Presentar la ficción sonora NAKED BODY ON DEMAND sobre el uso del cuerpo como aparato de proposiciones de nuevos cuerpos y en la autoexposición de este cuerpo para el mantenimiento del capitalismo digital a través de la esclavitud de los algoritmos. "Nuevos modelos de negocio: ¿nos convertimos en esclavos del entretenimiento o sucumbimos a la marginalidad de los algoritmos?" La ficción se estructura con un anuncio repetitivo que lleva la euforia al borde del declive y el borrado del Self.

NAKED BODY ON DEMAND - La Ficción [Festiva TSONAMI de Arte Sonora]

Pluvia (Meditation on the sonification of Brazilian precipitation and temperature data from 1901 to 2020)


Pluvia was created from the analysis of data on precipitation and average annual temperature in Brazil from the period 1901 to 2020 using data available on the Climate Change Knowledge Portal processed with MusicAlgorythm. The work proposes a meditation guided by the variability of average rainfall over 120 years, which brings a reflection on an experience through time. The data was used for the sonification of two melodic sequences. The main one, with high variability that represents the volume of rain. The second sequence, obtained from the temperature, was processed with effects, creating a sound that sometimes refers to alarms, sometimes refers to a car racing from severe to more acute regions, representing the increase in temperature during the monitored period. . Also, the artist/scientist used sounds from his personal bank. Conceptual map 1: the path of rainwater Rain in its plurality of meanings can represent fecundity and fertility, in its natural aspect. more mystical and ancestral, as well as, in all its power, it can represent calamity. And in this variability of meanings and propositions, the graphic analysis under a poetic bias indicated the path that the composition should follow. It was defined that for this data set, the concept of sonification would be manifested in an objective way, which is to communicate numerical behavior through sound in the clearest possible way. To do this, the data was fitted to a range of 88 notes so that the graphically displayed variability could be felt through the sound. Feel the sound, both in the perception of the pitch of the notes and in the sensation that the high and low notes give due to different durations and intensities, added to the timbre of a virtual synthesizer. So this melodic line would be the erratic guide for a time travel feeling the various slightly scary technological changes. Concept Map 2: The Warming Path It was defined that for this temperature dataset, sonification would manifest itself in more artistic ways. The data was adjusted for a range of 88 notes, forming a melody that, as can be seen graphically in the temperature graph, would have an ascending profile, that is, the melody would go from the low to the high regions. However, we chose timbres and a chain-based effects track with different delays out of a reflection on consequence, impact on time and posterity. The duration of the notes was adjusted through a Fibonacci sequence so that the higher notes had a longer duration creating sustained sounds so that the warmer temperatures felt more present. Data references: climateknowledgeportal.worldbank.org/country/brazil/climate-data-historical

Sonoridades Cósmicas Latino​-​Americanas

Pluvia (Meditation on Brazilian precipitation and temperature data from 1901 to 2020)

Hunter-Gatherer :: thoughts of peace and not of evil

Hunter-Gatherer :: Pensamentos De Paz E Não De Mal

Máquinas Vivientes de CLARIDADE, una obra sobre lo vivo y lo no vivo: humanos, máquinas y xenobots. En un futuro en el que han surgido nuevos avances tecnológicos, alguien se pregunta: «¿No será que la máquina que tanto deseamos, revolucionaria por naturaleza, no es este mismo cuerpo que descuidamos?»

FESTIVAL TSONAMI 2022 Artista CLARIDADE Obra MAQUINAS VIVIENTES

"Among Beaches And Mountain Seas" its a audiovisual performance that was part of 6th International Festival of Mugham "Space of Mugham" in Baku, Azerbaijan.

This pieace was part of 24 Mugham. The mugham music marathon started June 24 at 12:00 (Baku time). The event ran until 12:00, June 25.  24 mugham singers and 25 electronic musicians perform at Shirvanshah's Palace throughout the day, replacing each other.

Known as one of the unique treasuries of the oral and intangible heritage of mankind, mugham has taken its rightful place in the world cultural space.

In 2003, UNESCO proclaimed Azerbaijani Mugham a "Masterpiece of the Oral and Intangible Heritage of Humanity". The mugham was added to the UNESCO Intangible Cultural Heritage List in 2009.

Initiated by the Heydar Aliyev Foundation, the International World of Mugham Festival draws more attention to mugham art.

The 6th International World of Mugham Music Festival is co-organized by the Heydar Aliyev Foundation and the Culture Ministry with the support of the Ministry of Science and Education and the Azerbaijan National Conservatory.

"Among Beaches And Mountain Seas" credits: 

CLARIDADE (music production)
Ibrahim Babayev (traditional mugham pieces recording and artistic direction)

"Zabul-Segah" 
Mehebbet Seferov (vocal)
Rashad Ibrahimov (tar)
Tabriz Yusubov (kamancha)

"Bayati -Shiraz"
Mirelem Mirelemov (vocal)
Zeki Veliyev (Tar)
Elnur Mikayilov (kamancha)

Among Beaches and Mountain Seas - 6th International Festival of Mugham "Space of Mugham" 2023

07/14/2023. The waning moon ends a cycle during the tense moments when I was wondering about the life two days before I return to the same birth position.

The track is composed by three improvisation in sequence using lyra-8

Return on the same birth position - An improvisation OU O que Tua Glória fez comigo…

ANGELIC LANGUAGE: GLOSSOLALIA, XENOLALIA, THERAPEUTHAE AND NEW WAYS OF COMMUNICATING

In dark times where social isolation and distance is key to the preservation of humanity as one, new forms of communication emerge to establish a bridge, links, echoes from the past to the present, intercession, connectivity, telepathy, spirituality, sound and light.

A song composed in a responsive way. Each track was recorded in response to the previous recording in the search to feel, hear, perceive and tame the sound through sound parameters.

GLOSSOLALIA was not designed to be like this, it is for being, communication matters and we have to learn to deal with it.
First SINGLE from upcoming album CLARIDADE ASSUSTA (Clarity scares).

GLOSSOLALIA, XENOLALIA, THERAPEUTHAE E NOVAS FORMAS DE COMUNICAÇÃO

Em tempos escuros onde o isolamente social a o distanciamento é chave para preservação da humanidade como um, novas formas de comunicação emergem para estabelecer ponte, elos, ecos do passado ao presente, intercessão, conectividade, telepatia espiritualidade, som e luz.

Uma música composta de forma responsiva. Cada faixa foi gravada como resposta a gravação anterior anterior na busca de sentir, ouvir, perceber e domar o som através de parâmetros sonoros.

GLOSSOLALIA não foi concebida para ser assim, ela é por ser, comunicação importa e temos que aprender a lidar com isso.

Primeiro SINGLE do álbum CLARIDADE ASSUSTA.

cover: @gabrielmassan

GLOSSOLALIA XENOLALIA THERAPEUTHAE AND NEW WAYS OF COMMUNICATING

Hard Road to 'Qui Habitat'  (Psalm 91)

keep safe in Qui Habitat
A bunker
my home is my prision for now for us safe
be safe
stay strong
keep mindful
Lift yourself up
Look at the heaven
Be kindful But be aware
Someone look at you as a pray or a prey
Go ahead, drive on the road to the Mountain (Qui Habitat)
Its hard but sometime we learn by the drift

Meditate for now and ever:

Whoever dwells in the shelter of the Most High
    will rest in the shadow of the Almighty.[a]
2 I will say of the Lord, “He is my refuge and my fortress,
    my God, in whom I trust.”

3 Surely he will save you
    from the fowler’s snare
    and from the deadly pestilence.
4 He will cover you with his feathers,
    and under his wings you will find refuge;
    his faithfulness will be your shield and rampart.
5 You will not fear the terror of night,
    nor the arrow that flies by day,
6 nor the pestilence that stalks in the darkness,
    nor the plague that destroys at midday.
7 A thousand may fall at your side,
    ten thousand at your right hand,
    but it will not come near you.
8 You will only observe with your eyes
    and see the punishment of the wicked.
9 If you say, “The Lord is my refuge,”
    and you make the Most High your dwelling,
10 no harm will overtake you,
    no disaster will come near your tent.
11 For he will command his angels concerning you
    to guard you in all your ways;
12 they will lift you up in their hands,
    so that you will not strike your foot against a stone.
13 You will tread on the lion and the cobra;
    you will trample the great lion and the serpent.

14 “Because he[b] loves me,” says the Lord, “I will rescue him;
    I will protect him, for he acknowledges my name.
15 He will call on me, and I will answer him;
    I will be with him in trouble,
    I will deliver him and honor him.
16 With long life I will satisfy him
    and show him my salvation.”

Prod/Mix/Master: Viktor STARGAZER
Sample: Josquin des Prez "Qui habitat"

Hard Road to 'Qui Habitat'  (Psalm 91)

Interlude (SELAH: Taking Time For A Lecture)

Episode 1 - I Shout out to God (soundchek) "whoever knocks will open to you"

After the fall, all that remains for humankind is to knock on the doors of find a paradise for the rest of his life. Once the garden's door is closed, an electric body-territory grow in a place in space-time. Longing for a place to be whole. In a trance in drumming or shouting in public spaces in the midst of urban technological chaos in search of saving others and who knows, itself.

Episódio 1 - Clamo a Deus (teste, som) "a quem bate abrir-se-vos-á "_soundcheck.jpeg

Depois da queda, tudo o que resta para a humanidade é bater às portas e encontrar um paraíso para o resto de sua vida. Uma vez que a porta do jardim está fechada, um corpo-território elétrico cresce em um lugar no espaço-tempo. Desejando um lugar para ser inteiro. Em transe nos batuques ou gritos nos espaços públicos em meio ao caos tecnológico urbano em busca de salvar os outros e quem sabe, a si mesmo.

Clamo a Deus (teste, som) "a quem bate abrir-se-vos-á "_soundcheck.jpeg

CLARIDADE (a.k.a. Viktor Stargazer) es un artista sonoro investigando sonidos industriales, pero con inspiración en mecanismos orgánicos. Reflexionando sobre la relación entre las tecnologías digitales y del cuerpo con la espiritualidad. Uso de varios recursos de live coding, síntesis de sonido, manipulación de samples.

2023
25/06 6th International Festival of Mugham "Space of Mugham" 
27/01 COMUNHÃO na Audio Rebel

2022
17/12 AudioRebel
9/12. Festival Tsonami (Chile)
3/12 Festival Novas Frequências (Brazil)
38/7 Audio Rebel
24/6 F(r)estas Festival na Áudio Rebel


2021
Festival Tsonami (Chile)
Festival Frestas de Improvisação 

2020
Jan. CTM Festival (Berlin) - The Ceremony Series II
Oct. Maintenant Festival (Rennes)- The Ceremony Series III - Final Act
Nov. VideoArtPerformance Online LIVE "GAIA" (Brazil)
Dez. VASO VAZIO - vaso vaso vaso w/ Mana Lobato

2019
Dez. Novas Frequências (Rio de Janeiro) - The Ceremony

CLARIDADE

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