Name: Kintsugi by Classical Glass
Duration: 4 min 58 s
Description: Kintsugi is an art form that embodies the philosophy of wabi-sabi which values the beauty of imperfection and transience. Kintsugi also serves as a metaphor for embracing our flaws and imperfections in life seeing them as a source of strength and beauty and finding resilience in the face of adversity.

Flowingly beautiful between major and minor keys, this is music for meditation, and a beautiful chime effect on the keyboard with the plaintive voice of the violin.

It is a very delicate sound. The human body is built to be strong. People say that this is because God imagined and created it! But what about the heart? It can be hurt by just one word. It is precisely because it is not perfect that we must compensate for it with kindness toward ourselves! That is the emotion that welled up in my heart. At the core of this delicate sound is undoubtedly the source of the soul.

Beautiful texture to this piece, love it!

Thank you for that beautiful reminder, Philip. I can experience parts of that philosophy in my own life. Perfection always has been a challenge and broken ideas can be the key for a brighter future... 🎶🙏

The sound of the toy keys on this is perfect! A pleasure, Philip! 😃👏👏

Fantastic piano work! This track has such an intriguing sound design, mixing vibes with ambient textures in a really creative way. The layers unfold beautifully, keeping you hooked and fully immersed in the present. A unique and captivating piece!

In Search Of Purpose blends delicate solo piano by Francesco Adornetto with the haunting, ethereal voice of Blackbird — a sonic reflection on longing, surrender, and inner stillness.
This piece invites the listener into a meditative space, where questions echo softly and answers float just beyond the horizon.
Perfect for moments of contemplation and quiet connection.

In Search Of Purpose

In Search of Purpose – Vocals by Blackbird

Reminiscence – The Gentle Return
Sometimes the heaviest moments are the quiet ones.
When a single piano speaks louder than any voice,
not with words, but with the aching stillness left behind.

Reminiscence is the sound of looking back,
of revisiting the empty chair, the quiet room,
the laughter that once filled it – now just an echo.
It’s not a cry for comfort, but a slow exhale of memory.

This piece doesn’t try to escape the sorrow.
It walks beside it – unafraid, tender, honest.
Because some things cannot be forgotten.
They live on in sound, in silence, in the spaces between the notes.

Performed entirely on the Bechstein  –
a grand piano from EastWest, known for its haunting intimacy.
Its velvety resonance and delicate detail bring life to the sadness,
like a whispered goodbye that lingers in the air.
Every nuance was shaped by human hands – with reverence, with grief.

Part of the album Tides of Melancholy.
No AI. No shortcuts. Just soul, sorrow, and sincerity.

Composed, played, and felt by myself –
for all those who carry someone in their heart but can no longer hold them.
Thank you for listening – and for making space for this gentle return.


Reminiscence – Die leise Rückkehr
Manchmal sind es die stillsten Augenblicke, die am schwersten wiegen.
Wenn ein einziges Piano lauter spricht als jede Stimme –
nicht mit Worten, sondern mit dem Schmerz,
den nur die Abwesenheit kennt.

Reminiscence ist ein Blick zurück.
Zu dem leeren Stuhl. Dem stillen Raum.
Dem Lachen, das einmal darin lebte –
nun nur noch Erinnerung, verhallt im Nichts.
Dieses Stück sucht keinen Trost.
Es atmet die Trauer – langsam, behutsam, aufrichtig.

Denn manche Verluste verblassen nicht.
Sie bleiben – in einem Klang, in der Stille,
in dem, was zwischen den Tönen unausgesprochen bleibt.

Eingespielt auf dem Bechstein Sus Rep Lite DYN –
ein Konzertflügel aus der EastWest-Piano-Serie,
geschätzt für seine emotionale Tiefe und intime Klangcharakteristik.
Sein samtiger Ton und seine fragile Präsenz
verleihen dem Schmerz eine Stimme,
wie ein leiser Abschied, der in der Luft stehen bleibt.
Jede Note wurde mit Sorgfalt und Gefühl geformt – von echten Händen.

Teil des Albums Tides of Melancholy.
Keine KI. Kein Trick. Nur Seele. Nur Trauer. Nur Wahrheit.

Komponiert, gespielt und empfunden von mir –
für all jene, die jemanden im Herzen tragen, den sie nicht mehr in den Armen halten können.
Danke fürs Zuhören – und dafür, dieser leisen Rückkehr einen Platz zu geben.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification or distribution of this track is strictly prohibited and will be prosecuted under applicable law.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Reminiscence

Kintsugi is an art form that embodies the philosophy of wabi-sabi which values the beauty of imperfection and transience. Kintsugi also serves as a metaphor for embracing our flaws and imperfections in life seeing them as a source of strength and beauty and finding resilience in the face of adversity. 

Kintsugi

This track is my very personal take at the Koan "Hear the Clap of your Hand". My lyrics version (https://soundcloud.com/konrad-spittelberg/the-clap-of-one-hand-pp) might make things clearer. (yes, this is my sneaky strategy to guide you from one song to another :-))

Compositionwise, the track is roughly split into two equal parts. The first part introduces its cinematic theme in the very beginning, taking it thereafter up several times with slightly different accentuations and rhythms which gives it a fresh feel with different highlighted nuances in each repetition. Several interludes contribute to the cinematic feeling. 

The second part, starting @1.53 starts by a more Jazzy version of the main theme. However, from 2.20 onwards, it is very restricted in its harmonies - only two harmonies are used from thereon until the end, C major and C# major. The tension arises purely from the rhythmic changes (such as the shift from 4/4 to 3/4 @3.17 and back), climaxing at the end.

The Clap of One Hand (Piano Miniature)

I might as well 
be made of clay
behind closed doors
I hide away 
Hide away
https://open.spotify.com/album/4COtd8lAfsZKpAlg8ri41k?si=bAieCzHtQOWk2fPX0fuOKg

HideAway

'Three Nibs. ....an "alternative" fusion track and mixed genre. Inspired by my time spent in London as a music copier/transcriber. transcribing the individual parts from a score to the relevant parts for individual musicians. tHis was all done by hand and pen and ink. I used three indivdual pens with different nib sizes. hence the name of the piece, (Three Nibs). Scores could be anything from big bands  to smaller bands and genres varied from score to score. I've attempted to emulate the varied contents of the scores in this piece. Hopefully it makes sense to you when listening.
Alan

Dont Smudge The Ink

Three Nibs

I hate the feeling of waiting when I know there may be something wrong.  I grow impatient, reticent, frantic, irritable and impulsive.

Waiting

Моя новая запись - интерпретация русской народной песни "Ой да не вечер", песня под гитару, с гармониями и фортепиано. 
"Ой да не вечер" (ещё упоминается под названием "Сон Степана Разина") это народная песня русских казаков. Песня, вероятно, относится к стоянке казаков на островах Каспийского моря. 
Слушайте на Telegram/YouTube/SoundCloud, надеюсь, вам она понравится!
Желаю всем всего самого доброго!❤️

My new recording is an interpretation of the Russian folk song "Oy da ne vecher", a song with guitar, harmonies and piano. 
"Oy da ne vecher" (also referred to as "Stepan Razin's Dream") is a folk song of the Russian Cossacks. The song probably refers to the Cossacks' camp on the islands of the Caspian Sea.
Listen on Telegram/YouTube/SoundCloud, hope you will like it!
Wishing you all the best!❤️  

Follow me:
♬ YouTube    ▸ https://www.youtube.com/@NiveaVespera
♬ Telegram   ▸ https://t.me/niveavespera
♬ Instagram  ▸ https://www.instagram.com/niveavespera/
♬ Soundcloud ▸ https://soundcloud.com/niveavespera
♬ Bandcamp   ▸ https://niveavespera.bandcamp.com
♬ VK         ▸ https://vk.com/niveavesperamusic
♬ All platforms ▸ https://ffm.bio/niveavespera

Фотография: My September, церковь Покрова на Нерли 
Photography: My September, ancient temple of the Intercession on the Nerl River

Ой да не вечер

Ой да не вечер, да не вечер
Мне малым мало спалось
Мне малым мало спалось
Ой, да во сне привиделось

Мне во сне привиделось
Будто конь мой вороной
Разгулялся, расплясался
Ой, разрезвился подо мной

Налетели ветры злые
Со восточной стороны
И сорвали мою шапку 
Ой, с моей буйной головы

Ой да не вечер, да не вечер
Мне малым мало спалось
Мне малым мало спалось
Ой, да во сне привиделось
---

Oh it's not evening

Oh, it's not evening, it's not evening
I didn't sleep much 
I didn't sleep much 
Oh, it seemed to me in a dream

I dreamed
As if my black horse 
Went wild, danced
Oh, he frolicked under me

Evil winds came 
From the eastern side
And tore my hat 
Oh, from my wild head

Oh, it's not evening, it's not evening
I didn't sleep much 
I didn't sleep much 
Oh, it seemed to me in a dream


🎞️YouTube

Ой да не вечер

royal bathhouse

Instrumental  new age music and ambient music from various albums by UK Musician Paul Landry.
© 2019 Paul Landry
℗ 2025 Ditto Music LTD



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Liverpool pt 1

Ambient Dreamscapes for you to enjoy. Relax, unwind, meditate and chillout

NECRONOMICON DREAMS No55 HEAL THYSELF

“A painter paints pictures on canvas but musicians paint their pictures on silence.” -  Leopold Stokowski

A member of Cellar Door which you can find here: https://soundcloud.com/cdoor

"The most powerful and magical language is music. The reason for this is that music is the original language. Music is not ornamented poetry, and poetry is not ornamented prose. Poetry is fallen music, and prose is fallen poetry. Prose is not the original language; it is poetry made practical. Even poetry is not the original language; it is music made speakable, it is the words of music separated from their music. In the beginning was music." (Peter Kreeft, Philosophy of Tolkien)

Kintsugi

Classical Glass

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