Bravo! The quintessentially Debussy piano piece is very well performed.

This is one of my favorite "simple" pieces by Debussy (Well, you know his preludes are very complex) and you've interpreted it magnificently! 

ahhh, love that, great to listen to this wonderful Debussy piece again, dear Hal!

Beautiful music, beautifully played. Big congrats, Hal : )

Wonderful piano sounds, Hal !!  your playing is always so expressive and easy to listen to...and i love all the activity in this piece :-)

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   This is No.1 from the suite of pieces for piano entitled 'Children's  Corner' by Claude Debussy. Debussy wrote them for his little daughter, nicknamed 'Chouchou' (little pet in French.)According to Debussy's friend and biographer, E. Robert Schmitz, the pieces are about the joy the the little girl received from the toys her Father bought her. This first piece of the suite, 'Gradus ad Parnassum' is a reference to Debussy's own childhood. It is a parody of an execise from the famous and monumental piano exercise method book by Clementi, 'Gradus ad Parnassum"(translation: 'steps to Parnassus') which Debussy was no doubt forced to practice as a child!











Debussy-Nature Myth Legend

Children's Corner, L. 113: I. Gradus ad Parnassum

'Doctor Gradus ad Parnassum' from "Children's Corner" by Debussy

Cinematic film score music that tells a love story about those people who were in our life and whom we loved so much, but unfortunately they are not with us now.

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URBS is an intriguing combination of ambient textures and location-based field recordings. Originally released on Compact Disc by Hypnos Recording (U.S, 2012), Sanfilippo now revisits the work years later to subtly re-imagine it using his current creative approach in the same Onix II Studio, in the mountains near Barcelona. The extra textures don’t just add interest to the more crafted sounds on the record; these ghostly audio presences are the primary forms within these blurry ethereal soundscapes. Here Bruno Sanfilippo has softened his sound palette into such subtle tones that it is pleasingly difficult to define what he calls "the boundary between [musical] sound and noise. Gentle and evocative, subtly textural and transporting – maybe you hate or adore it, but it is hardly indifferent to you. ad21
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“Where is the defined boundary between sound and noise? Music usually doesn’t seem comfortable with ‘noise’ – due to the fragility of its aesthetic dimension, urban noise, in its context of common things, seems to be inexpressive. In this work, I incorporate the murmur of cities as one more element that dissolves with the faint sound of electronic sources, in this case, the manipulation of a Korg Radias synthesizer and a Lexicon processor.  The field recordings were obtained using an iPod Touch and recorded in churches, train stations, subway platforms, and the streets and bars of cities such as London, Berlin, Paris, Moscow, and New York. The cover photo was captured from inside a bus in Berlin.” Bruno Sanfilippo, 2023.

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“Undisciplined emotion enriches consciousness.” - Clément Pansaers

After a retrospective on my life and the recent loss of a loved one, I began to create music in order to convey in my own way what existence sometimes brings us as a burden. Following this period of doubt, I now bring immersive and diverse sounds, in order to share a common aura with the world.

Consciousness - SiderHall

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'Doctor Gradus ad Parnassum' from "Children's Corner" by Debussy

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