

Fantastic Man b2b Tornado Wallace live from Barbarella's at Love International 2024

TASCAM DR-100

Live from the Adriatic 2024: Fantastic Man b2b Tornado Wallace

Felix Dickinson live from The Olive Grove at Love International Festival 2024

Live from the Adriatic 2024: Felix Dickinson

Massimiliano Pagliara live from Barbarella's at Love International 2024

Live from the Adriatic 2024: Massimiliano Pagliara

Paula Tape live from Barbarella's at Love International Festival 2024

Live from the Adriatic 2024: Paula Tape

Dave Harvey live from The Beach Stage at Love International Festival 2024

Live from the Adriatic 2024: Dave Harvey

Or:la live @ 10am from Sunrise Sessions at Love International Festival 2024

Copy of Live from the Adriatic 2024: Fantastic Man b2b Tornado Wallace

cjsuit