on adore ! un son qui devrais etre plus connu , chanceux ceux qui l'écoutent aha

Here's my official remix for Emmanuelle Seigner.

It'll be out on march 17th alongside a @Yuksek Remix.

2014 / Universal Music

Emmanuelle Seigner - You Think You're a Man (Jean Tonique Remix)

Sur mon canapé
J'attends le match
National 1
Ça va dépoter
Mais alors là
C'est le grand désordre
FFF TV
T'as tout planté

La caméra se tourne vers le tableau
On voit les résultats
Les scores
Mais où sont les joueurs
Où sont les pros?
Comment je vais savoir qui est en tête encore?

Le commentateur
Il savait pas quoi faire
Il est parti manger
Quelle galère!
Les spectateurs en tribune
Ils sont désolés
La panne du foot
Ça va faire jaser

FFF TV

Soul Clap: "James Curd does it again!"
Munk: "Is JS the Frank Zappa of house? I hear them all: B52s, James Chance, Boney M, Todd Terje, Masters At Work. Great Full Pop."

In the last 2 and a half years James Curd has become a regular contributor to the label Exploited. He has released outstanding original material as well as collaborations with Morgan Phalen (their project is called Favored Nations and Morgan also wrote and sang on two singles for the Justice album 'Audio, Video, Disco'), Luke Million (from The Swiss), JDub (from Chicago) and Fred Everything (their project is called Jimmy & Fred which already had a massive dance chart topper with Diynamic act Karmon on the remix for "I See Lights" and one from Locked Groove of Life&Death, Hotflush, and Permanent Vacation fame). Now he is back on Exploited with 5 (thats already a mini-album) new tracks featuring incredible talent such as the sax player Jonty Hall or rapper Jdub. James Curd in his own words about the 5 songs:

1. James Curd - Forever My Friend
"After spending a couple months scoring a feature film I wanted to blow off some steam and make something I would like to play in a club. I love throwing curve balls into songs and try to imagine what a crowded club will do when a 16 bar rhodes solo comes out of nowhere. It's my version of a build up and drop with out the soft synths."

2. James Curd - Jack Be Nimble
"I made this song during a late night studio session right after a night out. It's a homage to my hometown classic Chicago house tracks of JACK. It's an inebriated lyrical session that captures how much fun I was having in the studio that night."

3. James Curd - Tornado In The Basement feat. JDub
"This was written in my old Chicago basement studio with JDub. All the kids in my neighbourhood were around the same age and growing up together. They all graduated from riding bikes and playing in the fire hydrant to an all out EGG war. Every house on my street was getting hit with eggs! Tornado In The Basement is a product of trying to record vocals inbetween the loud bangs of eggs hitting the front windows of my building."

4. James Curd - Everybody Knows feat. Jonty Hall
"This song is a culmanation of a few ideas that where not working as individual songs but came together great as a mosaic piece of music. I chopped up all my favorite parts from a few songs and combined them to create "Everybody Knows". A great horn player from Australias capital city Canberra was in town visiting and he dropped by and did a few takes for me to finish off the song."

5. James Curd - Caught Again feat. JDub
"This is inspired by old French funk songs from the 70's. I wanted a mix of funk with light and dark elements. The bass is funk, the guitar and synths are light and JDub's vocals are dark and a bit intimidating."

Label: Exploited
Artist: James Curd
Release: Jack Be Nimble
LC: 15799

Releasedate Beatport: 20.04.15
Releasedate I-Tunes, ect: 04.05.15

Art Design by Neven Cvijanovic / Floor 5. Illustration by Laura Junger.
www.nevenswork.com
www.loragearrive.free.fr

Early Feedback:
Soul Clap: James Curd does it again!
Munk: Is JS the Frank Zappa of house? I hear them all: B52s, James Chance, Boney M, Todd Terje, Masters At Work. Great Full Pop.
Tensnake: Like Forever My Friend.
Arthur Baker: Love the quirky chicness of caught again.
Pedro Winter: Loading it now.
Noir: Good EP.
Mark Farina: Great stuff! Been rocking already from Mr. Curd.
Trickski: Summer jam! I am ready! Thx for this one.
Tom Flynn: Forever My Friend is beautiful. Reminds me of early Greenskeepers vibe but more soulful. Lovely stuff!
Round Table Knights: Forever Your Friend is cool. 

Jack Be Nimble

Everybody Knows feat. Jonty Hall

James Curd - Everybody Knows Feat. Jonty Hall | Exploited

Following on from 2008’s critically acclaimed Stop, Space, Return, Crazy P return for their fifth studio album When We On, released September 27th through Smoke N´Mirrors (North America).

Alongside the wealth of brilliant remixes they have served up recently, When We On shows how far Crazy P have come since 2008. Whether it’s the anthemic ‘Beatbox’, with its freeform acapella work, grinding Prince—style guitar and haunting strings, the reflective ‘Eruption’, driven on by a rave piano figure and lead singer Danielle Moore’s plaintive cry of “Let me be the one you run to” or, at the other end of the scale, the Detroit techno-esque ‘Sonar’, with its increasingly frenetic payoff, this is an album packed full of potential singles. They might be crazy, but they sure know where the tunes are located.

“With Stop Space Return we wrote the majority of that as a band,” explains Jim Baron. “For this, we decided to strip it back to me and Toddy (Chris Todd. Guitar/Keys) writing with Danielle. We gave Danielle the Loop Station and she’s really taken to it. You can layer vocals, you can hear harmonies immediately, so she can jam along with us now. It shaped a lot of the vocal sound for the album. There’s a tune called ‘We Can Only Be Who Are’ which has big vocal layering, and there’s a lot of that. It’s probably a bit more… grown-up.” 

Chris expands on the theme: “We had quite a big year last year for lots of different reasons and we had difficulties too and I think a lot of the writing came out of that. It’s a little bit more reflective and thoughtful than previous albums.” 

For Danielle, it’s been a revelation in the way they work. “It was back to basics,” she says. “I’d have a go on the keyboards using two fingers or I’d have a go on the drum machine. It was like being at school or in a huge sandpit where you’ve been given loads of buckets to muck about with. We had a loop station as well which I’ve always been nervous of and this time it was like right let me have a go of this and it allowed me to record my vocals.”

For Danielle, the album narrative is the camaraderie between its protagonists. “Their friendship came through in creating this album. The way we worked created a lot of intimacy between us and a definite warmth to the album.” 

Despite the suggestions of melancholy from the band, and they certainly know how to emote when the moment’s right, they haven’t forgotten how to party. “We’re open for service, we’re open for love,” sings Danielle. Crazy, but true. 

Crazy P - Wecanonlybewhoweare

WEBSITE - http://www.brisaroche.com/
FB - https://www.facebook.com/labrisadayroche/
TWITTER - https://twitter.com/labrisadayroche
INSTAGRAM - https://www.instagram.com/brisadayroche/
YOUTUBE - https://www.youtube.com/user/Brisaroche
SOUNDCLOUD - https://soundcloud.com/brisaroche
DEEZER - http://www.deezer.com/artist/16041
FINDSPIRE - https://www.findspire.com/brisa.roche/

It’s sometimes good to keepadmirers at a distance. For her “come-back” album, Brisa Roché followsthis rule to the letter.Afterfour albums in France, she returned to her native California—not the one with six-lane highwaysand palm trees, but the one up north, where mountain lions roam,and sequoias tower. There, hiddenin  her  home-studio,  she  channeled  song  after  song,  inspired  by  tracks  arrivingfrom producersall over the world. Some sent sound hoping to re-provoke songwriting in the vein of jazz-singer-Brisa freshly arrived in France the moment the Twin Towers fell, who haunted the stages of Parisian caves with ahigh shadowy voice, forcing journalists to compare her to Billie  Holiday.  Others  sent  what  revealed  a  preferencefor  theavant-gardismof  “Mystery Man” off ofher first record on Blue Note, that transported fans withpop as daring as it was sweet. Still other composers sent tracks they hoped would prolong the sound they loved in her hits “Whistle”and “Call Me”, from her psych-folk period.But  of  course,  Brisa  did  not  revisit  the  past.  She  invented  a  future,  a  space-time  exercise, creating songs  across  thousands  of  miles,  across  musical  genres,  where  a  voice  springs  as easily  from  a  computer,  an  applauded  stage,  ora  virgin  forest.  The  album  INVISIBLE  1  istitled  such  because  anythingis  possible  when limitations  imposed  by  astudio setting are discarded,  when  judgments  and  timidity  are  veiled  by  distance,  when  collaborations multiply  across  the  waves,  when  intimacy  with  strangers  makes  art. Brisawrites  quickly, urgent  with  the noveltyof  imported  sounds  and  privacy,  40  melodic  arrangements,  40 stories told, narrowed down now to a 14-song album with two sides, upon which two sides of her personality dance.The “introvert side” nestles on Thibaut Barbillon’s intimate guitars and soaring chords, the singer a dreamer and an insomniac, giving herself up in confession. As if escaped from a girl group, she invites us to walk with her, or to lock ourselves in her room withher.The “extrovert side”, sunnier with a more electronic feel and Blackjoy at the control panel, features  ideas  from  co-producer  Marc  Collin  (Nouvelle  Vague,  Yasmine  Hamdan,  Elodie Frégé...), upon which Brisa’s voice is amplified, playful as a Kate Bush, serious as a Lana Del Rey.This  production,  free  from  all  constraints,  between  continents,  out  of  French  studios, American  studios,  home-studios, underground  studios,from  Paris  to  the  American  West, gives us a new Brisa Roché. At  this  hour  of  the  death  of  the  great  British  chameleon  David  Bowie,  when  formatted records reign supreme, it’s a pleasure to see and hear an artist who stuns us with her daring art of metamorphosis.

Brisa Roché - Disco (Radio Edit)

original song by Keren Ann,
from the album " You gonna get love "
Polydor / Universal

instruments, additional production, arrangement and mix by Yuksek
recorded and mixed @ FINE st. France

KEREN ANN - Where Did You Go (YUKSEK remix)

Out May 20! http://news.lnk.to/TYC

Eskimo Recordings is back for its annual inspection of what propels the Belgian imprint’s throttle, exploring the boundaries of their house, disco and pop infusions in ‘The Yellow Collection’. Each artist has their own identity but Eskimo forms a package of seamless musical treats and forges yet new allies in the dreamy landscape of ‘The Yellow Collection’. 

More info http://maouris.co.uk/music/eskimo-recordings-presents-the-yellow-collection

https://soundcloud.com/luxxury
http://www.eskimorecordings.be/ 
https://www.facebook.com/eskimorecordings/ 
https://twitter.com/eskimorecords

LUXXURY - Breathe

@claapyourhands - Dune

BUY / STREAM: partyfine.lnk.to/DuneALL

Start with two scoops of soft sand and sparkling sunshine by the sea. Blend with friendly laughter splashing along the shore, then add a dash of delight with Santana's elegant vocals in the fore. Sprinkle a spoonful of pure happiness, and spice it up with French style synths. Tie it all together with CLAAP!'s percussive signature. 
Shake with vigor, and voila!
Once again, CLAAP! whips up the perfect recipe to enchant our ears and energize our dance moves during those warm summer nights (and days) with their new EP "Dune"!

The title-track "Dune" gets a hot sugar-free remix by mysterious band High Ceilings.
Cherry on top, Yuksek is treating us with a unique banging afro funk remix of "Summertime" that will turn up the heat even higher.

Finally, we meet again with LA-based Belarusian artist Polina Rabtseva, who shot the sunwashed, feel good video of "Jacques" (CLAAP!'s previous single).
This time, she's taking care of the artwork, charming us with this freehand drawing of a portrait of Santana she actually shot on the Dune du Pilat.

It's Summertime, love is in the Air over the Dune.

Dune EP

CLAAP! - Dune

Ft Clayra

Free Download : 
https://www.toneden.io/sainte-barbe-8079-254/post/reverse-love

Sainte Barbe socials:
- Facebook : https://www.facebook.com/saintebarbemusic/
- SoundCloud : https://soundcloud.com/saintebarbemusic
- Instagram : https://www.instagram.com/saintebarbemusic/
- Spotify : https://open.spotify.com/artist/4zuQKega38PckB0BN20OGJ?si=cUVSioLFTlqtlK2TeQIo4g

Clayra socials:
Soundcloud : https://soundcloud.com/clayra
Facebook : https://www.facebook.com/clayramusic
Instagram : https://www.instagram.com/claraamay
Spotify : https://open.spotify.com/artist/3a2rg8C5pXP6mEsBSCGrqZ?si=In5nAcmnTVSVQcXBUYcwrQ

More Sainte Barbe tracks:
https://www.youtube.com/playlist?list=PLAWvqbeS5pushd5-XM3lGOlba88ucgiFk

Panama Blue

Free Download

Reverse Love

Buy / Stream : https://idol.lnk.to/LaPluie
This is the 3rd single of the Cripy Groove Compilation out on June 8 on Cookie Records. 
Follow : @cookierecordsmusic

Buy / Stream

Les Hiboux - La Pluie (Feat Lu Si Do)

find the whole compilation for free here: http://yeahdish.com/portfolio/prom-night-compilation

Bass by the amazing Julian Bradford 

Released by: Yeah! / Dish Records 
Release/catalogue number: YDR007 
Release date: May 20, 2012 

Riviera

Santana+Sylvain
De la pop et beaucoup d'amour

More music here: http://claap.com

CLAAP! - Dune

CLAAP! (Official)

Recent comments

July

French Fox

CLAAP! (Official)

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