KELLY TOOL

A big record deserves a big remix package — and JIALING’s FREAKY HORNS was always destined for an extended life on the floor. So we called in friends, family, and freaks to give it the flip it deserved.

WTCHCRFT answers the call and takes ‘ADDY’ to the afters, adding his own vocals and ramping up the claps with all the frenetic energy of a sweaty back room.

On ‘PERCOLATE ON ACID’, Sister Zo channels her love for the original into a late-night propulsive heater: vocal chops, filtered synths and just a whisper of Benny Benassi. That one was always hers to remix.

Baltimore’s own Kade Young & S.DOT take the reins on ‘GET OFF MY JOGWHEEL’, chopping the vocals with the kind of effortless instinct you only get from years in the scene. Friends, collaborators and comrades-in-club, their version is a love letter to home turf — one for the local legends.

And finally: a rare remix from JIALING herself. A first for her, nudged along by a late-night text thread and a dumb joke too good not to run with. “Freaky Horns for Horny Freaks” became the mission statement — and the result is a VIP that dials everything up, from the bass to the brass to the mischief. Suitably ambitious, it sounds like it was made for an NBA arena. Sometimes the title comes before the track, so we had to commit to the bit.

releases May 1, 2025

All tracks written and produced by JIALING in Brooklyn.
Remixed by JIALING, WTCHCRFT, Kade Young & S.DOT, Sister Zo.
Mastered by Alex Gordon at Abbey Road Studios.
Artwork by All Purpose Studio.
Cover photo by Ie-Ming Shih.
Released by Clasico Records | Catalog #: CCO004R

☆

JIALING – GET OFF MY JOGWHEEL (Kade Young & S.DOT Remix)

Superclásico, Vol. 2

Bianca Oblivion – Move It

DUMMY (JIALING Remix)

Yes, it's the start of summer... and yes, Kaval is releasing a new EP.
This time, for the 10K followers of his bandcamp, he delivers 4 hard-hitting edits of house tracks reminiscent of the summer season.

Bandcamp

Palms Trax - Equation (Kaval Edit)

DontStopTheRock

Kaval is launching its new KVLDUB vinyl series. Only 100 copies available. For this first opus, the influences range from dub to UK techno on the A side and from dembow to Uk Funky on the B side.

The main idea is to produce an effective record that can be played without restraint on your sound system. Many thanks to B-SIDE Factory for their work and to Arthur aka Qant for the exceptional mastering.

RECORD DISTRIBUTION : BANDCAMP / 12” VINYL 100 COPIES

MASTERING : QANT
ARTWORK : KAVAL

Brugal Cola

PILOT

Leaning into making some Tech House, and pretty proud with how this one came out!

Burn

Baltimore-born, Brooklyn-based, BIG J herself -- JIALING (@pbnstrawberryjam) joins forces with Sorry Records for a floorshaking 4-track exploration of everything from big room latin hard house to queer vocal slammers, and plenty of breaks and bass in between.

I met Jialing on New Years Eve Eve 2021 at Bossa here in Brooklyn. It was like 2am on a Thursday night, mid-way through "Breaks in America" - our first ever dedicated breaks night with our friend SWAP MEET! and Kindergarten Records/Sorry favorite Drummy b2b myself. I've got a distinct memory of Jialing introducing herself and saying "I came because you said breaks! I love breaks!" I remember being struck by her unpretentious enthusiasm (especially considering she was still based in Baltimore back then and was routinely making the trek to NYC for local club nights like ours).

Since that night, JIALING's been a wonderfully ever present figure on the NYC dancefloor and in our lives. Named one of “The Top 25 Producers Who Defined the Year 2024” by Mixmag, she's done incredible work via self-releases in addition to stellar recent releases on Local Action's Clasico Records (FREAKY HORNS, WHISTLE TIP with Farsight, and this WTCHCRFT + Sister Zo featuring remix record), Gallegos' Room Service imprint, and the new gen Baltimore club label WOE she runs alongside Kade Young. She’s remixed folks like Seimei (on Sorry!), Honey B, and nextdimensional — as well as played clubs like Nowadays, Marble Bar, Public Records, Good Room, Paragon, Dalston Superstore, Venue M.O.T., Mansions, and beyond.

J literally lives two blocks down the street from me and I'm so happy to finally do a proper Sorry Records release with her here. WUPS! is the sound of JIALING at her most immediate, playing with some major source material from the last forty odd years of dance music history; touching on sounds from the Paradise Garage to the Loft (“Don’t Go Lose It Baby”) Frankie Knuckles at The Warehouse (“Let No Man Put Asunder”), and Junior Vasquez’s Arena at the Palladium (“Cunty”).

Another certified Sorry Records Big Room Trojan Horse release, WUPS! finds JIALING at the height of her power and has already been tearing up dancefloors like The Carry Nation & WRECKED’s massive Get Wrecked & Carry Pride party this June.

WUPS! also features original artwork by our friend SWAP MEET! and masters by Danny Goliger (3024, Magic City, Scuffed Recordings). 

WUPS! by JIALING (@pbnstrawberryjam)
Mastered by Danny Goliger (@dannygoliger)
Artwork by SWAP MEET! (@swapmeetdj)
Sorry Records 2025 - SR63

Download/Stream

JIALING - NINE OH NINE

German:
Ein Song wie ein Rausch, der die Nacht zum Tag werden lässt.
Stampfende Kickdrums und wabernde Basslines kombiniert mit einer simplen aber eingängigen Melodie die dir das Gefühl geben, auf einem Rave der frühen zweitausender Jahre zu tanzen.

English:
A song like a rush that turns night into day.
Pounding kick drums and swirling basslines combined with a simple but catchy melody that makes you feel like you're dancing at a rave in the early 2000s.

Music, Arrangement, 
& Mix / Master
by EMBRYGZ
Leipzig, Germany 2025


MIDNIGHT RUSH

A home for club music shaped by scenes and friends, not trends.

A label by ELEANOR and Local Action.

'Breakthrough Label' Nominee [DJ Mag "Best of British" Awards 2024]

clasicorecs@gmail.com

☆☆☆

Bianca Oblivion – Move It

CLASICO

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