Long overdue, we've finally got back to the task of editing up more tracks pulled from our four improvisations using sounds kindly provided by @anmoku, recorded early this year. This one was taken from the fourth jam in the series, recorded 28/01/21 and unusually for us, is relatively calm and peaceful.

Castle In the Air

https://open.spotify.com/album/2OTLE3PaLyNQvmYL17rYG1

Hitori

What Did You Say Before That?

Track taken from Point Source Electronic Arts 3rd Showcase Compilation.

Cienne

This is an Extract from the Premiere of my new solo performance "Interdimensional Generated Space", premiered in October 2022 at Panke Culture in Belin, as a part of the series (Von Antennenwäldern und Wellenozeanen) . 

A research-intensive piece focusing on the transcendental phenomenon of the Northern Lights. 
The planned performance uses the implement of self-made recordings from the Northern Lights, in combination with self-made crystal radio, plus light, detectors, and motors, to simulate a technological audio-visual version of Northern Lights in the performance space. “Interdimensional” specifically refers to the movement of energy between modes of perception. One part of this energy come from the composed mixture of “natural cosmic voices”; and another part is coming from the electromagnetic forces generated and captured in real time during the performance. The piece make full use of the contrasts of the invisible processes, to create a new experience of space, time, and human scale. 
This is an attempt to achieve a unique sonic dialogue 
between “Natural” and “Technological” world, a reflection on Nature that is imitated by technology in an anthropogenic age.

This project was kindly supported by Musikfonds & Neu Start Kulture
Photo credit : Alex Conu
Live recordings by : Roy Carroll

Interdimensional Generated Space_ Extract Live Premiere@Panke Culture, Berlin 2022

Chiara Bacci/Nicola Lancerotti, Settembre

Excerpt from Rebecca Lane & Clara de Asís "Distances Bending", live at Oscillation festival, Brussels (BE), 29 April 2023.

A collaborative composition by Clara de Asís and Rebecca Lane deriving from a series of encounters and explorations throughout different times, spaces and forms.

Distances Bending is an ever-expand­ing pro­cess — a build­ing up, dis­tilling, and mir­ror­ing of mater­i­als par­tic­u­lar to each artist, respond­ing to and inhab­it­ing a space over mul­tiple hours or days. A repeated time struc­ture, a tem­por­al loop that is altered through upwardly evolving ration­ally-tuned fre­quen­cies, vari­ous flutes (whose size, timbre and shape cor­res­pond to these fre­quen­cies), elec­tron­ics, and chan­ging light, the piece cre­ates a subtle space where per­cep­tion is transformed.

Rebecca Lane: flutes, organ pipes, whistles
Clara de Asís: synthesizer

Rebecca Lane & Clara de Asís / Distances Bending (Excerpt) – Live at Oscillation 2023

For ensemble and multichannel, asymmetrical sound (excerpt)

Premiered by Black Page Orchestra at Wien Modern, 2022
Christina Bauer: Klangregie
Yalda Zamani: Conductor

Recording produced by ORF/Radio Österreich

Wigmaker - Black Page Orchestra, Wien Modern (2022)

crossing

Immerse yourself in a dreamy soundscape where every note floats like a gentle whisper, carrying you away to a serene realm of blissful relaxation. Close your eyes, breathe deeply, and let the soothing melodies of this ambient masterpiece lull you into a state of calm.

Song name: Subwoofer Lullaby by C418
C418: https://open.spotify.com/artist/4uFZsG1vXrPcvnZ4iSQyrx

Childhood Nostalgia

Epithymia

Composed and recorded by Lisa Stenberg on the EMS Synthi 100 in studio KSYME Contemporary Music Research Center, Athens, Greece in 2017.
Produced at EMS Elektronmusikstudion in Stockholm 2017.

Monument

Buy cassette

Epithymia

Clara de Asís is a composer and sound artist who explores the nexus of acoustics, spatiality, alternative notation and the phenomenology of listening.

Rebecca Lane & Clara de Asís / Distances Bending (Excerpt) – Live at Oscillation 2023

Clara de Asís

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